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Number of documents

56

CV de Madelena Gonzalez


Liste des publications


Journal articles11 documents

  • Madelena Gonzalez, Cyrielle Garson. “ ‘What a Carve up!’ The Eclectic Aesthetics of Postmodernism and the Politics of Diversity in some examples of Contemporary British Verbatim Theatre”. Bare Lives – Etudes Britanniques Contemporaines, 2015. ⟨hal-03272966⟩
  • Madelena Gonzalez. “United States of Banana (2011), Elizabeth Costello (2003) and Fury (2001): Portrait of the Writer as the ‘Bad Subject’ of Globalisation”. Etudes britanniques contemporaines [en ligne] Ebc 51. Numéro "LOL", 2014. ⟨hal-03272970⟩
  • Madelena Gonzalez. “20th-21st Century British Literature: Recent Critical Trends: Global Studies/Postcolonial Studies”. Etudes britanniques contemporaines [en ligne] Ebc 51. Numéro "LOL", 2014, http://ebc.revues.org/1092. ⟨hal-03273017⟩
  • Madelena Gonzalez. “The Aesthetics of Post-Realism and the Obscenification of Everyday Life: The Novel in the Age of Technology”. Journal of Narrative Theory, Eastern Michigan University, 2008, 38 (1), pp.111-133. ⟨hal-03273042⟩
  • Madelena Gonzalez. “A Ghost of a Fiction: Fury and the Poetics of Simulacra”. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2008, 34, pp.145-159. ⟨hal-03273073⟩
  • Madelena Gonzalez. “Artistic ‘Fury’ in the Information Age: Nostalgia for the Real”. Information, Communication and Society, Taylor & Francis (Routledge), 2008, 11 (6), pp.765-780. ⟨hal-03273039⟩
  • Madelena Gonzalez. “‘Pourquoi y a–t-il Baudrillard plutôt que rien ?’ The Reception and Perception of Jean Baudrillard in France”. French Cultural Studies, SAGE Publications, 2008, 19 (3), pp.287-303. ⟨hal-03273035⟩
  • Madelena Gonzalez. “One Big Happy Family? Redefining World Literature in an Age of Global Capitalism: The Boundaries of the Exotic”. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2007, 32, pp.1-15. ⟨hal-03273078⟩
  • Madelena Gonzalez. “Sacred Orgasm and Profane Pæan: The Obscene Paradox of the Postmodern Baroque: Salman Rushdie’s The Ground Beneath Her Feet”. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2002, 23 (71-90). ⟨hal-03273080⟩
  • Madelena Gonzalez. “Defining Postmodernism”. Annales du Monde Anglophone, Montréal : Budapest : L'Harmattan, 1995, 1 (2), pp.49-59. ⟨hal-03273084⟩
  • Madelena Gonzalez. “Midnight’s Children by Salman Rushdie: A Voyage from Singularity to Multiplicity or, How to Make a Half Whole”. Le groupe et l’individu dans le monde, Lez Valenciennes, 1993, 15, pp.197-201. ⟨hal-03273091⟩

Conference papers5 documents

  • Madelena Gonzalez. « Esthétique (s), valeur (s) et réputation (s) dans le domaine de la littérature anglophone à l’ère de la mondialisation et de la société numérique ». Valeur(s) et reconnaissance du numérique, Jun 2017, Avignon, France. ⟨hal-03273177⟩
  • Madelena Gonzalez. “The Case of Minority Theatre in the Era of Globalization”. Interpreting Communities. Minority Writing in European Literary Fields, Oct 2015, London, United Kingdom. ⟨hal-03273179⟩
  • Madelena Gonzalez. “The Uncommon Wealth of Art: Poetic Progress as Resistance to the Commodification of Culture in United States of Banana (Giannina Braschi, 2011)”. Uncommon Wealths: Riches and Realities (15th Triennial Conference of EACLALS), Apr 2014, Innsbruck, Austria. ⟨hal-03273180⟩
  • Madelena Gonzalez. “Salman Rushdie’s Fury and the Poetics of Simulacra: Nostalgia for the Real”. Engaging Baudrillard, Sep 2006, Swansea, United Kingdom. ⟨hal-03273678⟩
  • Madelena Gonzalez. “Post-realist Aesthetics and the Obscenification of Everyday Life: Writing as Technology, Yellow Dog (Martin Amis, 2003), Fury (Salman Rushdie, 2001), Dorian: An Imitation (Will Self, 2002), The Powerbook (Jeanette Winterson, 2000)”. The 21st Century Novel: Reading and Writing Contemporary Fiction, Sep 2005, Lancaster, United Kingdom. ⟨hal-03273682⟩

Books1 document

  • Madelena Gonzalez. Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe, Amsterdam-New York, NY: Rodopi, 2005.. Rodopi, 2005. ⟨hal-03237612⟩

Book sections27 documents

  • Madelena Gonzalez. “Global Literature and the Death of the Novel: Rushdie in Retro-Perspective”. Richard Bradford; Madelena Gonzalez; Stephen Butler; James Ward; Kevin De Ornellas. The Wiley Blackwell Companion to Contemporary British and Irish Literature,, Wiley Blackwell, pp.781-792, 2020. ⟨hal-03240007⟩
  • Madelena Gonzalez. “The Uncommon Wealth of Art. Poetic Progress as Resistance to the Commodification of Culture in United States of Banana”. Frederick Luis Aldama; Tess O'Dwyer. On the Writings of Giannina Braschi. Poets, Philosophers, Lovers, Pittsburgh University Press, pp.23-31, 2020. ⟨hal-03240013⟩
  • Madelena Gonzalez. “Disappearing into the Front Page. The Case of Salman Rushdie and the Postmodern Memoir”. Richard Bradford. A Companion to Literary Biography, Wiley-Blackwell, pp.291-307, 2018. ⟨hal-03240016⟩
  • Madelena Gonzalez. “Salman Rushdie, The Satanic Verses (1988)”. Christoph Reinfandt. The English Novel 1900-2000: Text and Theory, De Gruyter, pp.403-423, 2017. ⟨hal-03240020⟩
  • Madelena Gonzalez. « À la recherche d’une voix, mais laquelle? L’esthétique du doute et l’aporie comme mode d’existence dans la trilogie Du sang au soleil de Nuruddin Farah ». Paola Cabot-Ranzini. Les littératures de la Corne d’Afrique. Regards croisés, Karthala, pp.107-138, 2016. ⟨hal-03240025⟩
  • Madelena Gonzalez. “The Return of the Real in Art and Politics—Putting Ideals into Practice”. Madelena Gonzalez; René Agostini. Aesthetics and Ideology in Contemporary Literature and Drama, Cambridge Scholars Press, pp.xi-xxviii, 2015. ⟨hal-03240086⟩
  • Madelena Gonzalez. “Minority Theatre in the Age of Globalization”,. Madelena Gonzalez; Hélène Laplace-Claverie. Minority Theatre on the Global Stage: Challenging Paradigms from the Margins, Cambridge Scholars Press, pp.ix-xxiv, 2012. ⟨hal-03242020⟩
  • Madelena Gonzalez. “Screening the Novel: The Novel as Screen: The Aesthetics of the Visual in Salman Rushdie’s Fury”. Ana Mendes. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders, Routledge; Taylor and Francis, pp.182-201, 2012. ⟨hal-03242021⟩
  • Madelena Gonzalez. “At Home in Theory? Teaching one’s Way through the Theory at Home”. Richard Bradford. Teaching Theory, Palgrave Macmillan, pp.127-145, 2011. ⟨hal-03242022⟩
  • Madelena Gonzalez. “The Identity of the Contemporary Novel: Generic Hybridity”. Madelena Gonzalez; Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.vii-xi, 2010. ⟨hal-03242025⟩
  • Madelena Gonzalez. “The Construction of Identity in Minority Theatre”. Madelena Gonzalez; Patrice Brasseur. Authenticity and Legitimacy In Minority Theatre: Constructing Identity, Cambridge Scholars Press, pp.ix-xxix, 2010. ⟨hal-03242023⟩
  • Madelena Gonzalez, Julien Bringuier. “Post 9/11 Fiction: A Journey through the Desert of the Real”. Marie-Odile Pittin-Hédon. Generic Instability and Identity in the Contemporary Novel, Cambridge Scholars Press, pp.220-237, 2010. ⟨hal-03242024⟩
  • Madelena Gonzalez. “Two Solitudes: Writing a French Novel in English : The Aesthetics of Minority Literature”. Agnès Whitfield. L’Écho de nos classique, Bonheur d’occasion et Two Solitudes en traduction, Editions David, pp.291-309, 2009. ⟨hal-03242027⟩
  • Madelena Gonzalez. « Castorf ressuscite Céline : pacte diabolique ou ‘déconstruction burlesque’ : les paradoxes de l’adaptation théâtrale ». Edoardo Esposito. Autour du texte théâtral : Analyses de spectacles et témoignages du travail de mise en scène, L'Harmattan, pp.17-28, 2009. ⟨hal-03242028⟩
  • Madelena Gonzalez. “Angela Carter’s The Bloody Chamber: A World Transformed by Imagination and Desire—Adventures in Anarcho-Surrealism”. Cheryl Alexander Malcolm; David Malcolm. A Companion to the British and Irish Short Story, Wiley-Blackwell, pp.507-515, 2008. ⟨hal-03242030⟩
  • Madelena Gonzalez. « Avant-propos ». Patrice Brasseur; Madelena Gonzalez. Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine, L'Harmattan, pp.9-13, 2008. ⟨hal-03242033⟩
  • Madelena Gonzalez. “Salman Rushdie’s Midnight’s Children: The Epic of the Broken (Post?)-Modern World”. Nilufer. E. Bharucha. World Literature: Contemporary Postcolonial and Post-Imperial Literatures, Prestige Books, pp.105-117, 2007. ⟨hal-03242035⟩
  • Madelena Gonzalez. “Towards a Contemporary Poetics of Translation”. Madelena Gonzalez; Francine Tolron. Translating Identity and the Identity of Translation, Cambridge Scholars Press, pp.vii-x, 2006. ⟨hal-03242036⟩
  • Madelena Gonzalez. “East, West: The Dislocation of Culture”. Iris Därmann; Steffi Hobuss; Ulrich Lölke. Konversionen. Fremderfahrungen in ethnologischer und interkultereller Perspektive, Rodopi, pp.99-121, 2004. ⟨hal-03242038⟩
  • Madelena Gonzalez. « Le Sourire du jaguar : fiction ou propagande ? Rushdie à rebours ». Jean Viviès. Lignes de fuite : récits de voyage de la littérature anglophone, Publications de l’Université de Provence, pp.197-217, 2003. ⟨hal-03242039⟩
  • Madelena Gonzalez. « ‘The Silence of Photography’ and the Cacophony of Orpheus, or the Impossible Memoirs of a Failed Artist: Reflections on Truth in The Ground Beneath Her Feet ». Max Duperray. La vérite en littérature : détection, confession, parabole, Mallard Editions, pp.165-176, 2003. ⟨hal-03242043⟩
  • Madelena Gonzalez. “ ‘New Ways to Be Beautiful’: The Search to Escape Identity in The Moor’s Last Sigh”. Anne Luyat; Francine Tolron. Flight from Certainty : The Dilemma of Identity and Exile, Rodopi, pp.100-111, 2001. ⟨hal-03242046⟩
  • Madelena Gonzalez. “Night Train by Martin Amis: A Suicide Ride into the Underworld: Abuse as a Mode of Existence ». Max Duperray. Fenêtres sur l’obscur : Littérature et cinéma du domaine anglo-saxon, Publications de l’Université de Provence, pp.113-126, 2001. ⟨hal-03242045⟩
  • Madelena Gonzalez. “The Moor’s Last Sigh by Salman Rushdie: Marginal Alternatives : The Reconstruction of Identity through the Carnival of Indetermination”. Russel West; Frank Lay. Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture, Rodopi, pp.129-143, 2000. ⟨hal-03242048⟩
  • Madelena Gonzalez. “The Cliché as Subversion in The Satanic Verses”. Gilles Mathis. Le cliché, Presses Universitaires du Mirail, pp.279-300, 1998. ⟨hal-03242049⟩
  • Madelena Gonzalez. “Time’s Arrow by Martin Amis: A Terminal Fiction?”. Max Duperray. Fiction & Entropy, Publications de l’Université de Provence, pp.119-133, 1996. ⟨hal-03242050⟩
  • Madelena Gonzalez. “The Birth of Revolt through Historiographic Metafiction in Salman Rushdie’s Midnight’s Children and The Satanic Verses”. Max Duperray. Historicity & Metafiction in the Contemporary British and Irish Novel, Publications de l’Université de Provence, pp.197-206, 1994. ⟨hal-03242052⟩

Directions of work or proceedings8 documents

  • Madelena Gonzalez, Richard Bradford, Stephen Butler, James Ward, Kevin de Ornellas. The Wiley Blackwell Companion to Contemporary British and Irish Literature. Richard Bradford; Madelena Gonzalez; Stephen Butler; James Ward; Kevin De Ornellas. Wiley Blackwell, 2020. ⟨hal-03237646⟩
  • Madelena Gonzalez, Alison Baverstock, Richard Bradford. Contemporary Publishing and the Culture of Books. Alison Baverstock; Richard Bradford; Madelena Gonzalez. Routledge, 2020. ⟨hal-03237695⟩
  • Madelena Gonzalez, René Agostini. Aesthetics and Ideology in Contemporary Literature and Drama. Madelena Gonzalez; René Agostini. Cambridge Scholars Press, 2015. ⟨hal-03237711⟩
  • Madelena Gonzalez, Hélène Laplace-Claverie. Minority Theatre on the Global Stage: Challenging Paradigms from the Margins. Madelena Gonzalez; Hélène Laplace-Claverie. Cambridge Scholars Press, 2012. ⟨hal-03237797⟩
  • Madelena Gonzalez, Marie-Odile Pittin-Hedon. Generic Instability and Identity in the Contemporary Novel. Madelena Gonzalez; Marie-Odile Pittin-Hédon. Cambridge Scholars Press, 2010. ⟨hal-03237815⟩
  • Madelena Gonzalez, Patrice Brasseur. Authenticity and Legitimacy in Minority Theatre: Constructing Identity. Madelena Gonzalez; Patrice Brasseur. 2010. ⟨hal-03237808⟩
  • Madelena Gonzalez, Patrice Brasseur. Théâtre des minorités : Mises en scène de la marge à l’époque contemporaine. Madelena Gonzalez; Patrice Brasseur. L'Harmattan, 2008. ⟨hal-03237836⟩
  • Madelena Gonzalez, Francine Tolron. Translating Identity and the Identity of Translation. Madelena Gonzalez; Francine Tolron. Cambridge Scholars Press,, 2006. ⟨hal-03237840⟩

Other publications4 documents

  • Madelena Gonzalez. Modernité en transit/Modernity in Transit. 2013, pp.546-548. ⟨hal-03273117⟩
  • Madelena Gonzalez. Salman Rushdie : l’écriture transportée. 2008, pp.227-229. ⟨hal-03273120⟩
  • Madelena Gonzalez. Métatextualité et métafiction : théorie et analyses. 2004, pp.200-201. ⟨hal-03273121⟩
  • Madelena Gonzalez. Postmodern Times: A Critical Guide to the Contemporary. 2003. ⟨hal-03273175⟩