Nombre de documents

41


Article dans une revue14 documents

  • Remacle Angélique, Maëva Garnier, Silvain Gerber, David Claire, Pétillon Caroline. Vocal Change Patterns During a Teaching Day: Inter- and Intra-Subject Variability. Journal of Voice, Elsevier, 2017, pp.In Press, Corrected Proof. 〈10.1016/j.jvoice.2017.03.008〉. 〈hal-01525781〉
  • Tracy Bourne, Maëva Garnier, Adeline Samson. Physiological and acoustic characteristics of the male music theatre voice. Journal of the Acoustical Society of America, Acoustical Society of America, 2016, 140 (1), pp.610-621. 〈10.1121/1.4954751〉. 〈hal-01349109〉
  • Martin Cooke, Simon King, Maëva Garnier, Vincent Aubanel. The listening talker: A review of human and algorithmic context-induced modifications of speech. Computer Speech and Language, Elsevier, 2014, 28 (2), pp.543-571. 〈10.1016/j.csl.2013.08.003〉. 〈hal-00874986〉
  • Maëva Garnier, Nathalie Henrich. Speaking in noise: How does the Lombard effect improve acoustic contrasts between speech and ambient noise?. Computer Speech and Language, Elsevier, 2014, 28 (2), pp.580-597. 〈10.1016/j.csl.2013.07.005〉. 〈hal-00874988〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of phonetic convergence and speech imitation. Frontiers in Psychology, Frontiers, 2013, pp.Article 600. 〈10.3389/fpsyg.2013.00600〉. 〈hal-00874982〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Converging toward a common speech code: imitative and perceptuo-motor recalibration processes in speech production. Frontiers in Psychology, Frontiers, 2013, pp.422. 〈10.3389/fpsyg.2013.00422〉. 〈hal-00874984〉
  • Tracy Bourne, Maëva Garnier. Physiological and acoustic characteristics of the female music theater voice. Journal of the Acoustical Society of America, Acoustical Society of America, 2012, 131 (2), pp.1586-1594. 〈10.1121/1.3675010〉. 〈hal-00670311〉
  • Maëva Garnier, Nathalie Henrich, Lise Crevier-Buchman, Coralie Vincent, John Smith, et al.. Glottal behavior in the high soprano range and the transition to the whistle register. Journal of the Acoustical Society of America, Acoustical Society of America, 2012, 131 (1 - Part 2), pp.951-962. 〈10.1121/1.3664008〉. 〈hal-00660394〉
  • Maëva Garnier, Nathalie Henrich, John Smith, Joe Wolfe. Vocal tract adjustments in the high soprano range. Journal of the Acoustical Society of America, Acoustical Society of America, 2010, 127 (6), pp.3771-3780. 〈10.1121/1.3419907〉. 〈hal-00480078〉
  • Maëva Garnier, Nathalie Henrich, Danièle Dubois. Influence of Sound Immersion and Communicative Interaction on the Lombard Effect. Journal of Speech, Language, and Hearing Research, American Speech-Language-Hearing Association, 2010, 53 (3), pp.588-608. 〈hal-00480027〉
  • Joe Wolfe, Maëva Garnier, John Smith. Vocal tract resonances in speech, singing, and playing musical instruments. Human Frontier Science Program Journal, 2009, 3, pp.6-23. 〈hal-00214308〉
  • Nathalie Henrich, Pascal Bezard, Robert Expert, Maëva Garnier, Christian Guerin, et al.. Towards a Common Terminology to Describe Voice Quality in Western Lyrical Singing: Contribution of a Multidisciplinary Research Group. Journal of interdisciplinary music studies, Gordon and Breach, 2008, 2 (1&2), pp.71-93. 〈hal-00297248〉
  • Maëva Garnier, Nathalie Henrich, Michèle Castellengo, David Sotiropoulos, Danièle Dubois. Characterisation of Voice Quality in Western Lyrical Singing: from Teachers' Judgements to Acoustic Descriptions. Journal of interdisciplinary music studies, Gordon and Breach, 2007, 1 (2), pp.62-91. 〈hal-00204134〉
  • Maéva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich, Michèle Castellengo. Etude de la qualité vocale dans le chant lyrique. Scolia, Université des sciences humaines Strasbourg, 2005, 20, pp.151-169. 〈hal-00105104〉

Communication dans un congrès23 documents

  • Maëva Garnier, Sarah Bouhake, Christophe Jeannin. Efforts and coordination in the production of bilabial consonants. 10th International Seminar on Speech Production (ISSP 2014), May 2014, Cologne, Germany. pp.138-141, 2014. 〈hal-00990719〉
  • John Smith, Joe Wolfe, Nathalie Henrich, Maëva Garnier. Diverse resonance tuning strategies for women singers. Roberto Bresin and Anders Askenfeldt. Stockholm Music Acoustics Conference SMAC 2013, Jul 2013, Paris, Sweden. pp.306-310, 2013. 〈hal-00923955〉
  • Maëva Garnier, Lucie Ménard, Gabrielle Richard. Effect of being seen on the production of visible speech cues. A pilot study on Lombard speech. 13th Annual Conference of the International Speech Communication Association (InterSpeech 2012), Sep 2012, Portland, United States. Proceedings of Interspeech, pp.611-614, 2012. 〈hal-00990720〉
  • Nathalie Henrich, Maëva Garnier, John Smith, Joe Wolfe. Vocal-tract resonances and tuning strategies in singing. 5th International Congress of the World Voice Consortium, Oct 2012, Louxor, Egypt. 〈hal-00769559〉
  • Nathalie Henrich, Maëva Garnier, John Smith, Joe Wolfe. Measurements of vocal-tract resonances in singing using the input-impedance technique. NYU International Voice Symposium, Jan 2012, New York, United States. 〈hal-00769540〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Plasticity of sensory-motor goals in speech production: behavioral evidence from phonetic convergence and speech imitation. ISICS 2012: International Symposium on Imitation and Convergence in Speech, Sep 2012, Aix-en-Provence, France. pp.47-48. 〈hal-00762370〉
  • Marc Sato, Krystyna Grabski, Maëva Garnier, Lionel Granjon, Jean-Luc Schwartz, et al.. Plasticity of auditory goals in speech production: behavioral evidence from phonetic convergence and speech imitation.. 9th International Seminar on Speech Production (ISSP 2011), Jun 2011, Montreal, Canada. pp.n/c, 2011. 〈hal-00576063〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of phonetic convergence and speech imitation. 9th International Seminar on Speech Production (ISSP 2011), Jun 2011, Montreal, Canada. pp.n/c, 2011. 〈hal-00576055〉
  • Maëva Garnier, Laurent Lamalle, Marc Sato. Neural correlates of intentional versus automatic imitation of speech. 17th Annual Meeting of the Organization for Human Brain Mapping, Jun 2011, Québec City, Canada. 2011. 〈hal-00576050〉
  • Tracy Bourne, Maëva Garnier. Physiological and acoustic characteristics of the female music theatre voice in 'belt' and 'legit' qualities. International Symposium on Music Acoustics, Aug 2010, Katoomba, Australia. pp.9-13, 2010. 〈hal-00526129〉
  • Maëva Garnier, Nathalie Henrich, John Smith, Joe Wolfe. The tuning of vocal resonances and the upper limit to the high soprano range. International Symposium on Music Acoustics (ISMA 2010), Aug 2010, Sydney and Katoomba, Australia. pp.11-16, 2010. 〈hal-00526131〉
  • Maëva Garnier, Nathalie Henrich, John Smith, Joe Wolfe. Glottal behaviour, resonance tuning and the upper limit to the high soprano range. 5th International Conference on Physiology and Acoustics of Singing (PAS 5), Aug 2010, Stockholm, Sweden. 〈hal-00540521〉
  • Maëva Garnier. May speech modifications in noise contribute to enhance audio-visible cues to segment perception?. International Conference on Auditory-Visual Speech Processing, Sep 2008, Moreton Island, Australia. pp.95-100, 2008. 〈hal-00526127〉
  • Maëva Garnier, Joe Wolfe, Nathalie Henrich, John Smith. Interrelationship between vocal effort and vocal tract acoustics: a pilot study. ICSLP, 2008, Brisbane, Australia. pp.1, 2008. 〈hal-00371603〉
  • Nathalie Henrich, Pascal Bezard, Robert Expert, Maëva Garnier, Christian Guerin, et al.. Perception and verbalisation of voice quality in western lyrical singing: Contribution of a multidisciplinary research group. K. Maimets-Volt, R. Parncutt, M. Marin & J. Ross. 3rd Conference on Interdisciplinary Musicology, CIM07, Aug 2007, Tallinn, Estonia. 2007. 〈hal-00204136〉
  • Maëva Garnier, Lucie Bailly, Marion Dohen, Pauline Welby, Hélène Loevenbruck. An Acoustic and Articulatory Study of Lombard Speech: Global Effects on the Utterance. Interspeech/ICSLP 2006, Sep 2006, Pittsburgh, United States. p. 2246-2249, 2006. 〈hal-00370947〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich. Constitution de corpus de parole semi-spontanée en environnement bruyant : intérêts et applications d'une telle méthodologie. Rencontres Jeunes Chercheurs "langues et langage", 2006, paris, France. pp.1, 2006. 〈hal-00371661〉
  • Maëva Garnier, Marion Dohen, Helene Loevenbruck, Pauline Welby, Lucie Bailly. The Lombard Effect: a physiological reflex or a controlled intelligibility enhancement?. 7th International Seminar on Speech Production, Dec 2006, Ubatuba, Brazil. pp.255-262, 2006. 〈hal-00214307〉
  • Maëva Garnier, Lucie Bailly, Marion Dohen, Pauline Welby, Helene Loevenbruck. Étude acoustique et articulatoire de la parole Lombard : Effets globaux sur l'énoncé entier. XXVIemes Journees d'Etudes sur la Parole, Jun 2006, Dinard, France. pp.077, 2006. 〈hal-00214304〉
  • Maëva Garnier, Nathalie Henrich, Danièle Dubois, Jacques Poitevineau, Jean-Dominique Polack. Peut-on considérer l'effet Lombard comme un phénomène linéaire en fonction du niveau de bruit ?. 8ième Congrès Français d'Acoustique, 2006, Tours, France. pp.1, 2006. 〈hal-00371664〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich. Bruit et voix: de l'adaptation au forçage vocal. Workshop Perturbations et réajustements, 2006, Haguenau, France. pp.1, 2006. 〈hal-00371658〉
  • Maëva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich, Michèle Castellengo. Perception et mise en langue de la qualité vocale dans le chant lyrique. Journée le Sensolier, 2005, Paris, France. pp.1, 2005. 〈hal-00371670〉
  • Maëva Garnier, Danièle Dubois, Jacques Poitevineau, Nathalie Henrich, Michèle Castellengo. Perception et description verbale de la qualité vocale dans le chant lyrique: une approche cognitive. XXV Journées d'Etude sur la Parole, 2004, Fez, Maroc. pp.1, 2004. 〈hal-00371673〉

Chapitre d'ouvrage3 documents

  • Tracy Bourne, Maëva Garnier. Music theatre voice: Production, physiology and pedagogy. Scott Harrison. Perspectives on Teaching Singing. Australian Vocal Pedagogues Sing Their Stories, Australian Academic Press, pp.1-19, 2010. 〈hal-00526112〉
  • Maëva Garnier. Forçage vocal et efficacité de communication. Peggy Gatignol. La voix dans tous ses maux, Ortho Edition, pp.83-107, 2009. 〈hal-00526116〉
  • Maëva Garnier, Danièle Dubois, Nathalie Henrich. Bruit et voix: de l'adaptation au forçage vocal : Conceptions et implications méthodologiques. B. Vaxelaire, R. Sock, G. Kleiber et F. Marsac. Perturbations et Reajustements. Langue et langage., Université M. Bloch, pp.63-71, 2007. 〈hal-00348704〉

Thèse1 document

  • Maëva Garnier. Communiquer en environnement bruyant :
    de l'adaptation jusqu'au forçage vocal. Linguistique. Université Pierre et Marie Curie - Paris VI, 2007. Français. 〈tel-00177691〉