Jean Bresson

Olivier Migliore, Nicolas Obin, Jean Bresson. Outils et méthodes de transcription pour l'analyse de l'interprétation vocale dans le rap : l'exemple d'IAM Concept. Musimédiane : revue audiovisuelle et multimédia et d'analyse musicale, Paris : Société Française d'Analyse Musicale, 2019, 11. ⟨hal-02104034⟩

Jean Bresson, Marco Stroppa. Synthèse numérique et composition assistée par ordinateur : modèles sonores et voix virtuelles dans Re Orso. Musique, images, instruments, Paris: Ed. Klincksieck; Paris: Laboratoire d'organologie et d'iconographie musicale CNRS, 2018, Instruments électriques, électroniques et virtuels, 17. ⟨hal-01985447⟩

Jérémie Garcia, Thibaut Carpentier, Jean Bresson. Interactive-Compositional Authoring of Sound Spatialization. Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), pp.20. ⟨10.1080/09298215.2016.1230632⟩. ⟨hal-01467080⟩

Dimitri Bouche, Jérôme Nika, Alex Chechile, Jean Bresson. Computer-aided Composition of Musical Processes. Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), ⟨10.1080/09298215.2016.1230136⟩. ⟨hal-01370792⟩

Jean Bresson, Jean-Louis Giavitto. A Reactive Extension of the OpenMusic Visual Programming Language. Journal of Visual Languages and Computing, Elsevier, 2014, 25 (4), pp.363-375. ⟨10.1016/j.jvlc.2014.03.003⟩. ⟨hal-00965747⟩

Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab 2: From computer-aided composition to music education. Journal of Music, Technology and Education, Intellect, 2013, 5 (3), pp.273-291. ⟨10.1386/jmte.5.3.273_1⟩. ⟨hal-01159540⟩

Carlos Agon, Jean Bresson, Marco Stroppa. OMChroma: Compositional Control of Sound Synthesis. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2011, 35 (2), pp.67-83. ⟨10.1162/COMJ_a_00057⟩. ⟨hal-00683465⟩

Grégoire Carpentier, Jean Bresson. Interacting with Symbol, Sound and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2010, 34 (1), pp.10-27. ⟨10.1162/comj.2010.34.1.10⟩. ⟨hal-00683471⟩

Marlon Schumacher, Jean Bresson. Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press (CUP), 2010, 15 (3), pp.271-289. ⟨10.1017/S1355771810000300⟩. ⟨hal-00683469⟩

Jean Bresson, Carlos Agon, Gérard Assayag. Visual Lisp/CLOS Programming in OpenMusic. Higher-Order and Symbolic Computation, Springer Verlag, 2009, 22 (1), pp.81-111. ⟨10.1007/s10990-009-9044-x⟩. ⟨hal-00683472⟩

Jean Bresson, Carlos Agon. Scores, Programs and Time Representations: The Sheet Object in OpenMusic. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2008, 32 (4), pp.31-47. ⟨10.1162/comj.2008.32.4.31⟩. ⟨hal-00683473⟩

Jean Bresson, Carlos Agon. Musical Representation of Sound in Computer-Aided Composition: A Visual Programming Framework. Journal of New Music Research, Taylor & Francis (Routledge), 2007, 36 (4), pp.251-266. ⟨10.1080/09298210801969145⟩. ⟨hal-00683475⟩

Gérard Assayag, Jean Bresson. OpenMusic : de la composition à l'enseignement. L'Inouï. Revue de l'Ircam, 2006. ⟨hal-01106238⟩

Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab Maquette : approche interactive des processus compositionnels pour la pédagogie musicale. STICEF (Sciences et Technologies de l'Information et de la Communication pour l'Éducation et la Formation), ATIEF, 2006, 13, 26 p. ⟨hal-00696328⟩

Jean Bresson. Score Objects in OM#. International Conference on Technologies for Music Notation and Representation (TENOR'20/21), 2021, Hamburg / Online, Germany. ⟨hal-03221785⟩

Anders Vinjar, Jean Bresson. OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic. 16th Sound and Music Computing conference (SMC'19), 2019, Málaga, Spain. ⟨hal-02126847⟩

Rama Gottfried, Jean Bresson. Symbolist: An Open Authoring Environment for End-user Symbolic Notation. International Conference on Technologies for Music Notation and Representation (TENOR'18), 2018, Montreal, Canada. ⟨hal-01804933⟩

Paul Best, Jean Bresson, Diemo Schwarz. Musical Gesture Recognition Using Machine Learning and Audio Descriptors. International Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France. ⟨hal-01839050⟩

Jean Bresson, Paul Best, Diemo Schwarz, Alireza Farhang. From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition. MUME 2018: International Workshop on Musical Metacreation, 2018, Salamanca, Spain. ⟨hal-01815988⟩

Savannah Agger, Jean Bresson, Thibaut Carpentier. Landschaften – Visualization, Control and Processing of Sounds in 3D Spaces. International Computer Music Conference (ICMC'17), 2017, Shanghai, China. ⟨hal-01567629⟩

Jean Bresson, Michael Sperber. FARM 2017 Demo Summary. FARM’17: International Workshop on Functional Art, Music, Modeling, and Design (co-located with the International Conference on Functional Programming - ICFP'17), 2017, Oxford, United Kingdom. ⟨hal-01579136⟩

Jérémie Garcia, Dimitri Bouche, Jean Bresson. Timed Sequences: A Framework for Computer-Aided Composition with Temporal Structures. TENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation, May 2017, A Coruña, Spain. ⟨hal-01484077⟩

Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia. Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. International Computer Music Conference (ICMC'17), 2017, Shanghai, China. ⟨hal-01567619v2⟩

Adrien Ycart, Florent Jacquemard, Jean Bresson, Slawomir Staworko. A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. International Computer Music Conference (ICMC), Sep 2016, Utrecht, Netherlands. ⟨hal-01315689v2⟩

Jean Bresson, John Maccallum, Adrian Freed. o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot. ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. ⟨10.1145/2975980.2975985⟩. ⟨hal-01353794⟩

Adrien Ycart, Jean Bresson, Florent Jacquemard, Sławek Staworko. Une approche interactive pour la transcription rythmique dans OpenMusic. Journées d'Informatique Musicale 2016, AFIM, Mar 2016, Albi, France. ⟨hal-01298806⟩

Jérémie Garcia, Xavier Favory, Jean Bresson. Trajectoires: a Mobile Application for Controlling Sound Spatialization. CHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, ⟨10.1145/2851581.2890246⟩. ⟨hal-01285852⟩

Jean Bresson, John Maccallum. Tempo Curving as a Framework for Interactive Computer-Aided Composition. Sound and Music Computing Conference (SMC), Jul 2015, Maynooth, Ireland. ⟨hal-01166166⟩

Dimitri Bouche, Jean Bresson. Articulation dynamique de structures temporelles pour l'informatique musicale. Modélisation des Systèmes Réactifs (MSR 2015), Nov 2015, Nancy, France. ⟨hal-01224271⟩

Jérémie Garcia, Jean Bresson, Marlon Schumacher, Thibaut Carpentier, Xavier Favory. Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusic. inSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015, Karlsruhe, Germany. ⟨hal-01226263⟩

Xavier Favory, Jérémie Garcia, Jean Bresson. Trajectoires : une application mobile pour le contrôle et l'écriture de la spatialisation sonore. 27ème conférence francophone sur l'Interaction Homme-Machine., Oct 2015, Toulouse, France. pp.a5, ⟨10.1145/2820619.2820624⟩. ⟨hal-01218595⟩

Jérémie Garcia, Jean Bresson, Thibaut Carpentier. Towards Interactive Authoring Tools for Composing Spatialization. IEEE 10th Symposium on 3D User Interfaces, Mar 2015, Arles, France. ⟨hal-01108709⟩

Dimitri Bouche, Jean Bresson. Planning and Scheduling Actions in a Computer-Aided Music Composition System. Scheduling and Planning Applications Workshop (SPARK), Steve Chien; Mark Giuliano; Riccardo Rasconi, Jun 2015, Jerusalem, Israel. pp.1-6. ⟨hal-01163284⟩

Dominique Fober, Jean Bresson, Pierre Couprie, Yann Geslin. Les nouveaux espaces de la notation musicale : Groupe de travail AFIM. Journées d'Informatique Musicale, Faculté de musique de l'Université de Montréal, 2015, Montréal, Canada. ⟨hal-01160759v2⟩

John Maccallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed. Dynamic Message-Oriented Middleware with Open Sound Control and Odot. International Computer Music Conference, University of North Texas, 2015, Denton, United States. ⟨hal-01165775⟩

Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag. Guided improvisation as dynamic calls to an offline model. Sound and Music Computing (SMC), Jul 2015, Maynooth, Ireland. ⟨hal-01184642⟩

Charles de Paiva Santana, Jônatas Manzolli, Jean Bresson, Moreno Andreatta. Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models. Electronic Visualisation and the Arts, 2015, London, United Kingdom. ⟨10.14236/ewic/eva2015.8⟩. ⟨hal-01177456⟩

Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson. A Structural Theory of Rhythm Notation based on Tree Representations and Term Rewriting. Mathematics and Computation in Music: 5th International Conference, MCM 2015, Oscar Bandtlow and Elaine Chew, Jun 2015, London, United Kingdom. pp.12. ⟨hal-01138642⟩

Jean Bresson, Dimitri Bouche, Jérémie Garcia, Thibaut Carpentier, Florent Jacquemard, et al.. Projet EFFICACE : Développements et perspectives en composition assistée par ordinateur. Journées d'Informatique Musicale, 2015, Montréal, Canada. ⟨hal-01142022⟩

Jérémie Garcia, Philippe Leroux, Jean Bresson. pOM: Linking Pen Gestures to Computer-Aided Composition Processes. 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece. ⟨hal-01053295v2⟩

Anders Vinjar, Jean Bresson. OpenMusic on Linux. Linux Audio Conference, 2014, Karlsruhe, Germany. ⟨hal-01075235⟩

Dimitri Bouche, Jean Bresson, Stéphane Letz. Programmation and Control of Faust Sound Processing in OpenMusic. Joint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC), 2014, Athens, Greece. ⟨hal-01158363⟩

Jean Bresson. Reactive Visual Programs for Computer-Aided Music Composition. IEEE Symposium on Visual Languages and Human-Centric Computing, 2014, Melbourne, Australia. pp. 141-144, ⟨10.1109/VLHCC.2014.6883037⟩. ⟨hal-01055239⟩

Florent Jacquemard, Jean Bresson, Pierre Donat-Bouillud. Rhythm Tree Rewriting. Meeting of the IFIP WG 1.6 on Term Rewriting, Vienna Summer of Logic, Jürgen Giesl, Jul 2014, Vienna, Austria. ⟨hal-01109666⟩

Raphaël Foulon, Jean Bresson. Un modèle de contrôle pour la synthèse par fonctions d'ondes formantiques avec OM-Chant. Journées d'Informatique Musicale, 2013, Saint-Denis, France. ⟨hal-01156651v2⟩

Charles de Paiva Santana, Jean Bresson, Moreno Andreatta. Modeling and Simulation: The Spectral CANON for CONLON Nancarrow by James Tenney. Sound and Music Computing, 2013, Stockholm, Sweden. ⟨hal-01170066⟩

Jean Bresson, Raphaël Foulon, Marco Stroppa. Reduction as a Transition Controller for Sound Synthesis Events. ACM SIGPLAN workshop on Functional art, music, modeling & design (FARM '13), 2013, Boston, United States. pp.1-10. ⟨hal-00959107⟩

Jean Bresson. Spatial Structures Programming for Music. Spatial Computing Workshop (SCW), 2012, Valencia, Spain. ⟨hal-01161314⟩

Jean Bresson, Carlos Pérez-Sancho. New Framework for Score Segmentation and Analysis in OpenMusic. Sound and Music Computing, 2012, Copenhagen, Denmark. ⟨hal-01161435⟩

Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic – Visual Programming Environment for Music Composition, Analysis and Research. ACM MultiMedia (MM'11), 2011, Scottsdale, United States. ⟨10.1145/2072298.2072434⟩. ⟨hal-01182394⟩

Jean Bresson, Romain Michon. Implémentations et contrôle du synthétiseur CHANT dans OpenMusic. Journées d'Informatique Musicale, 2011, Saint Etienne, France. ⟨hal-01157083⟩

Jean Bresson, Marco Stroppa. The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis. International Computer Music Conference (ICMC'11), 2011, Huddersfield, United Kingdom. ⟨hal-01161282⟩

Jean Bresson, Marlon Schumacher. Representation and Interchange of Sound Spatialization Data for Compositional Applications. International Computer Music Conference, 2011, Huddersfield, United Kingdom. ⟨hal-01169015⟩

Jean Bresson, Carlos Agon. Visual Programming and Music Score Generation with OpenMusic. IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2011, Pittsburgh, United States. pp.247-248, ⟨10.1109/VLHCC.2011.6070415⟩. ⟨hal-01161285⟩

Marlon Schumacher, Jean Bresson. Compositional Control of Periphonic Sound Spatialization. 2nd International Symposium on Ambisonics and Spherical Acoustics, 2010, Paris, France. ⟨hal-01161239⟩

Jean Bresson, Carlos Agon, Marlon Schumacher. Représentation des données de contrôle pour la spatialisation dans OpenMusic. Journées d'Informatique Musicale, May 2010, Rennes, France. pp.1-1. ⟨hal-01157046⟩

Jean Bresson, Carlos Agon. Processing Sound and Music Description Data Using OpenMusic. International Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States. ⟨hal-01161247⟩

Jean Bresson. ML-Maquette / Musique Lab 2. International Computer Music Conference (ICMC'10), 2010, New York / Stony Brook, United States. ⟨hal-01161248⟩

Jean Bresson, Carlos Agon. Synthèse sonore et composition musicale: Problématiques et outils d'écriture électroacoustique. Electroacoustic Music Studies Network Conference - EMS'09, 2009, Buenos Aires, Argentine. ⟨hal-01162317⟩

Aaron Einbond, Diemo Schwarz, Jean Bresson. Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. International Computer Music Conference (ICMC'09), 2009, Montreal, QC, Canada. ⟨hal-01161032⟩

Carlos Agon, Jean Bresson, Gérard Assayag. OpenMusic: Design and Implementation Aspects of a Visual Programming Language. European Lisp Symposium - ELS'08, 2008, Bordeaux, France. ⟨hal-01106321⟩

Isabelle Viaud-Delmon, Jean Bresson, François Pachet, Frédéric Bevilacqua, Pierre Roy, et al.. EARTOY : Interactions ludiques par l'audition. Journées d'Informatique Musicale, 2007, Lyon, France. ⟨hal-03105404⟩

Fabrice Guédy, Jean Bresson, Gérard Assayag. Musique Lab 2 - Un environnement d'aide à la pédagogie musicale. Journées d'Informatique Musicale - JIM'07, 2007, Lyon, France. ⟨hal-01106275⟩

Jean Bresson, Marco Stroppa, Carlos Agon. Generation and Representation of Data and Events for the Control of Sound Synthesis. Sound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece. ⟨hal-01161374⟩

Carlos Agon, Jean Bresson. Mixing Time Representations in a Programmable Score Editor. Sound and Music Computing Conference (SMC'07), 2007, Lefkada, Greece. ⟨hal-01161375⟩

Jean Bresson. Processus compositionnels et opérateurs musicaux dans ML-Maquette - Les outils de traitement du signal. Journées d'Informatique Musicale, Apr 2007, Lyon, France. pp.1-1. ⟨hal-01156973⟩

Jean-Marc Chouvel, Jean Bresson, Carlos Agon. L’analyse musicale différentielle : principes, représentation et application à l'analyse de l'interprétation. Electroacoustic Music Studies Network Conference - EMS'07, 2007, Leicester, Royaume-Uni. ⟨hal-01162315⟩

Jean Bresson. Sound Processing in OpenMusic. International Conference on Digital Audio Effects (DAFx'06), 2006, Montréal, Canada. ⟨hal-01169018⟩

Jean Bresson, Carlos Agon. Temporal Control over Sound Synthesis Processes. Sound and Music Computing (SMC'06), 2006, Marseille, France. ⟨hal-01161348⟩

Jean Bresson, Carlos Agon. Sound Writing and Representation in a Visual Programming Framework. Digital Music Research Network Doctoral Research Conference, Goldsmiths College, University of London, 2006, London, United Kingdom. ⟨hal-01162309⟩

Vincent Puig, Fabrice Guédy, Michel Fingerhut, Fabienne Serrière, Jean Bresson, et al.. Musique Lab 2: A Three-Level Approach for Music Education at School. International Computer Music Conference, 2005, Barcelona, Spain. ⟨hal-01106237⟩

Jean Bresson, Marco Stroppa, Carlos Agon. Symbolic Control of Sound Synthesis in Computer-Assisted Composition. Inrenational Computer Music Conference, 2005, Barcelona, Spain. ⟨hal-01161329⟩

Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition Environment. Brazilian Symposium on Computer Music (SBCM'05), 2005, Belo Horizonte, Brazil. ⟨hal-01161332⟩

Jean Bresson, Carlos Agon. SDIF sound description data representation and manipulation in computer assisted composition. International Computer Music Conference (ICMC'04), 2004, Miami, United States. ⟨hal-01161261⟩

Dimitri Bouche, Jean Bresson. Adaptive lookahead planning for performing music composition. The 25th International Conference on Automated Planning and Scheduling (ICAPS), Jun 2015, Jerusalem, Israel. 2015. ⟨hal-01163294⟩

Olivier Migliore, Nicolas Obin, Jean Bresson. Rap, ragga et punk français (1977-1992) : une analyse computationnelle. Journées d'analyse musicale de la Sfam, 2014, Paris, France. Musique savante/Musiques actuelles : Articulations. ⟨hal-01160625⟩

Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3. Editions Delatour France / IRCAM-Centre Pompidou, 2016. ⟨hal-01354935⟩

Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 2. Editions Delatour France / Ircam-Centre Pompidou, 2008. ⟨hal-01106311⟩

Carlos Agon, Gérard Assayag, Jean Bresson. The OM Composer's Book 1. Editions Delatour France / Ircam-Centre Pompidou, 2006. ⟨hal-01106274⟩

Elena Ungeheuer, Marco Stroppa, Arshia Cont, Jean Bresson. Marco Stroppas musikalische Technologie. Musik-Konzepte, 186, 2019, Marco Stroppa, 978-3-86916-819-7. ⟨hal-02134780⟩

Marco Stroppa, Jean Bresson. Electronic dramaturgy and computer-aided composition in Re Orso. Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3, Editions Delatour France / IRCAM-Centre Pompidou, 2016, 9782752102836. ⟨hal-01353799⟩

Sandeep Bhagwati, Jean Bresson. Proceedings of the International Conference on Technologies for Music Notation and Representation – TENOR'18. Montreal, Canada. 2018, 978-1-5251-0551-7. ⟨hal-01812555⟩

Jean Bresson, Joel Chadabe. Interactive Composition. United Kingdom. 46 (1), 2017, Journal of New Music Research. ⟨hal-01483502⟩

Michael Sperber, Jean Bresson. FARM’17 - Proceedings of the 5th ACM SIGPLAN International Workshop on Functional Art, Music, Modeling, and Design. France. 2017. ⟨hal-01579138⟩

Marc Battier, Jean Bresson, Pierre Couprie, Cécile Davy-Rigaux, Dominique Fober, et al.. Proceedings of the First International Conference on Technologies for Music Notation and Representation - TENOR2015. May 2015, Paris, France. 2015, 978-2-9552905-0-7. ⟨hal-01159870⟩

Jean Bresson, Dominique Fober. Technique et Science Informatiques: Informatique Musicale. Lavoisier. France. 33 (7-8), 2014, Revue des Sciences et Technologies de l'Information, 978-2-7462-4686-7. ⟨hal-01158425⟩

Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gérard Assayag, Jean Bresson, et al.. Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings.. Springer. France. 6726, 2011, Lecture Notes in Artificial Intelligence. ⟨hal-01106680⟩

Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson. A Term Rewriting Based Structural Theory of Rhythm Notation. [Research Report] ANR-13-JS02-0004-01 - EFFICACe. 2015. ⟨hal-01134096v3⟩

Jean Bresson. Reactive Visual Programs in OpenMusic. [Research Report] IRCAM / ANR-13-JS02-0004-01 EFFICACe. 2014. ⟨hal-01142078v2⟩

Jean Bresson, Jean-Louis Giavitto. Specification of a reactive computation model for OpenMusic. [Research Report] IRCAM. 2014, pp.17. ⟨hal-00959312⟩

Jean Bresson, Dimitri Bouche. OpenMusic - LibAudioStream - Faust. [Rapport de recherche] IRCAM / ANR-12-CORD-0009 INEDIT. 2013. ⟨hal-00959371⟩

Jean Bresson. La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. Modélisation et simulation. Université Pierre et Marie Curie - Paris VI, 2007. Français. ⟨NNT : 2007PA066400⟩. ⟨tel-00807656⟩

Jean Bresson. Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale. Langage de programmation [cs.PL]. Université Pierre et Marie Curie, 2017. ⟨tel-01525998⟩