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Methods and Datasets for DJ-Mix Reverse EngineeringKronland-Martinet R., Ystad S., Aramaki M. Perception, Representations, Image, Sound, Music, 12631, Springer, Cham, pp.31-47, 2021, Lecture Notes in Computer Science (LNCS), 978-3-030-70209-0. ⟨10.1007/978-3-030-70210-6_2⟩
Chapitre d'ouvrage
hal-03184436v1
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Designing action-sound metaphors using motion sensing and descriptor-based synthesis of recorded sound materialsRoutledge Companion to Embodied Music Interaction, 2017, 978- 1-138-65740-3
Chapitre d'ouvrage
hal-01572629v1
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Interactive Sound Texture Synthesis Through Semi-Automatic User AnnotationsSpringer International Publishing; Aramaki, M., Derrien, O., Kronland-Martinet, R., Ystad, S. Sound, Music, and Motion, Lecture Notes in Computer Science, Vol. 8905, pp.372-392, 2014
Chapitre d'ouvrage
hal-01161076v1
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Audio principles and methods in the Topophony research projectRoland Cahen. Topophonie research project : Audiographic cluster navigation (2009-2012), ENSCI - Les Ateliers / Paris Design Lab, pp.36-37, 2012, Les Carnets d’Expérimentation de l’École Nationale Supérieure de Création Industrielle
Chapitre d'ouvrage
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IAE & IAEOURoland Cahen. Topophonie research project : Audiographic cluster navigation (2009-2012), ENSCI - Les Ateliers / Paris Design Lab, pp.50-51, 2012, Les Carnets d’Expérimentation de l’École Nationale Supérieure de Création Industrielle
Chapitre d'ouvrage
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Navigation et composition dans un univers graphique 3D de grains sonoresCépaduès Editions; Sophie Chauvin. Information & Visualisation: Enjeux, recherches et applications,, pp.243-268, 2008
Chapitre d'ouvrage
hal-01106350v1
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Spectral Envelopes and Additive+Residual Analysis-SynthesisSpringer; James W. Beauchamp. Analysis, Synthesis, and Perception of Musical Sounds, The Sound of Music, pp.175-227, 2007
Chapitre d'ouvrage
hal-01106253v1
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Touch Interaction for Corpus-based Audio-Visual SynthesisNew Interfaces for Musical Expression (NIME), May 2023, Mexico City, Mexico
Communication dans un congrès
hal-04355949v1
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Elicitation of 2D expressive gestures through interactive sonificationInternational Conference on New Interfaces for Musical Expression (NIME), Jun 2022, The University of Auckland, New Zealand. ⟨10.21428/92fbeb44.8ec6de60⟩
Communication dans un congrès
hal-03965821v1
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Notation, Transmission, and Comprovisation: A Case Study of the ONCEIM Improvisation OrchestraInternational Conference on Technologies for Music Notation and Representation (TENOR), May 2022, Marseille, France
Communication dans un congrès
hal-03813718v1
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Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D ElectronicsInternational Computer Music Conference (ICMC), Pontificia Universidad Católica de Chile, 2021, Santiago, Chile
Communication dans un congrès
hal-03348826v1
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SonicHoop: Using Interactive Sonification to Support Aerial Hoop PracticesCHI '21 - Conference on Human Factors in Computing Systems, ACM, May 2021, Yokohama / Virtual, Japan. pp.1-16, ⟨10.1145/3411764.3445539⟩
Communication dans un congrès
hal-03266906v1
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A Survey on the Use of 2D Touch Interfaces for Musical ExpressionNew Interfaces for Musical Expression (NIME), Jul 2020, Birmingham, United Kingdom
Communication dans un congrès
hal-02557522v3
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Methods and Datasets for DJ-Mix Reverse Engineering14th International Symposium on Computer Music Multidisciplinary Research (CMMR 2019), Oct 2019, Marseille, France
Communication dans un congrès
hal-02172427v1
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UnmixDB: A Dataset for DJ-Mix Information Retrieval19th International Symposium on Music Information Retrieval (ISMIR), Sep 2018, Paris, France. ⟨10.5281/zenodo.1422385⟩
Communication dans un congrès
hal-02010431v1
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Musical Gesture Recognition Using Machine Learning and Audio DescriptorsInternational Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France
Communication dans un congrès
hal-01839050v1
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A Heuristic Algorithm for DJ Cue Point EstimationSound and Music Computing, Jul 2018, Limassol, Cyprus
Communication dans un congrès
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MIMES : outil de prototypage et d'exploration pour la création sonoreConférence francophone sur l'Interaction Homme-Machine, Oct 2018, Brest, France, Oct 2018, Brest, France
Communication dans un congrès
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From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided CompositionMUME 2018: International Workshop on Musical Metacreation, 2018, Salamanca, Spain
Communication dans un congrès
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A Topo-Phonic Table for Tangible Sonic InteractionInternational Computer Music Conference (ICMC), Oct 2017, Shanghai, China
Communication dans un congrès
hal-01575290v1
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Towards Extraction of Ground Truth Data from DJ MixesInternational Symposium on Music Information Retrieval (ISMIR), Oct 2017, Suzhou, China
Communication dans un congrès
hal-01671768v1
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PiPo, A Plugin Interface for Afferent Data Stream Processing ModulesInternational Symposium on Music Information Retrieval (ISMIR), Oct 2017, Suzhou, China
Communication dans un congrès
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Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China
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hal-01567619v2
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Effects of Test Duration in Subjective Listening TestsInternational Computer Music Conference (ICMC), Hans Timmermans, Sep 2016, Utrecht, Netherlands. pp.515-519
Communication dans un congrès
hal-01427340v1
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Concatenative Sound Texture Synthesis Methods and Evaluation19th International Conference on Digital Audio Effects (DAFx-16), Jiří Schimmel, Sep 2016, Brno, Czech Republic. pp.217-224
Communication dans un congrès
hal-01427393v1
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Introducing CatOracle: Corpus-based Concatenative Improvisation with the Audio Oracle AlgorithmInternational Computer Music Conference (ICMC), Hans Timmermans, Sep 2016, Utrecht, Netherlands. pp.141-147
Communication dans un congrès
hal-01427364v1
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Tingle: A Digital Music Controller Re-Capturing the Acoustic Instrument ExperienceNew Interfaces for Musical Expression (NIME), May 2015, Baton Rouge, LA, United States. pp.4
Communication dans un congrès
hal-01262851v1
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Projet EFFICACE : Développements et perspectives en composition assistée par ordinateurJournées d'Informatique Musicale, 2015, Montréal, Canada
Communication dans un congrès
hal-01142022v1
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Smooth Granular Sound Texture Synthesis by Control of Timbral SimilaritySound and Music Computing (SMC), Jul 2015, Maynooth, Ireland. pp.6
Communication dans un congrès
hal-01182793v1
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Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web ApplicationsTEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction, Jan 2015, Stanford California USA, United States. pp.685-690, ⟨10.1145/2677199.2688808⟩
Communication dans un congrès
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Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for MaxInternational Computer Music Conference (ICMC), Sep 2014, Athens, Greece. pp.1-1
Communication dans un congrès
hal-01161028v1
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Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical ExpressionNew Interfaces for Musical Expression (NIME), Jun 2014, London, United Kingdom. pp.1-1
Communication dans un congrès
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Perspectives pour l'apprentissage interactif du couplage geste-sonJournées d'Informatique Musicale (JIM 2013), May 2013, PARIS, France. pp.77-84
Communication dans un congrès
hal-00847207v1
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Dirty Tangible Interfaces: Expressive Control of Computers with True GritCHI, Apr 2013, Paris, France. pp.2991-2994
Communication dans un congrès
hal-01106849v1
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Retexture — Towards Interactive Environmental Sound Texture Synthesis through Inversion of AnnotationsComputer Music Multidisciplinary Research (CMMR), Oct 2013, Marseille, France. pp.283-290
Communication dans un congrès
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Tools for the Writing of Tamonontamo (2012): A New Way to Relate Concatenative Synthesis and SpatializationKorean Electro-Acoustic Music Society's Annual Conference (KEAMSAC), Nov 2013, Seoul, Corée du Sud
Communication dans un congrès
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Interacting with a Corpus of SoundsSI13: NTU/ADM Symposium on Sound and Interactivity, Nov 2013, Singapore, Singapour
Communication dans un congrès
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DIRTI — Dirty Tangible InterfacesNew Interfaces for Musical Expression (NIME), May 2012, Ann Arbour, United States. pp.347-350
Communication dans un congrès
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Navigating Variation: Composing for Audio MosaicingInternational Computer Music Conference (ICMC), Sep 2012, Ljubljana, France. pp.1-1
Communication dans un congrès
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The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative SynthesisNew Interfaces for Musical Expression (NIME), May 2012, Ann Arbour, United States. pp.250-253
Communication dans un congrès
hal-01161442v1
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Content-based Retrieval of Environmental Sounds by Multiresolution AnalysisSMC2012, Jul 2012, Copenhague, Denmark. pp.1-1
Communication dans un congrès
hal-01161434v1
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Precise Pitch Control in Real Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Sep 2012, Ljubljana, France. pp.1-1
Communication dans un congrès
hal-01161443v1
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Distance Mapping for Corpus-Based Concatenative SynthesisSound and Music Computing (SMC), Jul 2011, Padova, Italy. pp.1-1
Communication dans un congrès
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State of the Art in Sound Texture SynthesisDigital Audio Effects (DAFx), Sep 2011, Paris, France. pp.221-232
Communication dans un congrès
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Corpus-Based Improvisation(Re)thinking Improvisation, Nov 2011, Malmö, Suède
Communication dans un congrès
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Sound Level of Detail in Interactive Audiographic 3D ScenesInternational Computer Music Conference (ICMC), Jul 2011, Huddersfield, United Kingdom. pp.1-1
Communication dans un congrès
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Interaction-optimized Sound Database RepresentationDAFx, Sep 2011, Paris, France. pp.1-1
Communication dans un congrès
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Spatial Audio–Graphic Modeling for X3DWeb3D, Jun 2011, Paris, France. pp.1-1
Communication dans un congrès
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Corpus-Based Concatenative Synthesis: Perceptual Descriptors as an Approach to Composing and Analyzing TimbreCrossing the Corpus Callosum II: Neuroscience, Healing & Music, Jan 2011, Cambridge, MA, États-Unis
Communication dans un congrès
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Spatializing Timbre with Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Jun 2010, New York, United States. pp.1-1
Communication dans un congrès
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Descriptor-based Sound Texture SamplingSound and Music Computing (SMC), Jul 2010, Barcelona, Spain. pp.510-515
Communication dans un congrès
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Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing InterfaceNew Interfaces for Musical Expression (NIME), Jun 2010, Sydney, Australia. pp.447-450
Communication dans un congrès
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Grainstick: A Collaborative, Interactive Sound InstallationInternational Computer Music Conference (ICMC), Jun 2010, New York, États-Unis
Communication dans un congrès
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A Modular Sound Descriptor Analysis Framework for Relaxed-real-time ApplicationsInternational Computer Music Conference (ICMC), Jun 2010, New York, United States. pp.1-1
Communication dans un congrès
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Corpus-Based Transcription as an Approach to the Compositional Control of TimbreInternational Computer Music Conference (ICMC'09), 2009, Montreal, QC, Canada
Communication dans un congrès
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Wavefield synthesis for interactive sound installations127th AES Convention, Oct 2009, New-York, États-Unis
Communication dans un congrès
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Scalability in Content-Based Navigation of Sound DatabasesInternational Computer Music Conference (ICMC), Aug 2009, Montreal, Canada. pp.1-1
Communication dans un congrès
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Sound Search by Content-Based Navigation in Large DatabasesSound and Music Computing (SMC), Jul 2009, Porto, Portugal. pp.1-1
Communication dans un congrès
hal-01161241v1
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Using the SDIF Sound Description Interchange Format for Audio FeaturesInternational Conference on Music Information Retrieval (ISMIR), Sep 2008, NA, France. pp.1-1
Communication dans un congrès
hal-01161398v1
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Principles and Applications of Interactive Corpus-Based Concatenative SynthesisJournées d'Informatique Musicale (JIM), Mar 2008, Albi, France. pp.1-1
Communication dans un congrès
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Seeing the InaudibleAudio Engineering Society Convention (AES), May 2008, Amsterdam, Netherlands. pp.1-1
Communication dans un congrès
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What Next? Continuation in Real-Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Aug 2008, Belfast, United Kingdom. pp.1-1
Communication dans un congrès
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Plumage: Design d’une interface 3D pour le parcours d’ échantillons sonores granularisésIHM-07 19th Conference on l'Interaction Homme-Machine , Nov 2007, Paris, France. pp.71 - 71, ⟨10.1145/1541436.1541450⟩
Communication dans un congrès
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How Musical are Images? From Sound Representation to Image Sonification: An Eco Systemic ApproachInternational Computer Music Conference (ICMC), Aug 2007, Copenhaguen, Denmark. pp.183-187
Communication dans un congrès
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Plumage: Design d'une interface 3D pour le parcours d'échantillons sonores granularisésConférence Francophone sur l'Interaction Homme-Machine IHM, Nov 2007, Paris, France. pp.1-1
Communication dans un congrès
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Evaluation of Real-Time Audio-to-Score AlignmentInternational Symposium on Music Information Retrieval (ISMIR), 2007, Vienna, Austria
Communication dans un congrès
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Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture DataInternational Computer Music Conference 2007, Aug 2007, Copenhague, Denmark. pp.13-16
Communication dans un congrès
hal-00439339v1
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The 3D Augmented Mirror: Motion Analysis for String Practice TrainingInternational Computer Music Conference (ICMC), Aug 2007, Copenhagen, Danemark. pp.53-56
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Musical Applications of Real-Time Corpus-Based Concatenative SynthesisInternational Computer Music Conference (ICMC), Aug 2007, Copenhaguen, Denmark. pp.47-50
Communication dans un congrès
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Real-Time Corpus-Based Concatenative Synthesis with CataRT9th International Conference on Digital Audio Effects (DAFx), Sep 2006, Montreal, Canada. pp.279-282
Communication dans un congrès
hal-01161358v1
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X-Micks – Interactive Content Based Real-Time Audio Processing9th International Conference on Digital Audio Effects (DAFx-06), Sep 2006, Montreal, Canada. pp.1-1
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hal-01161390v1
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Technology and Paradigms to Support the Learning of Music Performance2nd i-Maestro Workshop on Technology Enhanced Music Education, Dec 2006, Leeds, Royaume-Uni
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From Boulez to Ballads: Training Ircam's Score FollowerInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1
Communication dans un congrès
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Hybrid Concatenative Synthesis On The Intersection of Music and SpeechJournées d'Informatique Musicale, Association Française d'Informatique Musicale; Centre de recherche en Informatique et Création Musicale, Jun 2005, Paris, France. pp.41-45
Communication dans un congrès
hal-01161411v1
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FTM — Complex data structures for MaxInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1
Communication dans un congrès
hal-01161338v1
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Current Research in Concatenative Sound SynthesisInternational Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1
Communication dans un congrès
hal-01161337v1
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Training Ircam's Score FollowerIEEE International Conference on Acoustics, Speech, and Signal Processing, Mar 2005, Philadelphia, United States. pp.1-1
Communication dans un congrès
hal-01161340v1
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Gabor, Multi-Representation Real-Time Analysis/SynthesisCOST-G6 Conference on Digital Audio Effects (DAFx), Sep 2005, Madrid, Spain. pp.122-126
Communication dans un congrès
hal-01161342v1
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Robust Polyphonic Midi Score Following with Hidden Markov ModelsInternational Computer Music Conference (ICMC), Nov 2004, Miami, United States. pp.1-1
Communication dans un congrès
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Implicit Learning of Musical Performance ParametersAAAI Symposium 2004 Style and Meaning in Language, Art, Music, and Design, Oct 2004, Washington, United States. pp.1-1
Communication dans un congrès
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Score Following: State of the Art and New DevelopmentsNew Interfaces for Musical Expression (NIME), May 2003, Montreal, Canada
Communication dans un congrès
hal-02285568v1
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The Caterpillar System for Data-Driven Concatenative Sound SynthesisDigital Audio Effects (DAFx), Sep 2003, London, United Kingdom. pp.135-140
Communication dans un congrès
hal-01161127v1
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Improving polyphonic and poly-instrumental music to score alignmentInternational Conference on Music Information Retrieval (ISMIR), Oct 2003, Baltimore, United States. pp.6
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ujm-00285599v1
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New Developments in Data-Driven Concatenative Sound SynthesisInternational Computer Music Conference (ICMC), Oct 2003, Singapore, Singapore. pp.443-446
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Alignment of Monophonic and Polyphonic Music to a ScoreInternational Computer Music Conference (ICMC), Sep 2001, Havana, Cuba. pp.1-1
Communication dans un congrès
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An XML-based SDIF stream relationship languageICMC: International Computer Music Conference, Sep 2000, Berlin, Allemagne
Communication dans un congrès
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A System for Data-Driven Concatenative Sound SynthesisDigital Audio Effects (DAFx), Dec 2000, Verona, Italy. pp.97-102
Communication dans un congrès
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Extensions and Applications of the SDIF Sound Description Interchange FormatICMC: International Computer Music Conference, Sep 2000, Berlin, Germany. pp.1-1
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Spectral envelope estimation, representation, and morphing for sound analysis, transformation, and synthesis.ICMC: International Computer Music Conference, Oct 1999, Pekin, China. pp.1-1
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