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61 résultats
Twenty Toea Has No Power Now": Property, Customary Tenure, and pressure on Land Near the Ramu Nickel Project Area, Madang, Papua New GuineaPacific Studies, 2011, 34 (2), pp.295--322
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‘Experimenting with forms of documentation in a ‘responsive’ mode. An example from the Rai Coast of PNG’Doing Fieldwork Today. The continuing afterlife of the Malinowskian Method, Centre Norbort Elias, EHESS, Jun 2019, Marseille 13003, France
Communication dans un congrès
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Relationships in the Making. Negotiating Knowledge Through DocumentationThe William Fagg Lecture 2019, The British Museum, Sep 2019, London, United Kingdom
Communication dans un congrès
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Drawing on Human and Plant Correspondences on the Rai Coast of Papua New GuineaAnthropological Forum: A Journal of Social Anthropology and Comparative Sociology, 2021, The Art of Gardens: Views from Melanesia and Amazonia, Guest Editors: Jean Mitchell and Lissant Bolton, 31 (4), pp.352-376. ⟨10.1080/00664677.2021.1990012⟩
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‘Retracing Steps’: An interview with choreographer and artist Tanya VogesMemory Studies, 2016, 9 (4), pp.488-496. ⟨10.1177/1750698016654877⟩
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Bodystorming: effects of collaboration and familiarity on improvising contemporary danceCognitive Processing, 2015, 16 (1), pp.403--407. ⟨10.1007/s10339-015-0682-0⟩
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Anthropology through Levinas: Knowing the Uniqueness of Ego and the Mystery of OthernessCurrent Anthropology, 2015, 56 (2), pp.256-276. ⟨10.1086/680433⟩
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Kinship and Place: The Existential and Moral Process of Landscape Formation on the Rai Coast of Papua New GuineaS. Bamford. The Cambridge Handbook of Kinship, 1, Cambridge University Press, pp.211-230, 2019, Cambridge Handbooks in Anthropology, 9781139644938. ⟨10.1017/9781139644938.009⟩
Chapitre d'ouvrage
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Choreographic ObjectsJournal of Cultural Economy, 2013, Prototyping Cultures: art, science and politics in beta, pp.1-22
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Subversion, Conversion, Development: Cross-Cultural Knowledge Exchange and the Politics of DesignMIT Press, 2014
Ouvrages
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Reproducing Persons. Institutions and the Counter InventedCambridge History of Technology Workshop, Apr 2022, Berlin, Germany
Communication dans un congrès
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‘Creative Modes: Making Choreography in Willliam Forsythe’s ‘Duo’.Forschungs-Mittwoch: Hochschule der Kunst, Apr 2019, Bern, Switzerland
Communication dans un congrès
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Foreword from the editorsAnthropological Forum: A Journal of Social Anthropology and Comparative Sociology, 2017, Matter(s) of Relations: Transformation and Presence in Melanesian and Australian Life-Cycle Rituals, 27 (1), pp.1 - 2. ⟨10.1080/00664677.2017.1290521⟩
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Step inside: knowledge freely availableThe Politics of Knowledge, 2013, pp.79
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Damon, Frederick H.: Trees, Knots, and Outriggers. Environmental Knowledge in the Northeast Kula RingHuman Ecology, 2018, 46 (3), pp.445-447
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The mystery of the dying languageJournal of Ethnographic Theory - HAU, 2020, 10 (2), pp.660-663. ⟨10.1086/709967⟩
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Relational creativity and improvisation in contemporary danceInterdisciplinary Science Reviews, 2020, 45 (1), pp.95-116. ⟨10.1080/03080188.2020.1712541⟩
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The Value of Music in Melanesia: Creation, Circulation, and Transmission Under Changing Economic and Intellectual Property ConditionsAnna Morcom; Timothy D. Taylor. The Oxford Handbook of Economic Ethnomusicology, Oxford University Press, 2020, 9780190859633. ⟨10.1093/oxfordhb/9780190859633.013.33⟩
Chapitre d'ouvrage
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«The time of money»: property and sovereignty as alternative narratives of land and value near the Ramu NiCo mining project (Madang, PNG)Journal de la Société des Océanistes, 2014, p. 53-62
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Reading and Remembering the Anthropologist James F. WeinerOceania, 2021, 91 (1), pp.2-25. ⟨10.1002/ocea.5296⟩
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Anthropology, Cross-Cultural Encounter, and the Politics of DesignJames Leach and Lee Wilson. Subversion, Conversion, Development: Cross-Cultural Knowledge Exchange and the Politics of Design, MIT Press, pp.1-18, 2014
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The task of anthropology is to invent relations: 2010 meeting of the Group for Debates in Anthropological TheoryCritique of Anthropology, 2012, 32 (1), pp.43--47
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The Self of the Scientist, Material for the Artist: Emergent Distinctions in an Interdisciplinary CollaborationSocial Analysis, 2011, 55 (3), pp.143--163
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Conference Keynote: Documents Against KnowledgeAHRC Legal Materiality Research NetworkConcluding Conference, Jan 2020, London, United Kingdom
Communication dans un congrès
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Constituting aesthetics and utility: Copyright, patent and the purification of knowledge objects in an art and science collaborationJournal of Ethnographic Theory - HAU, 2012, 2 (1), pp.247--268
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Making Knowledge From MovementBleeker, Maaike. Transmission in motion : the technologizing of dance, Routledge, pp.141-154, 2016, 9781138189430
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Documents Against Knowledge. Immanence and Transcendence and Approaching Materials.Law Text Culture, 2019, Legal Materiality, 23 (1), pp.16-39
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The things we value: culture and history in the Solomon Islands, edited by Ben Burt and Lissant BoltonAnthropological Forum: A Journal of Social Anthropology and Comparative Sociology, 2015, 25 (2), pp.197-199. ⟨10.1080/00664677.2014.960065⟩
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Reite Plants.2010, ISBN 978 19216 66001, ISBN 978 19216 66018
Ouvrages
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Leaving the Magic Out: Knowledge and Effect in Different PlacesAnthropological Forum: A Journal of Social Anthropology and Comparative Sociology, 2012, 22 (3), pp.251-270. ⟨10.1080/00664677.2012.723611⟩
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