Filtrer vos résultats
- 40
- 10
- 31
- 6
- 4
- 3
- 2
- 1
- 1
- 1
- 1
- 2
- 45
- 44
- 11
- 6
- 2
- 4
- 3
- 8
- 3
- 6
- 2
- 4
- 2
- 4
- 3
- 5
- 1
- 3
- 2
- 40
- 10
- 28
- 25
- 24
- 7
- 5
- 3
- 2
- 2
- 2
- 2
- 2
- 2
- 1
- 1
- 50
- 12
- 12
- 11
- 11
- 6
- 5
- 4
- 3
- 3
- 3
- 3
- 3
- 3
- 3
- 2
- 2
- 2
- 2
- 2
- 2
- 2
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
50 résultats
|
|
|
triés par
|
The impact of musical structure on enjoyment and absorptive listening states in trance musicMusic and Consciousness 2 : Worlds, Practices, Modalities, Oxford University Press, 2019, 9780198804352
Chapitre d'ouvrage
hal-02024603v1
|
|||
|
|
Identification of rhythm guitar sections in symbolic tablaturesInternational Society for Music Information Retrieval Conference (ISMIR 2021), 2021, Online, United States
Communication dans un congrès
hal-03335822v1
|
||
|
|
Spatial Programming for Music Representation and AnalysisSpatial Computing Workshop 2010, Oct 2010, Budapest, Hungary. pp.1-1
Communication dans un congrès
hal-01161288v1
|
||
|
|
Actes des Journées d'Informatique Musicale (JIM 2018), AmiensProceedings/Recueil des communications hal-01790928v1 |
||
|
|
Modeling Musical Scores LanguagesComputer Science [cs]. Université de Lille, 2023
HDR
tel-04433299v1
|
||
|
|
Trance generation by transformation8th International Workshop on Machine Learning and Music, Aug 2015, Vancouver, Canada
Communication dans un congrès
hal-01798675v1
|
||
|
|
The Effect of Repetitive Structure on Enjoyment in Uplifting Trance MusicInternational Conference on Music Perception and Cognition, Jul 2016, San-Francisco, United States
Communication dans un congrès
hal-01798672v1
|
||
|
|
Harmonic Structure Predicts the Enjoyment of Uplifting Trance MusicFrontiers in Psychology, 2017, 7, pp.1999. ⟨10.3389/fpsyg.2016.01999⟩
Article dans une revue
hal-01798668v1
|
||
Modelling Keys and Modulation with Scales and Harmonic ProgressionsDigital Music Research Network Workshop (DMRN+14), 2019, London, France
Poster de conférence
hal-02392389v1
|
|||
|
|
Self-Assembly of Musical Representations in MGSInternational Journal of Unconventional Computing, 2014, 10 (3), pp.219-236
Article dans une revue
hal-02903099v1
|
||
|
|
What are the most used guitar positions?International Conference on Digital Libraries for Musicology (DLfM 2021), 2021, Online, United Kingdom. pp.84-92, ⟨10.1145/3469013.3469024⟩
Communication dans un congrès
hal-03279863v1
|
||
|
|
Modeling and learning structural breaks in sonata formsInternational Society for Music Information Retrieval Conference (ISMIR 2019), 2019, Delft, Netherlands. ⟨10.5281/zenodo.3527828⟩
Communication dans un congrès
hal-02162936v2
|
||
|
|
Spatial Transformations in Simplicial Chord SpacesProceedings ICMC|SMC|2014, Sep 2014, Athens, Greece. pp.1112-1119
Communication dans un congrès
hal-01161081v1
|
||
|
|
Relevance of musical features for cadence detectionInternational Society for Music Information Retrieval Conference (ISMIR 2018), 2018, Paris, France
Communication dans un congrès
hal-01801060v1
|
||
|
|
What Musical Knowledge Does Self-Attention Learn?Workshop on NLP for Music and Spoken Audio (NLP4MuSA 2021), 2021, Online, France
Communication dans un congrès
hal-03419236v2
|
||
|
|
A viewpoint approach to symbolic music transformation11th International Symposium on Computer Music Multidisciplinary Research (CMMR) 2015, Jun 2015, Plymouth, United Kingdom
Communication dans un congrès
hal-01798678v1
|
||
Spatial Programming for Musical Transformations and HarmonizationSpatial Computing Workshiop (SCW), May 2013, Saint-Paul, Minesota, United States. p. 9-16
Communication dans un congrès
hal-00925767v1
|
|||
|
|
Estimating keys and modulations in musical piecesSound and Music Computing Conference (SMC 2020), Simone Spagnol; Andrea Valle, Jun 2020, Torino, Italy
Communication dans un congrès
hal-02886399v2
|
||
|
|
Improving Tokenization Expressiveness With Pitch Intervals23rd International Society for Music Information Retrieval Conference (ISMIR 2022), Late-Breaking Demo Session, Dec 2022, Bangaluru, India.
Poster de conférence
hal-03877642v1
|
||
|
|
Musical genre descriptor for classification based on Tonnetz trajectoriesJournées d'Informatique Musicale, Oct 2020, Strasbourg, France
Communication dans un congrès
hal-03031287v1
|
||
|
|
Encodages de tablatures pour l'analyse de musique pour guitareJournées d'Informatique Musicale (JIM 2020), 2020, Strasbourg (en ligne), France
Communication dans un congrès
hal-02934382v1
|
||
|
|
Annotating Symbolic Texture in Piano Music: a Formal SyntaxSound and Music Computing (SMC2022), Jun 2022, Saint-Etienne, France
Communication dans un congrès
hal-03631151v1
|
||
Comparing Texture in Piano ScoresInternational Society for Music Information Retrieval Conference (ISMIR 2023), Nov 2023, Milan, Italy
Communication dans un congrès
hal-04142458v1
|
|||
|
|
Filtration of Pitch-Class Sets Complexes7th International Conference, MCM 2019, Jun 2019, Madrid, Spain. pp.213-226, ⟨10.1007/978-3-030-21392-3_17⟩
Communication dans un congrès
hal-02153236v1
|
||
|
|
PaperTonnetz: Music Composition with Interactive PaperSound and Music Computing, Jul 2012, Copenhague, Denmark
Communication dans un congrès
hal-00718334v1
|
||
A Geometrical Model for the Analysis of Pop MusicSonus, 2014, Sonus, 35 (1), pp.36-48
Article dans une revue
hal-01263324v1
|
|||
From local markers to global form: Computational modeling of musical structure2021
Autre publication scientifique
hal-03302275v1
|
|||
|
|
MUSIC GENRE DESCRIPTOR FOR CLASSIFICATION BASED ON TONNETZ TRAJECTORIESActe musical et environnements informatiques : actes des Journées d'Informatique Musicale 2020 (JIM 2020). Université de Strasbourg/Faculté des Arts, Strasbourg, sous la direction de Hérold, N., Guichaoua, C., Mays, T., In press
Chapitre d'ouvrage
hal-03414081v1
|
||
|
|
I Keep Counting : An Experiment in Human/AI Co-creative SongwritingTransactions of the International Society for Music Information Retrieval (TISMIR), 2021, 4 (1), pp.263-275. ⟨10.5334/tismir.93⟩
Article dans une revue
hal-03399076v1
|
||
|
|
Building Topological Spaces for Musical ObjectsMathematics and Computation in Music, Jun 2011, Paris, France. pp.1-1
Communication dans un congrès
hal-01161290v1
|
- 1
- 2