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Jean Bresson


I am researcher and developer at IRCAM working on computer-aided composition systems and visual programming environments for composers. I'm interested in bridging gaps between computer systems for music, for instance connecting computer-aided composition software to real-time interaction or to digital sound processing and spatialization.


Article dans une revue12 documents

  • Jérémie Garcia, Thibaut Carpentier, Jean Bresson. Interactive-Compositional Authoring of Sound Spatialization. Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), pp.20. <10.1080/09298215.2016.1230632>. <hal-01467080>
  • Dimitri Bouche, Jérôme Nika, Alex Chechile, Jean Bresson. Computer-aided Composition of Musical Processes. Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), <10.1080/09298215.2016.1230136>. <hal-01370792>
  • Jean Bresson, Jean-Louis Giavitto. A Reactive Extension of the OpenMusic Visual Programming Language. Journal of Visual Languages and Computing, Elsevier, 2014, 25 (4), pp.363-375. <10.1016/j.jvlc.2014.03.003>. <hal-00965747>
  • Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab 2: From computer-aided composition to music education. Journal of Music, Technology and Education, Intellect, 2013, 5 (3), pp.273-291. <http://www.intellectbooks.co.uk/journals/view-Article,id=14843/>. <10.1386/jmte.5.3.273_1>. <hal-01159540>
  • Carlos Agon, Jean Bresson, Marco Stroppa. OMChroma: Compositional Control of Sound Synthesis. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 2011, 35 (2), pp.67-83. <10.1162/COMJ_a_00057>. <hal-00683465>
  • Grégoire Carpentier, Jean Bresson. Interacting with Symbol, Sound and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 2010, 34 (1), pp.10-27. <10.1162/comj.2010.34.1.10>. <hal-00683471>
  • Marlon Schumacher, Jean Bresson. Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press (CUP), 2010, 15 (3), pp.271-289. <10.1017/S1355771810000300>. <hal-00683469>
  • Jean Bresson, Carlos Agon, Gérard Assayag. Visual Lisp/CLOS Programming in OpenMusic. Higher-Order and Symbolic Computation, Springer Verlag, 2009, 22 (1), pp.81-111. <10.1007/s10990-009-9044-x>. <hal-00683472>
  • Jean Bresson, Carlos Agon. Scores, Programs and Time Representations: The Sheet Object in OpenMusic. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 2008, 32 (4), pp.31-47. <10.1162/comj.2008.32.4.31>. <hal-00683473>
  • Jean Bresson, Carlos Agon. Musical Representation of Sound in Computer-Aided Composition: A Visual Programming Framework. Journal of New Music Research, Taylor & Francis (Routledge), 2007, 36 (4), pp.251-266. <10.1080/09298210801969145>. <hal-00683475>
  • Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab Maquette : approche interactive des processus compositionnels pour la pédagogie musicale. Sciences et Technologies
 de l'Information et de la Communication
 pour l'Éducation et la Formation (STICEF), ATIEF, 2006, 13, 26 p. <hal-00696328>
  • Gérard Assayag, Jean Bresson. OpenMusic : de la composition à l'enseignement. L'Inouï. Revue de l'Ircam, 2006. <hal-01106238>

Communication dans un congrès53 documents

  • Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia. Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. International Computer Music Conference, 2017, Shanghai, China. Proceedings of the International Computer Music Conference. <hal-01567619>
  • Jérémie Garcia, Dimitri Bouche, Jean Bresson. Timed Sequences: A Framework for Computer-Aided Composition with Temporal Structures. Third International Conference on Technologies for Music Notation and Representation (TENOR 2017), May 2017, A Coruña, Spain. <hal-01484077>
  • Jean Bresson, John Maccallum, Adrian Freed. o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot. ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. Proceedings of ACM SIGPLAN International Conference on Functional Programmaing (ICFP'16) -- Workshop on Functional Art, Music, Modeling & Design (FARM). <10.1145/http://dx.doi.org/10.1145/2975980.2975985>. <hal-01353794>
  • Jérémie Garcia, Xavier Favory, Jean Bresson. Trajectoires: a Mobile Application for Controlling Sound Spatialization. CHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, <10.1145/2851581.2890246>. <hal-01285852>
  • Adrien Ycart, Jean Bresson, Florent Jacquemard, Sławek Staworko. Une approche interactive pour la transcription rythmique dans OpenMusic. Journées d'Informatique Musicale 2016, Mar 2016, Albi, France. Journées d'Informatique Musicale 2016, 2016, Journées d'Informatique Musicale 2016. <hal-01298806>
  • Adrien Ycart, Florent Jacquemard, Jean Bresson, Slawomir Staworko. A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. International Computer Music Conference (ICMC), Sep 2016, Utrecht, Netherlands. 2016, Proceedings of the 42nd International Computer Music Conference (ICMC). <http://www.icmc2016.com>. <hal-01315689v2>
  • Charles De Paiva Santana, Jônatas Manzolli, Jean Bresson, Moreno Andreatta. Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models. Electronic Visualisation and the Arts, 2015, London, United Kingdom. EVA London 2015: Electronic Visualisation and the Arts, <10.14236/ewic/eva2015.8>. <hal-01177456>
  • Dominique Fober, Jean Bresson, Pierre Couprie, Yann Geslin. Les nouveaux espaces de la notation musicale : Groupe de travail AFIM. Journées d'Informatique Musicale, 2015, Montréal, Canada. <http://jim2015.oicrm.org/>. <hal-01160759v2>
  • Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson. A Structural Theory of Rhythm Notation based on Tree Representations and Term Rewriting. Tom Collins, David Meredith and Anja Volk. Mathematics and Computation in Music: 5th International Conference, MCM 2015, Jun 2015, London, United Kingdom. Springer, 9110, pp.12, 2015, Lecture Notes in Artificial Intelligence. <http://mcm2015.qmul.ac.uk>. <hal-01138642>
  • Dimitri Bouche, Jean Bresson. Planning and Scheduling Actions in a Computer-Aided Music Composition System. Israel Science Foundation. Scheduling and Planning Applications Workshop (SPARK), Jun 2015, Jerusalem, Israel. pp.1-6, 2015, Proceedings of the 9th international Scheduling and Planning Applications Workshop. <hal-01163284>
  • Xavier Favory, Jérémie Garcia, Jean Bresson. Trajectoires : une application mobile pour le contrôle et l'écriture de la spatialisation sonore. 27ème conférence francophone sur l'Interaction Homme-Machine., Oct 2015, Toulouse, France. ACM, Actes de la 27ème conférence francophone sur l'Interaction Homme-Machine., pp.a5, 2015, <10.1145/2820619.2820624>. <hal-01218595>
  • Jean Bresson, Dimitri Bouche, Jérémie Garcia, Thibaut Carpentier, Florent Jacquemard, et al.. Projet EFFICACE : Développements et perspectives en composition assistée par ordinateur. Journées d'Informatique Musicale, 2015, Montréal, Canada. 2015. <hal-01142022>
  • Jérémie Garcia, Jean Bresson, Marlon Schumacher, Thibaut Carpentier, Xavier Favory. Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusic. inSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015, Karlsruhe, Germany. <hal-01226263>
  • Jérémie Garcia, Jean Bresson, Thibaut Carpentier. Towards Interactive Authoring Tools for Composing Spatialization. IEEE 10th Symposium on 3D User Interfaces, Mar 2015, Arles, France. 2015. <hal-01108709>
  • Jean Bresson, John Maccallum. Tempo Curving as a Framework for Interactive Computer-Aided Composition. Sound and Music Computing Conference (SMC), Jul 2015, Maynooth, Ireland. <hal-01166166>
  • Dimitri Bouche, Jean Bresson. Articulation dynamique de structures temporelles pour l'informatique musicale. Stephan Merz and Jean-François Pétin. Modélisation des Systèmes Réactifs (MSR 2015), Nov 2015, Nancy, France. <hal-01224271>
  • Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag. Guided improvisation as dynamic calls to an offline model. Sound and Music Computing (SMC), Jul 2015, Maynooth, Ireland. <hal-01184642>
  • John Maccallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed. Dynamic Message-Oriented Middleware with Open Sound Control and Odot. ICMA. International Computer Music Conference, 2015, Denton, United States. <hal-01165775>
  • Florent Jacquemard, Jean Bresson, Pierre Donat-Bouillud. Rhythm Tree Rewriting. Meeting of the IFIP WG 1.6 on Term Rewriting, Vienna Summer of Logic, Jul 2014, Vienna, Austria. 2014. <hal-01109666>
  • Dimitri Bouche, Jean Bresson, Stéphane Letz. Programmation and Control of Faust Sound Processing in OpenMusic. Joint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC), 2014, Athens, Greece. 2014. <hal-01158363>
  • Jérémie Garcia, Philippe Leroux, Jean Bresson. pOM: Linking Pen Gestures to Computer-Aided Composition Processes. 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece. 2014. <hal-01053295v2>
  • Jean Bresson. Reactive Visual Programs for Computer-Aided Music Composition. IEEE Symposium on Visual Languages and Human-Centric Computing, 2014, Melbourne, Australia. pp. 141-144, 2014. <hal-01055239>
  • Anders Vinjar, Jean Bresson. OpenMusic on Linux. Linux Audio Conference, 2014, Karlsruhe, Germany. 2014. <hal-01075235>
  • Raphaël Foulon, Jean Bresson. Un modèle de contrôle pour la synthèse par fonctions d'ondes formantiques avec OM-Chant. Journées d'Informatique Musicale, 2013, Saint-Denis, France. pp.1-1, 2013. <hal-01156651>
  • Charles De Paiva Santana, Jean Bresson, Moreno Andreatta. Modeling and Simulation: The Spectral CANON for CONLON Nancarrow by James Tenney. Sound and Music Computing, 2013, Stockholm, Sweden. Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. <hal-01170066>
  • Jean Bresson, Raphaël Foulon, Marco Stroppa. Reduction as a Transition Controller for Sound Synthesis Events. ACM SIGPLAN workshop on Functional art, music, modeling & design (FARM '13), 2013, Boston, United States. pp.1-10, 2013. <hal-00959107>
  • Jean Bresson, Carlos Pérez-Sancho. New Framework for Score Segmentation and Analysis in OpenMusic. Sound and Music Computing, 2012, Copenhagen, Denmark. pp.1-1, 2012. <hal-01161435>
  • Jean Bresson. Spatial Structures Programming for Music. Spatial Computing Workshop (SCW), 2012, Valencia, Spain. pp.1-1, 2012. <hal-01161314>
  • Jean Bresson, Carlos Agon. Visual Programming and Music Score Generation with OpenMusic. IEEE Symposium on Visual Languages and Human-Centric Computing, Sep 2011, Pittsburgh, United States. pp.247-248, 2011. <hal-01161285>
  • Jean Bresson, Marco Stroppa. The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis. International Computer Music Conference, 2011, Huddersfield, United Kingdom. pp.1-1, 2011. <hal-01161282>
  • Jean Bresson, Marlon Schumacher. Representation and Interchange of Sound Spatialization Data for Compositional Applications. ICMA. International Computer Music Conference, 2011, Huddersfield, United Kingdom. <hal-01169015>
  • Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic – Visual Programming Environment for Music Composition, Analysis and Research. ACM MultiMedia (MM'11), 2011, Scottsdale, United States. MM '11: Proceedings of the 19th ACM international conference on Multimedia, 2011, <10.1145/2072298.2072434>. <hal-01182394>
  • Jean Bresson, Romain Michon. Implémentations et contrôle du synthétiseur CHANT dans OpenMusic. Journées d'Informatique Musicale, May 2011, Saint Etienne, France. pp.1-1, 2011. <hal-01157083>
  • Marlon Schumacher, Jean Bresson. Compositional Control of Periphonic Sound Spatialization. 2nd International Symposium on Ambisonics and Spherical Acoustics, May 2010, Paris, France. pp.1-1, 2010. <hal-01161239>
  • Jean Bresson. ML-Maquette / Musique Lab 2. International Computer Music Conference, Jun 2010, New York / Stony Brook, United States. pp.1-1, 2010. <hal-01161248>
  • Jean Bresson, Carlos Agon. Processing Sound and Music Description Data Using OpenMusic. International Computer Music Conference, Jun 2010, New York / Stony Brook, United States. pp.1-1, 2010. <hal-01161247>
  • Jean Bresson, Carlos Agon, Marlon Schumacher. Représentation des données de contrôle pour la spatialisation dans OpenMusic. Journées d'Informatique Musicale, May 2010, Rennes, France. pp.1-1, 2010. <hal-01157046>
  • Aaron Einbond, Diemo Schwarz, Jean Bresson. Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. International Computer Music Conference (ICMC), 2009, Montreal, QC, Canada. pp.1-1, 2009. <hal-01161032>
  • Jean Bresson, Carlos Agon. Synthèse sonore et composition musicale: Problématiques et outils d'écriture électroacoustique. Electroacoustic Music Studies Network Conference - EMS'09, 2009, Buenos Aires, Argentine. <hal-01162317>
  • Carlos Agon, Jean Bresson, Gérard Assayag. OpenMusic: Design and Implementation Aspects of a Visual Programming Language. 1st European Lisp Symposium - ELS'08, 2008, Bordeaux, France. 2008. <hal-01106321>
  • Isabelle Viaud-Delmon, Jean Bresson, Francois Pachet, Frédéric Bevilacqua, Pierre Roy, et al.. Eartoy : interactions ludiques par l'audition. Journées d'Informatique Musicale - JIM'07, 2007, Lyon, France. 2007. <hal-01107112>
  • Jean Bresson. Processus compositionnels et opérateurs musicaux dans ML-Maquette - Les outils de traitement du signal. Journées d'Informatique Musicale, Apr 2007, Lyon, France. pp.1-1, 2007. <hal-01156973>
  • Carlos Agon, Jean Bresson. Mixing Time Representations in a Programmable Score Editor. Sound and Music Computing Conference, Jul 2007, Lefkada, Greece. pp.1-1, 2007. <hal-01161375>
  • Jean Bresson, Marco Stroppa, Carlos Agon. Generation and Representation of Data and Events for the Control of Sound Synthesis. Sound and Music Computing Conference, Jul 2007, Lefkada, Greece. pp.1-1, 2007. <hal-01161374>
  • Fabrice Guédy, Jean Bresson, Gérard Assayag. Musique Lab 2 - Un environnement d'aide à la pédagogie musicale. Journées d'Informatique Musicale - JIM'07, 2007, NA, France. 2007. <hal-01106275>
  • Jean-Marc Chouvel, Jean Bresson, Carlos Agon. L’analyse musicale différentielle : principes, représentation et application à la structuration des entités musicales pour la musique électroacoustique. Electroacoustic Music Studies Network Conference - EMS'07, 2007, Leicester, Royaume-Uni. <http://www.ems-network.org/spip.php?article294>. <hal-01162315>
  • Jean Bresson, Carlos Agon. Temporal Control over Sound Synthesis Processes. Sound and Music Computing, May 2006, Marseille, France. pp.1-1, 2006. <hal-01161348>
  • Jean Bresson. Sound Processing in OpenMusic. International Conference on Digital Audio Effects (DAFx'06), 2006, Montréal, Canada. <hal-01169018>
  • Jean Bresson, Carlos Agon. Sound Writing and Representation in a Visual Programming Framework. Digital Music Research Network Doctoral Research Conference, 2006, London, United Kingdom. <hal-01162309>
  • Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition Environment. 10th Brazilian Symposium on Computer Music, Oct 2005, Belo Horizonte, MG, Brazil. pp.1-1, 2005. <hal-01161332>
  • Jean Bresson, Marco Stroppa, Carlos Agon. Symbolic Control of Sound Synthesis in Computer-Assisted Composition. Inrenational Computer Music Conference, Sep 2005, Barcelona, Spain. pp.1-1, 2005. <hal-01161329>
  • Vincent Puig, Fabrice Guédy, Michel Fingerhut, Fabienne Serrière, Jean Bresson, et al.. Musique Lab 2: A Three-Level Approach for Music Education at School. International Computer Music Conference, Sep 2005, Barcelona, Espagne. 2005. <hal-01106237>
  • Jean Bresson, Carlos Agon. SDIF sound description data representation and manipulation in computer assisted composition. International Computer Music Conference, Nov 2004, Miami, United States. pp.1-1, 2004. <hal-01161261>

Poster2 documents

  • Dimitri Bouche, Jean Bresson. Adaptive lookahead planning for performing music composition. The 25th International Conference on Automated Planning and Scheduling (ICAPS), Jun 2015, Jerusalem, Israel. 2015. <hal-01163294>
  • Olivier Migliore, Nicolas Obin, Jean Bresson. Rap, ragga et punk français (1977-1992) : une analyse computationnelle. Journées d'analyse musicale de la Sfam, 2014, Paris, France. Musique savante/Musiques actuelles : Articulations. <hal-01160625>

Ouvrage (y compris édition critique et traduction)3 documents

  • Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3. Editions Delatour France / IRCAM-Centre Pompidou, 2016. <hal-01354935>
  • Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 2. Editions Delatour France / Ircam-Centre Pompidou, 2008. <hal-01106311>
  • Carlos Agon, Gérard Assayag, Jean Bresson. The OM Composer's Book 1. Editions Delatour France / Ircam-Centre Pompidou, 2006. <hal-01106274>

Chapitre d'ouvrage1 document

Direction d'ouvrage, Proceedings4 documents

  • Jean Bresson, Joel Chadabe. Interactive Composition. United Kingdom. 46 (1), 2017, Journal of New Music Research. <hal-01483502>
  • Marc Battier, Jean Bresson, Pierre Couprie, Cécile Davy-Rigaux, Dominique Fober, et al.. Proceedings of the First International Conference on Technologies for Music Notation and Representation - TENOR2015. May 2015, Paris, France. 2015, 978-2-9552905-0-7. <http://tenor2015.tenor-conference.org/>. <hal-01159870>
  • Jean Bresson, Dominique Fober. Technique et Science Informatiques. Lavoisier. France. 33 (7-8), 2014, Informatique Musicale, 978-2-7462-4686-7. <hal-01158425>
  • Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gérard Assayag, Jean Bresson, et al.. Mathematics and Computation in Music. Springer. France. 6726, 2011, Lecture Notes in Artificial Intelligence. <hal-01106680>

Pré-publication, Document de travail1 document

  • Savannah Agger, Jean Bresson, Thibaut Carpentier. Landschaften – Visualization, Control and Processing of Sounds in 3D Spaces. 2017. <hal-01567629>

Rapport4 documents

  • Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson. A Term Rewriting Based Structural Theory of Rhythm Notation. [Research Report] ANR-13-JS02-0004-01 - EFFICACe. 2015, pp.11. <hal-01134096v3>
  • Jean Bresson, Jean-Louis Giavitto. Specification of a reactive computation model for OpenMusic. [Research Report] IRCAM. 2014, pp.17. <hal-00959312>
  • Jean Bresson. Reactive Visual Programs in OpenMusic. [Research Report] IRCAM. 2014. <hal-01142078v2>
  • Jean Bresson, Dimitri Bouche. OpenMusic - LibAudioStream - Faust. 2013. <hal-00959371>

Thèse1 document

  • Jean Bresson. La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. Modélisation et simulation. Université Pierre et Marie Curie - Paris VI, 2007. Français. <NNT : 2007PA066400>. <tel-00807656>

HDR1 document

  • Jean Bresson. Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale. Langage de programmation [cs.PL]. Université Pierre et Marie Curie, 2017. <tel-01525998>