Overview of work

Thomas Dutoit. & co-graphy. Oxford Literary Review, 2019, 41 (1), pp.68-87. ⟨10.3366/olr.2019.0266⟩. ⟨hal-02956723⟩

Thomas Dutoit. Boring Gravel: Literary Earth, Alice Munro's Geolithic. Études canadiennes / Canadian Studies : Revue interdisciplinaire des études canadiennes en France, Association française des études canadiennes (AFEC), 2015, Canadian-ness of Alice Munro; Visibility of Canadian Literature, 77 (2/ 2014), pp.77-110. ⟨10.4000/eccs.467⟩. ⟨hal-01128469⟩

Thomas Dutoit. Sheer Difference, or, Mining Mental Prospects in Lyrical Ballads(1798). Orbis Litterarum, Wiley, 2014, Romanticism and Memory, 69 (2), pp.171-192. ⟨10.1111/oli.12056⟩. ⟨hal-01127714⟩

Thomas Dutoit. Boring Gravel: Literary Earth, Alice Munro's Ontario Geolithic: The Piece of You Trekked; or, on the Non-alignment of Enclosures and Exposures in Alice Munro. Études canadiennes / Canadian Studies : Revue interdisciplinaire des études canadiennes en France, Association française des études canadiennes (AFEC), 2014, Alice Munro's Canadian Writing. The Visibility of Canadian Literature, 77 (2), pp.77-110. ⟨hal-01127723⟩

Thomas Dutoit. Just ... Mimesis: Jack Hitt's Act V. Revue Française d'Etudes Américaines, Paris : Association Française d'études américaines, 2013, Mimesis in American Literature, 1 (135), pp.94-109. ⟨hal-01131625⟩

Thomas Dutoit. Ruins; or the Being of Time as History in Elizabeth Bowen’s The Heat of the Day. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2012, Ruins. Colloque de la SEAC, Londres, novembre 2011, 43, pp.73-94. ⟨10.4000/ebc.1322⟩. ⟨hal-01127707⟩

M Burylo, F Rey, Thomas Dutoit. Responses of five woody species to burial by marly sediment: the role of biomass allocation pattern flexibility.. Journal of Plant Ecology, Wiley, 2012, 5 (3), pp.287-293. ⟨10.1093/jpe/rtr030⟩. ⟨hal-01335645⟩

Thomas Dutoit. Chain err-reading: Jane Eyre by Charlotte Brontë. L'Atelier, Presses universitaires Paris Ouest, 2011, Reading Misreading, Vol. 3 (No 1), pp.37-68. ⟨hal-01119067⟩

Thomas Dutoit. Homo-hetero-phono-graphy: on Quentin Tarantino's _Pulp Fiction_. Etudes Anglaises, Klincksieck, 2008, Genre(s), 61 (3), pp.340-49. ⟨hal-01127815⟩

Thomas Dutoit. Cut to the Quick, les mains ensanglotées: the Quick and the Dead in Respect to Derrida. Tropismes, CREA - Centre de Recherches Anglophones, 2007, 14, pp.33-53. ⟨hal-01131618⟩

Thomas Dutoit. Theory Impossible: Translation in the Transnational University. Tropismes, CREA - Centre de Recherches Anglophones, 2004, Whither Theory? Où va la théorie ?, 12 (1), pp.87-114. ⟨hal-01131613⟩

Thomas Dutoit. Symbolic or Monetary Exchange: Money, Hospitality and the Home in Edith Wharton's The House of Mirth.. Tropismes, CREA - Centre de Recherches Anglophones, 1999, L'argent comme échange symbolique, 9, pp.113-136. ⟨hal-01588693⟩

Thomas Dutoit. After the Real. La Revue du GRAAT, 1999, Ré-inventer le réel, 20, pp.221-255. ⟨hal-01148612⟩

Thomas Dutoit. Symbolic or Monetary Exchange: Money, Hospitality and the Home in Edith Wharton's _The House of Mirth_. Tropismes, CREA - Centre de Recherches Anglophones, 1999, L'argent. ⟨hal-01148556⟩

Thomas Dutoit. Re-specting the Face as the Moral (of) Fiction in Mary Shelley's _Frankenstein_. Modern Language Notes, Johns Hopkins University Press, 1994, 109 (5), pp.847-871. ⟨hal-01588696⟩

Thomas Dutoit. Rape, Crypt, Fantasm: Kleist's Marquise of O.... Mosaic -Winnipeg-, Mosaic, 1994, 27 (3), pp.45-64. ⟨hal-01588697⟩

Thomas Dutoit. Ghost Stories, The Sublime and Fantastic Thirds in Kant and Kleist. Colloquia Germanica, University of Kentucky, 1994, 27 (3), pp.225-254. ⟨hal-01148607⟩

Thomas Dutoit. Speculations about the obsession with mastery in Jane Austen and Jacques Derrida. Claire Fabre, Marc Amfreville. Les formes de l'obsession dans la fiction anglaise et américaine, Editions Michel Houdiard, pp.74-94, 2007, 2-912673-70-4. ⟨hal-01588694⟩

Thomas Dutoit. The Disappearance of the Dead From Real and Imaginary Epitaphs of Seventeenth and Eighteenth Century England. Adrienne Lezzi-Hafter. Les pierres de l'offrande. Autour de l'oeuvre de Christoph W. Clairmont, 2, Akanthus Verlag für Archäologie, pp.136-159, 2003, 3-905083-19-1. ⟨hal-01131615⟩

Thomas Dutoit. Une cartographie du sublime au XVIIIe siècle. Max Duperray. Le roman noir anglais dit 'Gothique', Ellipses, pp.20-28, 2000. ⟨hal-01588690⟩

Thomas Dutoit. Pour une caméoléopoétique: Keats et Hazlitt. Presses Universitaires de Clermont Ferrand; Centre de Recherches sur les Littératures Modernes et Contemporaines. Poétiques de l'indéterminé: le caméléon au propre et au figuré , pp.89-106, 1999. ⟨hal-01588688⟩

Thomas Dutoit. The Spectralization of Servants in _The Mysteries of Udolpho_. Les Mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais sur Les Mystères d'Udolphe d'Ann Radcliffe (1794), 1999. ⟨hal-01149181⟩

Thomas Dutoit. Epiphanic Reading in Ann Radcliffe's The Mysteries of Udolpho. Wim Tigges. Moments of Moment. Aspects of the Literary Epiphany, 25, Rodopi, pp.85-100, 1999, Studies in Literature, 90-420-0636-6. ⟨hal-01163536⟩

Thomas Dutoit. The Spectralization of Servants in Ann Radcliffe's _The Mysteries of Udolpho_. Presses Universitaires de Provence. Les mystères de Mrs Radcliffe. The Mysteries of Udolpho revisited. Nouveaux essais. , pp.139-162, 1999. ⟨hal-01588691⟩

Thomas Dutoit. Pour une caméléopoétique: Keats et Hazlitt. Valérie-Angélique Deshoulières. Poétiques de l'indéterminé: le caméléon au propre et au figuré, Presses Universitaires de Clermont Ferrand, pp.89-106, 1998, Littératures, 2-909880-35-4. ⟨hal-01131723⟩

Thomas Dutoit. Apart from MacNeice. 2020. ⟨hal-02956762⟩

Thomas Dutoit. Oscillations; or, the Display of Affect in Mad Max. Fury Road Pre-publication draft of paper that appeared in: Visual Worlds: The Aesthetics and Politics of Affect, dir. Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva, Sofia University Press, 2018, 33-41. https://polis-publishers.com/kniga/visual-worlds-the-aesthetics-and-politics-of-affect-e-book/. 2020. ⟨hal-02956827⟩

Thomas Dutoit. "Dare He Die, Dear Reader: obligasequence, éblouibélierséquence". 2017. ⟨hal-01665852⟩

Thomas Dutoit. From Cosmopolitical Literature to Cosmo-panto-mimesis and "this strange institution called 'literature'": Kant, Borges, Derrida. 2015. ⟨hal-01202389⟩