Nombre de documents

48


Article dans une revue15 documents

  • Maëva Garnier, Lucie Ménard, Boris Alexandre. Hyper-articulation in Lombard speech: An active communicative strategy to enhance visible speech cues?. Journal of the Acoustical Society of America, Acoustical Society of America, 2018, 144 (2), pp.1059 - 1074. 〈10.1121/1.5051321〉. 〈hal-01867421〉
  • Remacle Angélique, Maëva Garnier, Silvain Gerber, David Claire, Pétillon Caroline. Vocal Change Patterns During a Teaching Day: Inter- and Intra-Subject Variability. Journal of Voice, Elsevier, 2018, 32 (1), pp.57-63. 〈10.1016/j.jvoice.2017.03.008〉. 〈hal-01525781〉
  • Tracy Bourne, Maëva Garnier, Adeline Samson. Physiological and acoustic characteristics of the male music theatre voice. Journal of the Acoustical Society of America, Acoustical Society of America, 2016, 140, pp.610-621. 〈10.1121/1.4954751〉. 〈hal-01349109〉
  • Martin Cooke, Simon King, Maëva Garnier, Vincent Aubanel. The listening talker: A review of human and algorithmic context-induced modifications of speech. Computer Speech and Language, Elsevier, 2014, 28 (2), pp.543-571. 〈10.1016/j.csl.2013.08.003〉. 〈hal-00874986〉
  • Maëva Garnier, Nathalie Henrich Bernardoni. Speaking in noise: How does the Lombard effect improve acoustic contrasts between speech and ambient noise?. Computer Speech and Language, Elsevier, 2014, 28 (2), pp.580-597. 〈10.1016/j.csl.2013.07.005〉. 〈hal-00874988〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Converging toward a common speech code: imitative and perceptuo-motor recalibration processes in speech production. Frontiers in Psychology, Frontiers, 2013, pp.422. 〈10.3389/fpsyg.2013.00422〉. 〈hal-00874984〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of phonetic convergence and speech imitation. Frontiers in Psychology, Frontiers, 2013, pp.Article 600. 〈10.3389/fpsyg.2013.00600〉. 〈hal-00874982〉
  • Tracy Bourne, Maëva Garnier. Physiological and acoustic characteristics of the female music theater voice. Journal of the Acoustical Society of America, Acoustical Society of America, 2012, 131 (2), pp.1586-1594. 〈10.1121/1.3675010〉. 〈hal-00670311〉
  • Maëva Garnier, Nathalie Henrich, Lise Crevier-Buchman, Coralie Vincent, John Smith, et al.. Glottal behavior in the high soprano range and the transition to the whistle register. Journal of the Acoustical Society of America, Acoustical Society of America, 2012, 131 (1 - Part 2), pp.951-962. 〈10.1121/1.3664008〉. 〈hal-00660394〉
  • Maëva Garnier, Nathalie Henrich Bernardoni, Danièle Dubois. Influence of Sound Immersion and Communicative Interaction on the Lombard Effect. Journal of Speech, Language, and Hearing Research, American Speech-Language-Hearing Association, 2010, 53 (3), pp.588-608. 〈hal-00480027〉
  • Maëva Garnier, Nathalie Henrich, John Smith, Joe Wolfe. Vocal tract adjustments in the high soprano range. Journal of the Acoustical Society of America, Acoustical Society of America, 2010, 127 (6), pp.3771-3780. 〈10.1121/1.3419907〉. 〈hal-00480078〉
  • Joe Wolfe, Maëva Garnier, John Smith. Vocal tract resonances in speech, singing, and playing musical instruments. Human Frontier Science Program Journal, 2009, 3, pp.6-23. 〈hal-00214308〉
  • Nathalie Henrich Bernardoni, Pascal Bezard, Robert Expert, Maëva Garnier, Christian Guerin, et al.. Towards a Common Terminology to Describe Voice Quality in Western Lyrical Singing: Contribution of a Multidisciplinary Research Group. Journal of interdisciplinary music studies, Gordon and Breach, 2008, 2 (1&2), pp.71-93. 〈hal-00297248〉
  • Maëva Garnier, Nathalie Henrich Bernardoni, Michèle Castellengo, David Sotiropoulos, Danièle Dubois. Characterisation of Voice Quality in Western Lyrical Singing: from Teachers' Judgements to Acoustic Descriptions. Journal of interdisciplinary music studies, Gordon and Breach, 2007, 1 (2), pp.62-91. 〈hal-00204134〉
  • Maéva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich Bernardoni, Michèle Castellengo. Etude de la qualité vocale dans le chant lyrique. Scolia, Université des sciences humaines Strasbourg, 2005, 20, pp.151-169. 〈hal-00105104〉

Communication dans un congrès28 documents

  • Maëva Garnier, Marion Dohen, Louis Buttiaux, Silvain Gerber. Clarification et correction d'indices segmentaux : une étude pilote sur les consonnes occlusives du français. 32e Journées d'Etude de la Parole (JEP 2018), Jun 2018, Aix en Provence, France. Actes des 32e Journées d'Etude de la Parole, 〈https://jep2018.sciencesconf.org/〉. 〈hal-01867439〉
  • Maëva Garnier, Anaïs Dafonseca, Christophe Savariaux, Thibault Cattelain. Efforts de production de parole chez les personnes qui bégaient. Journées d'Etude de la Parole, Jun 2018, Aix en Provence, France. 〈hal-01867444〉
  • Thibault Cattelain, Maëva Garnier, Christophe Savariaux, Silvain Gerber, Pascal Perrier. Analyse électromyographique de la production des plosives labiales : enjeux méthodologiques. Journées d'Etude de la Parole, Jun 2018, Aix en Provence, France. XXXIIe Journées d’Études sur la Parole 4-8 juin 2018, Aix-en-Provence, France. 〈hal-01867567〉
  • Thibault Cattelain, Maëva Garnier, Christophe Savariaux, Pascal Perrier. Time activation patterns of orofacial muscles in labial stop consonants.. The 11th International Seminar on Speech Production, Oct 2017, Tianjin, China. 〈http://www.issp2017.org.cn/〉. 〈hal-01652942〉
  • Thibault Cattelain, Maëva Garnier, Pascal Perrier, Christophe Savariaux. Muscle activation patterns in labial stop consonants. 7th International Conference on Speech Motor Control (SMC 2017), Jul 2017, Groningen, Netherlands. Stem-, Spraak - En Taalpathologie, Rijksuniversiteit, Groningen, 22, Supplement, pp.45, 2017. 〈hal-01652889〉
  • Maëva Garnier, Sarah Bouhake, Christophe Jeannin. Efforts and coordination in the production of bilabial consonants. 10th International Seminar on Speech Production (ISSP 2014), May 2014, Cologne, Germany. pp.138-141, 2014. 〈hal-00990719〉
  • John Smith, Joe Wolfe, Nathalie Henrich, Maëva Garnier. Diverse resonance tuning strategies for women singers. Roberto Bresin and Anders Askenfeldt. Stockholm Music Acoustics Conference SMAC 2013, Jul 2013, Paris, Sweden. pp.306-310, 2013. 〈hal-00923955〉
  • Maëva Garnier, Lucie Ménard, Gabrielle Richard. Effect of being seen on the production of visible speech cues. A pilot study on Lombard speech. 13th Annual Conference of the International Speech Communication Association (InterSpeech 2012), Sep 2012, Portland, United States. Proceedings of Interspeech, pp.611-614, 2012. 〈hal-00990720〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Plasticity of sensory-motor goals in speech production: behavioral evidence from phonetic convergence and speech imitation. ISICS 2012: International Symposium on Imitation and Convergence in Speech, Sep 2012, Aix-en-Provence, France. pp.47-48. 〈hal-00762370〉
  • Nathalie Henrich Bernardoni, Maëva Garnier, John Smith, Joe Wolfe. Vocal-tract resonances and tuning strategies in singing. 5th International Congress of the World Voice Consortium, Oct 2012, Louxor, Egypt. 〈hal-00769559〉
  • Nathalie Henrich Bernardoni, Maëva Garnier, John Smith, Joe Wolfe. Measurements of vocal-tract resonances in singing using the input-impedance technique. NYU International Voice Symposium, Jan 2012, New York, United States. 〈hal-00769540〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of intentional versus automatic imitation of speech. 17th Annual Meeting of the Organization for Human Brain Mapping, Jun 2011, Québec City, Canada. 2011. 〈hal-00576050〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Plasticity of auditory goals in speech production: behavioral evidence from phonetic convergence and speech imitation.. 9th International Seminar on Speech Production (ISSP 2011), Jun 2011, Montreal, Canada. pp.n/c, 2011. 〈hal-00576063〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of phonetic convergence and speech imitation. 9th International Seminar on Speech Production (ISSP 2011), Jun 2011, Montreal, Canada. pp.n/c, 2011. 〈hal-00576055〉
  • Maëva Garnier, Nathalie Henrich Bernardoni, John Smith, Joe Wolfe. Glottal behaviour, resonance tuning and the upper limit to the high soprano range. 5th International Conference on Physiology and Acoustics of Singing (PAS 5), Aug 2010, Stockholm, Sweden. 〈hal-00540521〉
  • Maëva Garnier, Nathalie Henrich Bernardoni, John Smith, Joe Wolfe. The tuning of vocal resonances and the upper limit to the high soprano range. International Symposium on Music Acoustics (ISMA 2010), Aug 2010, Sydney and Katoomba, Australia. pp.11-16, 2010. 〈hal-00526131〉
  • Tracy Bourne, Maëva Garnier. Physiological and acoustic characteristics of the female music theatre voice in 'belt' and 'legit' qualities. International Symposium on Music Acoustics, Aug 2010, Katoomba, Australia. pp.9-13, 2010. 〈hal-00526129〉
  • Maëva Garnier. May speech modifications in noise contribute to enhance audio-visible cues to segment perception?. International Conference on Auditory-Visual Speech Processing, Sep 2008, Moreton Island, Australia. pp.95-100, 2008. 〈hal-00526127〉
  • Maëva Garnier, Joe Wolfe, Nathalie Henrich Bernardoni, John Smith. Interrelationship between vocal effort and vocal tract acoustics: a pilot study. ICSLP, 2008, Brisbane, Australia. pp.1, 2008. 〈hal-00371603〉
  • Nathalie Henrich Bernardoni, Pascal Bezard, Robert Expert, Maëva Garnier, Christian Guerin, et al.. Perception and verbalisation of voice quality in western lyrical singing: Contribution of a multidisciplinary research group. K. Maimets-Volt, R. Parncutt, M. Marin & J. Ross. 3rd Conference on Interdisciplinary Musicology, CIM07, Aug 2007, Tallinn, Estonia. 2007. 〈hal-00204136〉
  • Maëva Garnier, Lucie Bailly, Marion Dohen, Pauline Welby, Helene Loevenbruck. Étude acoustique et articulatoire de la parole Lombard : Effets globaux sur l'énoncé entier. XXVIemes Journees d'Etudes sur la Parole, Jun 2006, Dinard, France. pp.077, 2006. 〈hal-00214304〉
  • Maëva Garnier, Marion Dohen, Helene Loevenbruck, Pauline Welby, Lucie Bailly. The Lombard Effect: a physiological reflex or a controlled intelligibility enhancement?. 7th International Seminar on Speech Production, Dec 2006, Ubatuba, Brazil. pp.255-262, 2006. 〈hal-00214307〉
  • Maëva Garnier, Lucie Bailly, Marion Dohen, Pauline Welby, Hélène Loevenbruck. An Acoustic and Articulatory Study of Lombard Speech: Global Effects on the Utterance. Interspeech/ICSLP 2006, Sep 2006, Pittsburgh, United States. p. 2246-2249, 2006. 〈hal-00370947〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich Bernardoni. Constitution de corpus de parole semi-spontanée en environnement bruyant : intérêts et applications d'une telle méthodologie. Rencontres Jeunes Chercheurs "langues et langage", 2006, paris, France. pp.1, 2006. 〈hal-00371661〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich Bernardoni. Bruit et voix: de l'adaptation au forçage vocal. Workshop Perturbations et réajustements, 2006, Haguenau, France. pp.1, 2006. 〈hal-00371658〉
  • Maëva Garnier, Nathalie Henrich Bernardoni, Danièle Dubois, Jacques Poitevineau, Jean-Dominique Polack. Peut-on considérer l'effet Lombard comme un phénomène linéaire en fonction du niveau de bruit ?. 8ième Congrès Français d'Acoustique, 2006, Tours, France. pp.1, 2006. 〈hal-00371664〉
  • Maëva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich Bernardoni, Michèle Castellengo. Perception et mise en langue de la qualité vocale dans le chant lyrique. Journée le Sensolier, 2005, Paris, France. pp.1, 2005. 〈hal-00371670〉
  • Maëva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich Bernardoni, Michèle Castellengo. Perception et description verbale de la qualité vocale dans le chant lyrique: une approche cognitive. XXV Journées d'Etude sur la Parole, 2004, Fez, Maroc. pp.1, 2004. 〈hal-00371673〉

Chapitre d'ouvrage4 documents

  • Joe Wolfe, Maëva Garnier, Nathalie Henrich Bernardoni, John Smith. The mechanics and acoustics of the singing voice: registers, resonances and the source-filter interaction. Frank Russo, Beatriz Ilari, Annabel Cohen. Routledge Companion to Interdisciplinary Studies in Singing: Volume I Development. , In press. 〈hal-01679420〉
  • Tracy Bourne, Maëva Garnier. Music theatre voice: Production, physiology and pedagogy. Scott Harrison. Perspectives on Teaching Singing. Australian Vocal Pedagogues Sing Their Stories, Australian Academic Press, pp.1-19, 2010. 〈hal-00526112〉
  • Maëva Garnier. Forçage vocal et efficacité de communication. Peggy Gatignol. La voix dans tous ses maux, Ortho Edition, pp.83-107, 2009. 〈hal-00526116〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich Bernardoni. Bruit et voix: de l'adaptation au forçage vocal : Conceptions et implications méthodologiques. B. Vaxelaire, R. Sock, G. Kleiber et F. Marsac. Perturbations et Reajustements. Langue et langage., Université M. Bloch, pp.63-71, 2007. 〈hal-00348704〉

Thèse1 document

  • Maëva Garnier. Communiquer en environnement bruyant :
    de l'adaptation jusqu'au forçage vocal. Linguistique. Université Pierre et Marie Curie - Paris VI, 2007. Français. 〈tel-00177691〉