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Jean-Philippe Echard

Article dans une revue13 documents

  • Jean-Philippe Échard, Pierrick Gaudry. An harmonious encoding of instrument values by a 19th century Parisian violin dealer. Cryptologia, Taylor & Francis, 2017, 41 (5), pp.448-458. 〈10.1080/01611194.2016.1257524〉. 〈hal-01393625〉
  • Stephane Serfaty, Sophie Tirat, Ilaria Degano, Jean-Philippe Echard, Agnès Lattuati-Derieux, et al.. Historical linseed oil/colophony varnishes formulations: Study of their molecular composition with micro-chemical chromatographic techniques. Microchemical Journal, Elsevier, 2016, 126, pp.200 - 213. 〈10.1016/j.microc.2015.11.045〉. 〈hal-01708530〉
  • Jean-Philippe Echard, Valérie Malecki. Un amateur de musique du XIXe siècle : Louis Edouard Besson et ses violons. Musique-Images-Instruments, CNRS Editions, 2015, 15, pp.274-293. 〈hal-01446432〉
  • Jean-Philippe Echard, Mathieu Thoury, Barbara H. Berrie, Tatiana Séverin-Fabiani, Alessandra Vichi, et al.. Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood. Analyst, Royal Society of Chemistry, 2015, 140 (15), pp.5344 - 5353. 〈10.1039/C5AN00483G〉. 〈hal-01442860〉
  • Agnès Lattuati-Derieux, Sylvie Gomes, Sophie Tirat, Sylvie Thao-Heu, Jean-Philippe Echard. New insights into molecular evolution of oil/colophony varnishes: towards pyrolysis-gas chromatography/mass spectrometry-based quantitation: Evolution of oil/colophony varnishes. e-Preservation Science,, 2014, 11, pp.54-63. 〈hal-01152790〉
  • Loïc Bertrand, Matthieu Refregiers, Barbara H. Berrie, Jean-Philippe Echard, Mathieu Thoury. A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments. Analyst, Royal Society of Chemistry, 2013, 138, pp.4463-4469. 〈!divAbstract〉. 〈10.1039/C3AN36874B〉. 〈hal-01572682〉
  • Jean-Philippe Echard, Christine Laloue, Isabelle Chochod, Daniele Pipitone. Characterization and conservation of the decorative paint on seventeenth-century French and Flemish harpsichord soundboards. Studies in Conservation, Maney Publishing, 2012, 57 (sup1), pp.S103 - S113. 〈10.1179/2047058412Y.0000000018〉. 〈hal-01442840〉
  • Gaël Latour, Jean-Philippe Echard, Marie Didier, Marie-Claire Schanne-Klein. In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy. Optics Express, Optical Society of America, 2012, 20 (22), pp.24623-24635. 〈10.1364/OE.20.024623〉. 〈hal-00123067〉
  • Mathieu Thoury, Jean-Philippe Echard, Matthieu Refregiers, Barbara Berrie, Austin Nevin, et al.. Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples. Analytical Chemistry, American Chemical Society, 2011, 83 (5), pp.1737 - 1745. 〈10.1021/ac102986h〉. 〈hal-01707689〉
  • Jean-Philippe Echard, Loïc Bertrand, Alex Von Bohlen, Anne-Solenn Le Hô, Céline Paris, et al.. The Nature of the Extraordinary Finish of Stradivari’s Instruments. Angewandte Chemie International Edition, Wiley-VCH Verlag, 2010, 49 (1), pp.197 - 201. 〈10.1002/anie.200905131〉. 〈hal-01665937〉
  • Céline Daher, Céline Paris, Anne-Solenn Le Hô, Ludovic Bellot-Gurlet, Jean-Philippe Echard. A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes. Journal of Raman Spectroscopy, Wiley, 2010, 41 (11), pp.1204-1209. 〈10.1002/jrs.2693〉. 〈hal-00864287〉
  • Gael Latour, Jean-Philippe Echard, Balthazar Soulier, Isabelle Emond, Stephane Vaiedelich, et al.. Structural and optical properties of wood and wood finishes studied using optical coherence tomography: application to an 18th century Italian violin. Applied optics, Optical Society of America, 2009, 48 (33), pp.6485-6491. 〈10.1364/AO.48.006485〉. 〈hal-01236836〉
  • Jean-Philippe Echard, Marine Cotte, Eric Dooryhee, Loïc Bertrand. Insights into the varnishes of historical musical instruments using synchrotron micro-analytical methods. Applied physics. A, Materials science & processing, Springer Verlag, 2008, A92, pp.77-81. 〈10.1007/s00339-008-4449-7〉. 〈hal-00188480〉

Communication dans un congrès3 documents

  • Gaël Latour, Jean-Philippe Echard, Marie Didier, Marie-Claire Schanne-Klein. Multiphoton microscopy : an efficient tool for in situ study of historical artifacts. Luca Pezzati ; Piotr Targowski. Optics for Arts, Architecture, and Archaeology IV, May 2013, Munich, Germany. SPIE, 8790, Topography and Tomography, 2013, 〈10.1117/12.2020221〉. 〈hal-00944935〉
  • Gael Latour, Gaelle Georges, Laure Siozade, Carole Deumie, Jean-Philippe Echard. Study of varnish layers with optical coherence tomography in both visible and infrared domains. O3A: Optics for Arts, Architecture, and Archaeology II, 2009, Germany. 7391, pp.73910J, 2009. 〈hal-00447462〉
  • Jean-Philippe Echard. Le vernis des instruments de musique : principe et spécificités. Art et Chimie: Les polymères, Oct 2002, Paris, France. CNRS Editions, Art et Chimie: Les polymères, pp.75-80, 2003. 〈hal-01446437〉

Chapitre d'ouvrage1 document

  • Jean-Philippe Echard. Le vernis des violons italiens, histoire d’un mythe. Lainé F. (ed),. Le violon italien - Une seconde voix humaine, Opéra de Dijon-Ed. Aparté,, pp90-102, 2012. 〈halshs-01706026〉

Thèse1 document

  • Jean-Philippe Echard. Etude physico-chimique des vernis d’un corpus d’instruments de musique européens du 15e au 18e siècle - approche historique et perspectives de conservation. Héritage culturel et muséologie. Muséum National d'Histoire Naturelle, 2010. Français. 〈tel-01442832〉