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Number of documents

27

Lacy Rumsey - Publications


Associate Professor in British and American Poetry, ENS de Lyon


Journal articles15 documents

  • Vanessa Guignery, Catherine Lanone, Lacy Rumsey. Recent British Literature: Concluding panel of the 2015 SEAC conference. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2016, ⟨10.4000/ebc.3478⟩. ⟨halshs-01703805⟩
  • Lacy Rumsey. On R.F. Langley's "To A Nightingale". Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2016, 51. ⟨halshs-01418666⟩
  • Lacy Rumsey. Da-DA-da-da-da: Intonation and Poetic Form . Thinking Verse, 2015, 5, pp.15-49. ⟨halshs-01288999⟩
  • Lacy Rumsey. The obstinate reader: Prynne, prosody and degrees of engagement. Thinking Verse, 2011, 1, pp.44-66. ⟨halshs-00566438⟩
  • Lacy Rumsey. Describing shape in the poetry of J.H. Prynne: rhythm and intonation in "Again in the Black Cloud". Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2010, 39, pp.109-27. ⟨halshs-00701494⟩
  • Lacy Rumsey. Swinburne et la variation rythmique. Etudes Anglaises, Klincksieck, 2009, 62 (2), pp.186-204. ⟨halshs-00432460⟩
  • Lacy Rumsey, Elizabeth Nolan, James Decker, Michael Boyd, Amy Flaxman, et al.. American literature : the twentieth century. Year's Work in English Studies, Oxford University Press (OUP), 2008, Vol. 87 (N° 1), pp.990-1100. ⟨10.1093/ywes/man017⟩. ⟨halshs-00432464⟩
  • Lacy Rumsey. A prosody of doubt and satisfaction : aspects of meaning and form in Elizabeth Bishop. Profils américains, Université Paul Valéry, 2007, pp.131-152. ⟨halshs-00432458⟩
  • Lacy Rumsey, Elizabeth Nolan, Alan Rice, Stella Bolaki, Robert Lee. American literature : the twentieth century. Year's Work in English Studies, Oxford University Press (OUP), 2007, Vol. 86 (N° 1), pp.906-967. ⟨10.1093/ywes/mam016⟩. ⟨halshs-00432463⟩
  • Lacy Rumsey. Formal innovation in non-mainstream British poetry since 1985. Etudes Anglaises, Klincksieck, 2007, 60 (3), pp.330-345. ⟨halshs-00432459⟩
  • Lacy Rumsey, Stephen Mcveigh, Elizabeth Nolan, Sarah Maclachlan, Rachel van Duyvenbode, et al.. American literature : the twentieth century. Year's Work in English Studies, Oxford University Press (OUP), 2006, Vol. 85 (N° 1), pp.866-977. ⟨10.1093/ywes/mal016⟩. ⟨halshs-00432462⟩
  • Lacy Rumsey, Stephen Mcveigh, Elizabeth Nolan. American literature : the twentieth century. Year's Work in English Studies, Oxford University Press (OUP), 2005, Vol. 84 (N° 1), pp.872-944. ⟨10.1093/ywes/mai016⟩. ⟨halshs-00432461⟩
  • Lacy Rumsey. Reading for nostalgia in the 1990s. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2004, pp.153-167. ⟨halshs-00432456⟩
  • Lacy Rumsey. Form before genre : free verse and contemporary British poetry. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2004, pp.73-91. ⟨halshs-00432457⟩
  • Lacy Rumsey. H.D.: A Source in Heine. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Taylor & Francis (Routledge), 2001, 14 (2), pp.32-35. ⟨halshs-01291581⟩

Book sections11 documents

  • Lacy Rumsey. 1922, laboratoire du rythme dans le vers libre anglo-américain. Brault-Dreux, Élise. L'air du temps de 1922 : Royaume-Uni et États-Unis aux rythmes d'une année, Sorbonne Université Presses, pp.247-84, 2022. ⟨halshs-03680144⟩
  • Lacy Rumsey. Free Verse and Open Form. Wolfgang Görtshacher; David Malcolm. A Companion to British and Irish Poetry, 1960-2015, Wiley-Blackwell, pp.143-58, 2020, 9781118843208. ⟨10.1002/9781118843215.ch2b.5⟩. ⟨halshs-03116982⟩
  • Lacy Rumsey. The reader, the text and the metre: rhythmic freedom and constraint in Louis MacNeice’s The Burning Perch. Anne Goarzin; Clíona Ní Ríordáin. Memoranda to MacNeice: New Readings, Presses universitaires de Rennes, pp.127-51, 2019. ⟨halshs-02001366⟩
  • Lacy Rumsey. Whitman's Fitful Rhythms. Agnès Derail; Cécile Roudeau. Whitman, feuille à feuille, Éditions Rue d'Ulm, pp.39-55, 2019. ⟨halshs-01982741⟩
  • Lacy Rumsey. "What the beat can carry": Prosody in the Pound / Zukofsky, Williams / Zukofsky, Olson / Creeley and Bishop / Lowell Letters. Vanessa Guignery. Crossed Correspondences: Writers as Readers and Critics of Their Peers, Cambridge Scholars, pp.117-39, 2016. ⟨halshs-01289001⟩
  • Lacy Rumsey. Revisiting the American “Walk Poem”: A.R. Ammons, Charles Olson, and Jonathan Williams. Klaus Benesch; François Specq. Walking and the Aesthetics of Modernity: Pedestrian Mobility in Literature and the Arts, Palgrave Macmillan, pp.63-81, 2016, 978-1-137-60282-4. ⟨halshs-01371036⟩
  • Lacy Rumsey. The Atypicality of Jeff Hilson: Metrical Language and Modernist Pleasure. Lang, Abigail; Nowell-Smith, David Modernist Legacies: Trends and Faultlines in British Poetry Today, Palgrave Macmillan, pp.109-28, 2015. ⟨hal-01264823⟩
  • Lacy Rumsey. "One day / this rock / will talk" : Monuments and Monumentality in the Poetry of Jonathan Williams and Ronald Johnson. Porée, Marc; Savinel, Christine. Monument et Modernité dans l’art et la littérature britanniques et américains, Presses de la Sorbonne Nouvelle, pp.167-82, 2015. ⟨hal-01264842⟩
  • Lacy Rumsey. Modes of Found Poetry. Erik Martiny. A Companion to Poetic Genre, Wiley-Blackwell, pp.361-76, 2011. ⟨halshs-00701486⟩
  • Lacy Rumsey. Interprétation, apories et méditation : enjeux de la métaphore dans "An Account of the Pelew Islands" de George Keate (1788). Regard, Frédéric. De Drake à Chatwin : rhétoriques de la découverte, ENS Éditions, pp.107-119, 2007. ⟨halshs-00432934⟩
  • Lacy Rumsey. Exhilarating uncertainty : reading Bishop's rhythms. Nesme, Axel;. Elizabeth Bishop : and looked our infant sight away, Ellipses, pp.127-143, 2002. ⟨halshs-00432455⟩

Directions of work or proceedings1 document

  • Lacy Rumsey, Paul Volsik. Colloque de la SEAC, Lyon, octobre 2003 - Nostalgie [N° 27 bis de : Etudes britanniques contemporaines]. Montpellier, pp.184, 2005. ⟨halshs-00432465⟩