Co-auteurs

Nombre de documents

95

Gérard Assayag, STMS (Ircam, CNRS, UPMC)


Article dans une revue18 documents

  • Jérôme Nika, Marc Chemillier, Gérard Assayag. ImproteK: introducing scenarios into human-computer music improvisation. ACM Computers in Entertainment, 2017, 〈10.1145/3022635〉. 〈hal-01380163〉
  • Toro Mauricio, Camilo Rueda, Carlos Agon, Gérard Assayag. GELISP : A Framework to represent musical constraint satisfaction problems and search strategies. Journal of Theoretical and Applied Information Technology, JATIT, 2016, 86 (2), pp.327-331. 〈http://www.jatit.org/〉. 〈hal-01580474〉
  • Toro Mauricio, Camilo Rueda, Carlos Agon, Gérard Assayag. NTCCRT : A Concurrent Constraint Framework for Soft Real-Time Music Interaction. Journal of Theoretical and Applied Information Technology, JATIT, 2015, 82 (1), pp.184-193. 〈http://www.jatit.org/〉. 〈hal-01580493〉
  • Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag. Towards an Hybrid Temporal Paradigm for Musical Composition and Performance. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 2013, 37 (2), pp. 61-72. 〈hal-01580584〉
  • Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag. Towards an Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 2013, 2 (37), pp.61-72. 〈hal-01106917〉
  • Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab 2: From computer-aided composition to music education. Journal of Music, Technology and Education, Intellect, 2013, 5 (3), pp.273-291. 〈http://www.intellectbooks.co.uk/journals/view-Article,id=14843/〉. 〈10.1386/jmte.5.3.273_1〉. 〈hal-01159540〉
  • Arshia Cont, Shlomo Dubnov, Gérard Assayag. On the Information Geometry of Audio Streams with Applications to Similarity Computing. IEEE Transactions on Audio, Speech and Language Processing, Institute of Electrical and Electronics Engineers, 2011, 19 (4), pp.837-846. 〈10.1109/TASL.2010.2066266〉. 〈hal-00579590〉
  • Hugues Vinet, Gérard Assayag, Juan José Burred, Grégoire Carpentier, Nicolas Misdariis, et al.. Sample Orchestrator : gestion par le contenu d’échantillons sonores. Traitement du Signal, Lavoisier, 2011, 2011 (3), pp.417-468. 〈hal-01250794〉
  • Jesus Aranda, Gérard Assayag, Carlos Olarte, Camilo Rueda, Toro Mauricio, et al.. An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems. Proc. of the 25th International Conference in Logic Programming ICLP'09, Springer, 2009, LNCS, 5649, pp.509-513. 〈10.1007/978-3-642-02846-5〉. 〈inria-00426610〉
  • Jean Bresson, Carlos Agon, Gérard Assayag. Visual Lisp/CLOS Programming in OpenMusic. Higher-Order and Symbolic Computation, Springer Verlag, 2009, 22 (1), pp.81-111. 〈10.1007/s10990-009-9044-x〉. 〈hal-00683472〉
  • Gérard Assayag, Jean Bresson. OpenMusic : de la composition à l'enseignement. L'Inouï. Revue de l'Ircam, 2006. 〈hal-01106238〉
  • Jean Bresson, Fabrice Guédy, Gérard Assayag. Musique Lab Maquette : approche interactive des processus compositionnels pour la pédagogie musicale. Sciences et Technologies de l'Information et de la Communication pour l'Éducation et la Formation, ATIEF, 2006, 13, 26 p. 〈hal-00696328〉
  • Gérard Assayag, Shlomo Dubnov. Using Factor Oracles for machine Improvisation. Soft Computing, Springer Verlag, 2004, 8 (9), pp.604-610. 〈hal-01161221〉
  • Carlos Agon, Moreno Andreatta, Gérard Assayag, Stephan Schaub. Formal Aspects of Iannis Xenakis' "Symbolic Music": A Computer-Aided Exploration of Compositional Processes. Journal of New Music Research, Taylor & Francis (Routledge), 2004, 33 (2), pp.145-159. 〈hal-01106085〉
  • Gérard Assayag. Computeur. les cahiers de médiologie, 2004, Révolutions industrielles de la musique, pp.1-1. 〈hal-01161324〉
  • Carlos Agon, Moreno Andreatta, Gérard Assayag, Stephan Schaub. Formal aspects of Iannis Xenakis' Symbolic Music: a computer-aided exploration of some compositional processes. Journal of New Music Research, Taylor & Francis (Routledge), 2003. 〈hal-01105749〉
  • Carlos Agon, Gérard Assayag, Mikael Laurson, Camilo Rueda. Computer Assisted Composition at Ircam : PatchWork & OpenMusic. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press): Arts & Humanities Titles etc, 1999, 23 (5), pp.59-72. 〈hal-01106193〉
  • Gérard Assayag, Jean-Pierre Cholleton. L'appareil musical. Resonance, Indian Academy of Sciences, 1994, pp.1-1. 〈hal-01156742〉

Communication dans un congrès53 documents

  • Jérôme Nika, Ken Déguernel, Axel Chemla--Romeu-Santos, Emmanuel Vincent, Gérard Assayag. DYCI2 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. International Computer Music Conference, Oct 2017, Shangai, China. 2017, 〈http://www.icmc2017.com/en/index.html〉. 〈hal-01583089〉
  • Ken Déguernel, Jérôme Nika, Emmanuel Vincent, Gérard Assayag. Generating Equivalent Chord Progressions to Enrich Guided Improvisation : Application to Rhythm Changes. SMC 2017 - 14th Sound and Music Computing Conference, Jul 2017, Espoo, Finland. pp.8. 〈hal-01528559〉
  • Jérôme Nika, Marc Chemillier, Gérard Assayag. Guider l'improvisation musicale homme-machine : une synthèse sur le système ImproteK. Journées d'Informatiques Musicales (JIM) 2016, Mar 2016, Albi, France. 〈hal-01361233〉
  • Kevin Sanlaville, Gérard Assayag, Frédéric Bevilacqua, Catherine Pelachaud. Modèles Probabilistes pour l'Interaction entre agents. Workshop Affect • Compagnon Artificiel • Interaction (WACAI 2016), Jun 2016, Brest, France. 2016, 〈http://www.enib.fr/wacai/〉. 〈hal-01379649〉
  • Ken Déguernel, Emmanuel Vincent, Gérard Assayag. Using Multidimensional Sequences For Improvisation In The OMax Paradigm. 13th Sound and Music Computing Conference, Aug 2016, Hamburg, Germany. 〈http://quintetnet.hfmt-hamburg.de/SMC2016/〉. 〈hal-01346797〉
  • Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag. Guided improvisation as dynamic calls to an offline model. Sound and Music Computing (SMC), Jul 2015, Maynooth, Ireland. 〈hal-01184642〉
  • Kevin Sanlaville, Gérard Assayag, Frédéric Bevilacqua, Catherine Pelachaud. Emergence of synchrony in an Adaptive Interaction Model. Intelligent Virtual Agents 2015 Doctoral Consortium, Aug 2015, Delft, Netherlands. IVA Doctoral Consortium, 2015. 〈hal-01164604〉
  • Kevin Sanlaville, Frédéric Bevilacqua, Catherine Pelachaud, Gérard Assayag. Adaptation in an Interactive Model designed for Human Conversation and Music Improvisation: a preparatory outline. WACAI 2014, 2014, NA, France. 2014. 〈hal-01107158〉
  • Gérard Assayag. Creative Symbolic Interaction: Key Note Talk. A. Georgaki and G. Kouroupetroglou (Eds). 40th Intl. Comp. Mus. Conf. and 11th Sound and Music Comp. Conf. (ICMC / SMC joint conf.), Sep 2014, Athenes, Greece. ICMA, SMC, National and Kapodistrian University of Athens, IRMA, pp 1-6, 2014. 〈hal-01146734〉
  • Benjamin Lévy, Georges Bloch, Gérard Assayag. OMaxist Dialectics. New Interfaces for Musical Expression, May 2012, Ann Arbor, United States. pp.137-140, 2012. 〈hal-00706662〉
  • Shlomo Dubnov, Gérard Assayag. Music Design with Audio Oracle using Information Rate. FIRST INTERNATIONAL WORKSHOP ON MUSICAL METACREATION (MUME 2012), Oct 2012, Palo Alto, United States. pp.1-1, 2012. 〈hal-01161018〉
  • Shlomo Dubnov, Gérard Assayag, Arshia Cont. Audio Oracle Analysis of Musical Information Rate. Proceedings of IEEE Semantic Computing Conference (ICSC2011), 2011, Unknown, United States. pp.567--571, 2011. 〈hal-00839065〉
  • Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic – Visual Programming Environment for Music Composition, Analysis and Research. ACM MultiMedia (MM'11), 2011, Scottsdale, United States. MM '11: Proceedings of the 19th ACM international conference on Multimedia, 2011, 〈10.1145/2072298.2072434〉. 〈hal-01182394〉
  • Fivos Maniatakos, Gérard Assayag, Frédéric Bevilacqua, Carlos Agon. On architecture and formalisms for computer assisted improvisation. Sound and Music Computing conference, Jul 2010, Barcelona, Espagne. pp.1-1, 2010. 〈hal-01157074〉
  • Carlos Agon, Jean Bresson, Gérard Assayag. OpenMusic: Design and Implementation Aspects of a Visual Programming Language. 1st European Lisp Symposium - ELS'08, 2008, Bordeaux, France. 2008. 〈hal-01106321〉
  • Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag. De Boxes à Iscore : vers une écriture de l'interaction. 13èmes Journées de l'Informatique Musicale, Mar 2008, Albi, France. pp.79-83, 2008. 〈hal-00353628〉
  • Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag. A system of Interactive Scores based on qualitative and quantitative temporal constraints. 4th International Conference on Digital Arts, Nov 2008, Porto, Portugal. pp.1-8, 2008. 〈hal-00353601〉
  • Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag. Iscore : A system for writing interaction. 3rd International Conference on Digital Interactive Media in Entertainment and Arts, Sep 2008, Athènes, Greece. pp.360-367, 2008. 〈hal-00353619〉
  • Georges Bloch, Shlomo Dubnov, Gérard Assayag. INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS IN THE OMAX IMPROVISATION SYSTEM. ICMC, Aug 2008, Belfast, Ireland. pp.1-1, 2008. 〈hal-01161405〉
  • Antoine Allombert, Gérard Assayag, M. Desainte-Catherine. A System of Interactive Scores based on Petri Nets. 4th Sound and Music Computing Conference (SMC07), Jul 2007, Lefkada, Greece. pp.158-165, 2007. 〈hal-00307926〉
  • Fabrice Guédy, Jean Bresson, Gérard Assayag. Musique Lab 2 - Un environnement d'aide à la pédagogie musicale. Journées d'Informatique Musicale - JIM'07, 2007, NA, France. 2007. 〈hal-01106275〉
  • Gérard Assayag, Georges Bloch. NAVIGATING THE ORACLE: A HEURISTIC APPROACH. International Computer Music Conference '07, Aug 2007, Copenhagen, Denmark. pp.405-412, 2007. 〈hal-01161388〉
  • Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James. An Evolutionary Approach to Computer-Aided Orchestration. EvoMUSART, Apr 2007, Valence, Spain. pp.488-497, 2007. 〈hal-01161369〉
  • Arshia Cont, Shlomo Dubnov, Gerard Assayag. GUIDAGE: A Fast Audio Query Guided Assemblage. Proceedings of International Computer Music Conference (ICMC), 2007, Copenhagen, Denmark. ICMA, 2007. 〈hal-00839071〉
  • Shlomo Dubnov, Gerard Assayag, Arshia Cont. Audio Oracle: A New Algorithm for Fast Learning of Audio Structures. Proceedings of International Computer Music Conference (ICMC), 2007, Copenhagen, Denmark. ICMA, 2007. 〈hal-00839072〉
  • Antoine Allombert, Gérard Assayag, M. Desainte-Catherine, Camilo Rueda. Concurrent Constraints Models for Interactive Scores. 3rd Sound and Music Computing Conference (SMC06), GMEM, May 2006, Marseille, France. 2006. 〈hal-00307924〉
  • Gérard Assayag, Georges Bloch, Marc Chemillier. OMax-Ofon. Sound and Music Computing (SMC) 2006, May 2006, Marseille, France. pp.1-1, 2006. 〈hal-01161346〉
  • Camilo Rueda, Gérard Assayag, Shlomo Dubnov. A Concurrent Constraints Factor Oracle Model for Music Improvisation. XXXII Conferencia Latinoamericana de Informática CLEI 2006, Aug 2006, Santiago, Chile. pp.1-1, 2006. 〈hal-01161352〉
  • Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James. IMITATIVE AND GENERATIVE ORCHESTRATIONS USING PRE-ANALYSED SOUNDS DATABASES. SMC'06, May 2006, Marseille, France. pp.115-122, 2006. 〈hal-01161353〉
  • Gérard Assayag, Georges Bloch, Marc Chemillier. Improvisation et réinjection stylistiques. Le feed-back dans la création musicale contemporaine - Rencontres musicales pluri-disciplinaires, Mar 2006, Lyon, France. pp.1-1, 2006. 〈hal-01161350〉
  • Gérard Assayag, Georges Bloch, Marc Chemillier, Arshia Cont, Shlomo Dubnov. Omax Brothers : a Dynamic Topology of Agents for Improvization Learning. Workshop on Audio and Music Computing for Multimedia, ACM Multimedia 2006, Oct 2006, Santa Barbara, United States. pp.1-1, 2006. 〈hal-01161351〉
  • Arshia Cont, Shlomo Dubnov, Gerard Assayag. A framework for Anticipatory Machine Improvisation and Style Imitation. Anticipatory Behavior in Adaptive Learning Systems (ABiALS), 2006, Rome, Italy. ABIALS, 2006. 〈hal-00839074〉
  • Gerard Assayag, George Bloch, Marc Chemillier, Arshia Cont, Shlomo Dubnov. OMAX Brothers: A Dynamic Topology of Agents for Improvisation Learning. ACM Multimedia Workshop on Audio and Music Computing for Multimedia, 2006, Santa Barbara, United States. Santa Barbara, 2006. 〈hal-00839075〉
  • Shlomo Dubnov, Gérard Assayag. Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience. Sound and Music Computing 2005, Nov 2005, Salerno, Italy. pp.1-1, 2005. 〈hal-01161335〉
  • Jean Bresson, Carlos Agon, Gérard Assayag. OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition Environment. 10th Brazilian Symposium on Computer Music, Oct 2005, Belo Horizonte, MG, Brazil. pp.1-1, 2005. 〈hal-01161332〉
  • Olivier Lartillot, Mondher Ayari, Gérard Assayag, Stephen Mcadams. Segmentation et reconnaissance de patterns dans la musique. Actes des journées (SCO/0039) : Action Concertée Incitative (ACI) « Systèmes complexes en Sciences sociales « Centre Universitaire de Vaugirard 1, Université Paris 2., Dec 2004, Paris, France. 2004. 〈hal-01106098〉
  • Carlos Agon, Gérard Assayag. OM :A Graphical extension of CLOS using the MOP. ILC, 2003, NA, France. 2003. 〈hal-01105847〉
  • Carlos Agon, Karim Haddad, Gérard Assayag. Representation and Rendering of Rhythmic Structures. WedelMusic 2002, 2002, NA, France. 2002. 〈hal-01106194〉
  • Carlos Agon, Gérard Assayag. Programmation Visuelle et Editeurs Musicaux pour la Composition Assistée par Ordinateur.. Interface Homme Machine, Nov 2002, Poitiers, France. 2002. 〈hal-01105751〉
  • Gérard Assayag, Gill Bejerano, Shlomo Dubnov, Olivier Lartillot. Automatic modeling of musical style. 8èmes Journées d'Informatique Musicale, Jun 2001, Bourges, France. pp.113-119, 2001. 〈hal-01105887〉
  • Charlotte Truchet, Carlos Agon, Gérard Assayag, Philippe Codognet. CAO et contraintes. JIM, 2001, NA, France. 2001. 〈hal-01105725〉
  • Charlotte Truchet, Gérard Assayag, Philippe Codognet. Visual and Adaptive Constraint Programming in Music. ICMC 01, 2001, NA, France. 2001. 〈hal-01105723〉
  • Charlotte Truchet, Carlos Agon, Gérard Assayag. Recherche adaptative et contraintes musicales. JFPLC, 2001, NA, France. 2001. 〈hal-01105724〉
  • Carlos Agon, Marco Stroppa, Gérard Assayag. High Level Musical Control of Sound Synthesis in OpenMusic. ICMC: International Computer Music Conference, Aug 2000, Berlin, Allemagne. 2000. 〈hal-01105534〉
  • Gérard Assayag, Shlomo Dubnov, Olivier Delerue. Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. ICMC: International Computer Music Conference, Oct 1999, Beijing, China. pp.1-1, 1999. 〈hal-01161367〉
  • Camilo Rueda, Gérard Assayag, Mikael Laurson, Georges Bloch. Integrating Constraint Programming in Visual Musical Composition Languages. E.C.A.I. 98, Aug 1998, Brighton, Royaume-Uni. 1998. 〈hal-01106255〉
  • Carlos Agon, Gérard Assayag, Olivier Delerue, Camilo Rueda. Objects, Time and Constraints in OpenMusic. ICMC: International Computer Music Conference, Oct 1998, Ann Arbor Michigan, États-Unis. 1998. 〈hal-01106256〉
  • Shlomo Dubnov, Gérard Assayag, Ran El-Yaniv. Universal Classification Applied to Musical Sequences. ICMC: International Computer Music Conference, Oct 1998, Ann Arbor Michigan, United States. pp.1-1, 1998. 〈hal-01161365〉
  • Gérard Assayag. Problèmes de notation dans la composition assistée par ordinateur,. Rencontres Musicales Pluridisciplinaires. Musique et Notation GRAME, Jun 1997, Lyon, France. 1997. 〈hal-01105477〉
  • Peter Hanappe, Gérard Assayag. A framework to integrate environments for computer aided composition and sound synthesis. JIM: Journées d'informatique musicale, Jun 1997, Lyon, France. pp.114-121, 1997. 〈hal-01161216〉
  • Gérard Assayag, Carlos Agon, Joshua Fineberg, Peter Hanappe. An Object Oriented Visual Environment for Musical Composition. ICMC: International Computer Music Conference, Sep 1997, Thessaloniki Hellas, Greece. pp.364-367, 1997. 〈hal-01161427〉
  • Gérard Assayag. Visual Programming in Music. ICMC: International Computer Music Conference, Sep 1995, Banff, Canada. pp.73-76, 1995. 〈hal-01105457〉
  • Gérard Assayag, Camilo Rueda. The Music Representation Project at IRCAM. ICMC: International Computer Music Conference, 1993, Tokyo, Japan. pp.1-1, 1993. 〈hal-01157135〉

Poster1 document

  • Ken Déguernel, Emmanuel Vincent, Gérard Assayag. Improvisation musicale multidimensionnelle dans le paradigme OMax. Journées Jeunes Chercheurs en Acoustique, Audition et Signal, Nov 2016, Paris, France. 2016. 〈hal-01437490〉

Ouvrage (y compris édition critique et traduction)6 documents

  • Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 3. Editions Delatour France / IRCAM-Centre Pompidou, 2016. 〈hal-01354935〉
  • Jean Bresson, Carlos Agon, Gérard Assayag. The OM Composer's Book 2. Editions Delatour France / Ircam-Centre Pompidou, 2008. 〈hal-01106311〉
  • Carlos Agon, Gérard Assayag, Jean Bresson. The OM Composer's Book 1. Editions Delatour France / Ircam-Centre Pompidou, 2006. 〈hal-01106274〉
  • Gérard Assayag, Guerino Mazzola, François Nicolas. Penser la musique avec les mathématiques. Collection Musique / Science, Ircam / Delatour. 2006. 〈hal-01106398〉
  • Mondher Ayari, Gérard Assayag, Stephen Mcadams, Jean-Marc Chouvel, Francis Rousseaux, et al.. De la théorie musicale à l'art de l'improvisation : Analyse des performances et modélisation musicale. DELATOUR-France; AYARI Mondher. 2005. 〈hal-01106225〉
  • Gérard Assayag. Journal of New Music Research, Special Issue on Sound and Music Computing,. 2005. 〈hal-01106400〉

Chapitre d'ouvrage14 documents

  • Gérard Assayag. Improvising in Creative Symbolic Interaction. Jordan B. L. Smith; Elaine Chew; Gérard Assayag. Mathematical Conversations : Mathematics and Computation in Music Performance and Composition, World Scientific; Imperial College Press, pp.61 - 74, 2016, Lecture Notes Series, 978-981-3140-09-7. 〈hal-01378904〉
  • Gérard Assayag, George Bloch, Arshia Cont, Shlomo Dubnov. Interaction with Machine Improvisation. Shlomo, Argamon and Shlomo, Dubnov and Kevin, Burns. The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning, Springer, pp.219-245, 2010, 978-3-642-12337-5. 〈10.1007/978-3-642-12337-5_10〉. 〈hal-00694801〉
  • Shlomo Dubnov, Gérard Assayag. Memex and Composer Duets: computer aided composition using style modeling and mixing. Collection Musique Sciences ircam Delatour; Agon C., Assayag, G., Bresson J. Open Music Composers book 2,, 2008. 〈hal-01106436〉
  • Arshia Cont, Shlomo Dubnov, Gerard Assayag. Anticipatory Model of Musical Style Imitation using Collaborative and Competitive Reinforcement Learning. Butz M.V. and Sigaud O. and Pezzulo G. and Baldassarre G. Anticipatory Behavior in Adaptive Learning Systems, 4520, Springer Verlag, pp.285-306, 2007, Lecture Notes in Computer Science / Artificial Intelligence (LNAI), 978-3-540-74261-6. 〈hal-00839073〉
  • Gérard Assayag. De la calculabilité à l'implémentation musicale. Collection Musique Sciences Ircam / Delatour; Assayag, G., Nicolas, F., Mazzola, g. Penser la musique avec les mathématiques,, 2006. 〈hal-01106434〉
  • Gérard Assayag, Mondher Ayari. Présentation de l'ouvrage (avant-propos). DELATOUR-France; AYARI Mondher. De la théorie musicale à l'art de l'improvisation, Analyse des performances et modelisation musicale, 2005. 〈hal-01106477〉
  • Olivier Lartillot, Gérard Assayag. Modélisation et simulation du système complexe de perception de structures musicales. Delatour; Mondher Ayari. De la théorie à l'art de l'improvisation : Analyse de performances et modélisation musicale,, pp.1-1, 2005. 〈hal-01161418〉
  • Gérard Assayag, Stephen Mcadams, Mondher Ayari, Olivier Lartillot. Segmentation et reconnaissance de patterns dans la musique. Centre Universitaire de Vaugirard 1, Université Paris 2. Actes des journées (SCO/0039) : Action Concertée Incitative (ACI) « Systèmes complexes en Sciences sociales »,, pp.76-83, 2004. 〈hal-01106219〉
  • Carlos Agon, Gérard Assayag. Outils informatiques pour la composition musicale assistée par ordinateur : un état de l’art.. Euresis Edizioni; Jacopo Baboni Schilingi. Book of articles and essays of PRISMA group,, 2003. 〈hal-01105846〉
  • Carlos Agon, Gérard Assayag. Object-Oriented Programming in OpenMusic. Birkhäuser Verlag Ed. Topos of Music,, 2002. 〈hal-01105754〉
  • Shlomo Dubnov, Gérard Assayag. Universal Prediction Applied to Stylistic Music Generation. Springer; Assayag, G., Feichtinger, H.G., Rodrigues, J.F. Mathematics and Music, A Diderot Mathematical Forum, pp.147-158, 2002. 〈hal-01161368〉
  • Gérard Assayag. Du calcul secret au calcul visuel. Hermès; Sous la direction de François Delalande et Hugues Vinet. Interfaces homme-machine et création musicale,, 1999. 〈hal-01105702〉
  • Camilo Rueda, Gloria Alvarez, Luis O. Quesada, Gabriel Tamura, Frank Valencia, et al.. Integrating Constraints and Concurrent Objects in Musical Applications : A calculus and its Visual Language. Kluwer Academic Publisher, Netherlands. Constraints,, 1999. 〈hal-01106257〉
  • Gérard Assayag. CAO : vers la partition potentielle. Ircam - Centre Georges Pompidou. Cahiers de l'Ircam n° 3, Recherche musicale : La composition assistée par ordinateur, pp.1-1, 1993. 〈hal-01161191〉

Direction d'ouvrage, Proceedings, Dossier3 documents

  • Jordan Smith, Elaine Chew, Gérard Assayag. Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition. Jordan B. L. Smith; Elaine Chew; Gérard Assayag. Mathemusical Conversation, Feb 2015, Singapour, Singapore. 32, World Scientific; Imperial College Press, 2016, Lecture Notes Series, Institute for Mathematical Sciences, National University of Singapore, 978-981-3140-09-7. 〈http://www.worldscientific.com〉. 〈hal-01378897〉
  • Charlotte Truchet, Gérard Assayag. Constraint Programming in Music. France. ISTE-Wiley, pp.256, 2011. 〈hal-00872976〉
  • Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gérard Assayag, Jean Bresson, et al.. Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings.. Springer. France. 6726, 2011, Lecture Notes in Artificial Intelligence. 〈hal-01106680〉