Nombre de documents

17

CV de Thomas Dutoit


Chapitre d'ouvrage3 documents

Pré-publication, Document de travail1 document

  • Thomas Dutoit. From Cosmopolitical Literature to Cosmo-panto-mimesis and "this strange institution called 'literature'": Kant, Borges, Derrida. No comment. 2015. <hal-01202389>

Article dans une revue13 documents

  • Thomas Dutoit. Boring Gravel: Literary Earth, Alice Munro's Geolithic. Etudes Canadiennes. Canadian Studies, 2015, Canadian-ness of Alice Munro; Visibility of Canadian Literature, 77 (2/ 2014), pp.77-110. <www.afec33.asso.fr>. <hal-01128469>
  • Thomas Dutoit. Boring Gravel: Literary Earth, Alice Munro's Ontario Geolithic: The Piece of You Trekked; or, on the Non-alignment of Enclosures and Exposures in Alice Munro. Etudes canadiennes / Canadian studies, 2014, Alice Munro's Canadian Writing. The Visibility of Canadian Literature, 77 (2), pp.77-110. <www.afec33.asso.fr>. <hal-01127723>
  • Thomas Dutoit. Sheer Difference, or, Mining Mental Prospects in Lyrical Ballads(1798). Orbis Litterarum, Wiley, 2014, Romanticism and Memory, 69 (2), pp.171-192. <10.1111/oli.12056>. <hal-01127714>
  • Thomas Dutoit. Just ... Mimesis: Jack Hitt's Act V. Revue Française d'Etudes Américaines, Paris : Association Française d'études américaines, 2013, Mimesis in American Literature, 1 (135), pp.94-109. <hal-01131625>
  • Thomas Dutoit. Ruins; or the Being of Time as History in Elizabeth Bowen’s The Heat of the Day. Etudes britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2012, Ruins. Colloque de la SEAC, Londres, novembre 2011, 43, pp.73-94. <http://ebc.revues.org/1322>. <10.4000/ebc.1322>. <hal-01127707>
  • M Burylo, F Rey, Thomas Dutoit. Responses of five woody species to burial by marly sediment: the role of biomass allocation pattern flexibility.. Journal of plant ecology, 2012, <10.1093/jpe/rtr030>. <hal-01335645>
  • Thomas Dutoit. Chain err-reading: Jane Eyre by Charlotte Brontë. L'Atelier, Presses Universitaires de Paris Ouest, 2011, Reading Misreading, Vol. 3 (No 1), pp.37-68. <hal-01119067>
  • Thomas Dutoit. Homo-hetero-phono-graphy: on Quentin Tarantino's _Pulp Fiction_. Etudes Anglaises, Klincksieck, 2008, Genre(s), 61 (3), pp.340-49. <hal-01127815>
  • Thomas Dutoit. Cut to the Quick, les mains ensanglotées: the Quick and the Dead in Respect to Derrida. Tropismes, 2007, 14, pp.33-53. <http://revues.u-paris10.fr/index.php/tropismes/article/view/386/474>. <hal-01131618>
  • Thomas Dutoit. Theory Impossible: Translation in the Transnational University. Tropismes, 2004, Whither Theory? Où va la théorie ?, 12 (1), pp.87-114. <http://revues.u-paris10.fr/index.php/tropismes/article/view/355/443>. <hal-01131613>
  • Thomas Dutoit. After the Real. La Revue du GRAAT, 1999, Ré-inventer le réel, 20, pp.221-255. <hal-01148612>
  • Thomas Dutoit. Symbolic or Monetary Exchange: Money, Hospitality and the Home in Edith Wharton's _The House of Mirth_. Tropismes, 1999, L'argent, http://revues.u-paris10.fr/index.php/tropismes/article/view/381/469. <hal-01148556>
  • Thomas Dutoit. Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist. Colloquia Germanica, University of Kentucky, 1994, 27 (3), pp.225-254. <hal-01148607>