Nombre de documents

13

Jean-Philippe Echard


Article dans une revue9 documents

  • Jean-Philippe Échard, Pierrick Gaudry. An harmonious encoding of instrument values by a 19th century Parisian violin dealer. Cryptologia, Taylor & Francis, 2017, <10.1080/01611194.2016.1257524>. <hal-01393625>
  • Jean-Philippe Echard, Mathieu Thoury, Barbara H. Berrie, Tatiana Séverin-Fabiani, Alessandra Vichi, et al.. Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood. Analyst, Royal Society of Chemistry, 2015, 140 (15), pp.5344 - 5353. <10.1039/C5AN00483G>. <hal-01442860>
  • Jean-Philippe Echard, Valérie Malecki. Un amateur de musique du XIXe siècle : Louis Edouard Besson et ses violons. Musique-Images-Instruments, CNRS Editions, 2015, 15, pp.274-293. <hal-01446432>
  • Agnès Lattuati-Derieux, Sylvie Gomes, Sophie Tirat, Sylvie Thao-Heu, Jean-Philippe Echard. New insights into molecular evolution of oil/colophony varnishes: towards pyrolysis-gas chromatography/mass spectrometry-based quantitation: Evolution of oil/colophony varnishes. e-Preservation Science, Morana-rtd.com, 2014, 11, pp.54-63. <hal-01152790>
  • Gaël Latour, Jean-Philippe Echard, Marie Didier, Marie-Claire Schanne-Klein. In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy. Optics Express, Optical Society of America, 2012, 20 (22), pp.24623-24635. <10.1364/OE.20.024623>. <hal-00123067>
  • Jean-Philippe Echard, Christine Laloue, Isabelle Chochod, Daniele Pipitone. Characterization and conservation of the decorative paint on seventeenth-century French and Flemish harpsichord soundboards. Studies in Conservation, Maney Publishing, 2012, 57 (sup1), pp.S103 - S113. <10.1179/2047058412Y.0000000018>. <hal-01442840>
  • Céline Daher, Céline Paris, Anne-Solenn Le Hô, Ludovic Bellot-Gurlet, Jean-Philippe Echard. A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes. Journal of Raman Spectroscopy, Wiley, 2010, 41 (11), pp.1204-1209. <10.1002/jrs.2693>. <hal-00864287>
  • Gael Latour, Jean-Philippe Echard, Balthazar Soulier, Isabelle Emond, Stephane Vaiedelich, et al.. Structural and optical properties of wood and wood finishes studied using optical coherence tomography: application to an 18th century Italian violin. Applied optics, Optical Society of America, 2009, 48 (33), pp.6485-6491. <10.1364/AO.48.006485>. <hal-01236836>
  • Jean-Philippe Echard, Marine Cotte, Eric Dooryhee, Loïc Bertrand. Insights into the varnishes of historical musical instruments using synchrotron micro-analytical methods. Applied Physics A, Springer Verlag, 2008, A92, pp.77-81. <10.1007/s00339-008-4449-7>. <hal-00188480>

Communication dans un congrès3 documents

  • Gaël Latour, Jean-Philippe Echard, Marie Didier, Marie-Claire Schanne-Klein. Multiphoton microscopy : an efficient tool for in situ study of historical artifacts. Luca Pezzati ; Piotr Targowski. Optics for Arts, Architecture, and Archaeology IV, May 2013, Munich, Germany. SPIE, 8790, Topography and Tomography, 2013, <10.1117/12.2020221>. <hal-00944935>
  • Gael Latour, Gaelle Georges, Laure Siozade, Carole Deumie, Jean-Philippe Echard. Study of varnish layers with optical coherence tomography in both visible and infrared domains. O3A: Optics for Arts, Architecture, and Archaeology II, 2009, Germany. 7391, pp.73910J, 2009. <hal-00447462>
  • Jean-Philippe Echard. Le vernis des instruments de musique : principe et spécificités. Art et Chimie: Les polymères, Oct 2002, Paris, France. CNRS Editions, Art et Chimie: Les polymères, pp.75-80, 2003. <hal-01446437>

Thèse1 document

  • Jean-Philippe Echard. Etude physico-chimique des vernis d’un corpus d’instruments de musique européens du 15e au 18e siècle - approche historique et perspectives de conservation. Héritage culturel et muséologie. Muséum National d'Histoire Naturelle, 2010. Français. <tel-01442832>