David Roche, professeur d'études cinématographiques, Université Paul Valéry Montpellier 3

David Roche. EXPERIENCING THE LAND: THE POLITICS OF AESTHETICS IN WHERE THE GREEN ANTS DREAM (WERNER HERZOG, 1984) AND CHARLIE’S COUNTRY (ROLF DE HEER, 2013). La Furia Umana, Duen de Bux, 2020, 38, http://www.lafuriaumana.it/index.php/72-lfu-38/933-david-roche-experiencing-the-land-the-politics-of-aesthetics-in-where-the-green-ants-dream-werner-herzog-1984-and-charlie-s-country-rolf-de-heer-2013. ⟨hal-02484142⟩

David Roche. The ConflictedSelf-Construction of the Actor-Director: Tim Roth’s The WarZone.. Film Journal , SERCIA, 2020, Actors Behind the Camera, 6, pp.49-62. ⟨hal-02867107⟩

Typhaine Billard-Pomares, Olivier P Clermont, Miguel Castellanos, Fatma Magdoud, Guilhem Royer, et al.. The Arginine Deiminase Operon Is Responsible for a Fitness Trade-Off in Extended-Spectrum-␤-Lactamase-Producing Strains of Escherichia coli. Antimicrobial Agents and Chemotherapy, American Society for Microbiology, 2019, ⟨10.1128/AAC⟩. ⟨hal-02413136⟩

David Vallenet, Alexandra Calteau, Mathieu Dubois, Paul Amours, Adelme Bazin, et al.. MicroScope: an integrated platform for the annotation and exploration of microbial gene functions through genomic, pangenomic and metabolic comparative analysis. Nucleic Acids Research, Oxford University Press, 2019, ⟨10.1093/nar/gkz926⟩. ⟨hal-02403170⟩

Catherine Branger, Alice Ledda, Typhaine Billard-Pomares, Benoît Doublet, Valérie Barbe, et al.. Specialization of small non-conjugative plasmids in Escherichia coli according to their family types. Microbial Genomics, Society for General Microbiology, 2019, 5 (9), 13p. ⟨10.1099/mgen.0.000281⟩. ⟨hal-02403160⟩

Angélique Villière, Ronan Symoneaux, David Roche, Aïda Eslami, Nathalie Perrot, et al.. Comprehensive sensory and chemical data on the flavor of 16 red wines from two varieties: sensory descriptive analysis, HS-SPME-GC-MS volatile compounds quantitative analysis, and odor-active compounds identification by HS-SPME-GC-MS-O. Data in Brief, Elsevier, 2019, 24, pp.103725. ⟨10.1016/j.dib.2019.103725⟩. ⟨hal-02058685⟩

Sophia Belkhelfa, David Roche, Ivan Dubois, Anne Berger, Valérie A Delmas, et al.. Continuous Culture Adaptation of Methylobacterium extorquens AM1 and TK 0001 to Very High Methanol Concentrations. Frontiers in Microbiology, Frontiers Media, 2019, 10, ⟨10.3389/fmicb.2019.01313⟩. ⟨hal-02323743⟩

David Roche. Mr. Smith Goes West : La portée politique du jeu de James Stewart dans le Western (1939-1964). Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2019, 18, https://journals.openedition.org/miranda/16500. ⟨hal-02189738⟩

Claudine Médigue, Alexandra Calteau, Stéphane Cruveiller, Mathieu Gachet, Guillaume Gautreau, et al.. MicroScope—an integrated resource for community expertise of gene functions and comparative analysis of microbial genomic and metabolic data. Briefings in Bioinformatics, Oxford University Press (OUP), 2019, 20 (4), pp.1071-1084. ⟨10.1093/bib/bbx113⟩. ⟨hal-02626039⟩

David Roche. Les remakes comme témoins de la poétique du cinéma d’horreur hollywoodien contemporain. Mise au Point, Association française des enseignants et chercheurs en cinéma et audio-visuel, 2018, 11. ⟨hal-01928178⟩

David Roche. « You know, when you suspect something, it’s always better when it turns out to be true » : Mémoire et média dans l’épisode « The Entire History of You » (S01E03) de Black Mirror (2011-). TV/Series, GRIC - Groupe de recherche Identités et Cultures, 2018, Posthumains en série, 14, https://journals.openedition.org/tvseries/3094. ⟨hal-01970124⟩

Catherine Branger, Alice Ledda, Typhaine Billard-Pomares, Benoît Doublet, Stéphanie Fouteau, et al.. Extended-spectrum b-lactamase-encoding genes are spreading on a wide range of Escherichia coli plasmids existing prior to the use of third-generation cephalosporins. Microbial Genomics, Society for General Microbiology, 2018, 4 (9), 16 p. ⟨10.1099/mgen.0.000203⟩. ⟨hal-02403119⟩

David Roche. RABBITS (2002) ET INLAND EMPIRE (2006) : RÉFLEXION SUR LA CRÉATION AUDIOVISUELLE À L’ÈRE DU NUMÉRIQUE. Ligeia, dossiers sur l'art, Ligeia - Giovanni Lista, 2018, XXXI (165-168), pp.149-59. ⟨hal-01846244⟩

Herve Dupont, Pascaline Choinier, David Roche, Sandine Adiba, Megan Sookdeb, et al.. Structural Alteration of OmpR as a Source of Ertapenem Resistance in a CTX-M-15-Producing Escherichia coli O25b:H4 Sequence Type 131 Clinical Isolate. ANTIMICROBIAL AGENTS AND CHEMOTHERAPY, 2017, 61 (5), ⟨10.1128/AAC.00014-17⟩. ⟨hal-03577560⟩

Laurence Blanchard, Philippe Guérin, David Roche, Stéphane Cruveiller, David Pignol, et al.. Conservation and diversity of the IrrE/DdrO-controlled radiation response in radiation-resistant Deinococcus bacteria. MicrobiologyOpen, Wiley, 2017, 6 (4), pp.477 - 477. ⟨10.1002/mbo3.477⟩. ⟨hal-01713005⟩

David Roche. Fault lines in Under the Skin (Glazer, 2013): An ethics and aesthetics of the ‘monstrous’. Horror Studies, Intellect, 2017, Horror Studies, 8 (1), pp.45-59. ⟨hal-01526301⟩

David Roche. Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too. Représentations : la revue électronique du CEMRA, Centre d’Etudes sur les Modes de la Représentation Anglophone 2017. ⟨hal-01709314⟩

David Roche. Exploiting Exploitation Cinema: An Introduction. Transatlantica. Revue d'études américaines/American Studies Journal, Association Française d’Études Américaines, 2016, Exploiting Exploitation Cinema, 15 (2). ⟨hal-01356997⟩

D-A Trégouët, A Delluc, David Roche, C. Derbois, Robert Olaso, et al.. Is there still room for additional common susceptibility alleles for venous thromboembolism ?. Journal of Thrombosis and Haemostasis, Wiley, 2016, 14 (9), pp.1798-1802. ⟨10.1111/jth.13392⟩. ⟨hal-01360833⟩

David Roche. Exprimer l’intime dans “The Fountain” de Darren Aronofsky. CinémAction, Cinémaction ; Filméditions ; Corlet, 2015, De l‘intime dans le cinéma anglophone, 154, pp.113-23. ⟨hal-01132184⟩

David Roche. The Re-make as (Dis)avowal: The Ambivalent Stances of the Hollywood Blockbuster Horror Remakes of the 2000s. Représentations : la revue électronique du CEMRA, Centre d’Etudes sur les Modes de la Représentation Anglophone 2015, Bis repetita placent ? Remake et technologie dans le cinéma et les séries télévisées anglophones, pp.7-19. ⟨hal-01253866⟩

David Roche. Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004). Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2015, Images on the Move: Circulations and Transfers in Film, 10, http://miranda.revues.org/6285. ⟨hal-01132116⟩

David Roche. Le noir chez David Cronenberg ou la persistance des obsessions. CinémAction, Cinémaction ; Filméditions ; Corlet, 2014, 151 (Panorama mondial du film noir), pp.39-47. ⟨hal-01018723⟩

David Roche. Revoir les Final Girls : Massacre à la tronçonneuse (Marcus Nispel, 2003) et Halloween (Rob Zombie, 2007). Interfaces, INFORMS, 2013, 34, pp.165-76. ⟨hal-00908319⟩

David Roche. Tarantino's Round Flat Characters: A (Mainly) Verbal Study of Reservoir Dogs (1992).. Bulletin du Ciclaho, Publidix, 2012, 6, pp.411-31. ⟨hal-00716154⟩

David Roche. Comment Hollywood figure l'intériorité dans les films " hollywoodiens " de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (2006). E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2011, 9 (1), http://erea.revues.org/1872. ⟨hal-00627897⟩

David Roche. Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today. Textes & Contextes, Université de Bourgogne, Centre Interlangues TIL, 2011, Discours autoritaires et résistances aux XXe et XXIe siècles, https://preo.u-bourgogne.fr/textesetcontextes/index.php?id=327. ⟨halshs-00682096⟩

David Roche. "That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004). Horror Studies, Intellect, 2011, 2 (1), pp.75-87. ⟨hal-00600978⟩

David Roche. (De)constructing "America": the Case of Emir Kusturica's Arizona Dream (1993). European journal of American studies, European Association for American Studies, 2010, http://ejas.revues.org/8653. ⟨hal-00535850⟩

David Roche. French Fries, French Foxes and Crazy Frenchmen in Quentin Tarantino's Pulp Fiction (1994) and Roger Avary's Killing Zoe (1994): Reading Hollywood “Frenchness” / French Readings. Bulletin du Ciclaho, Publidix, 2010, 5, pp.291-311. ⟨hal-00467639⟩

David Roche. Twin Peaks: Fire Walk With Me (1992) and David Lynch's Aesthetics of Frustration. Textes & Contextes, Université de Bourgogne, Centre Interlangues TIL, 2010, Stéréotypes en langue et en discours, https://preo.u-bourgogne.fr/textesetcontextes/index.php?id=272. ⟨hal-00586581⟩

David Roche. Reading the Body in Bret Easton Ellis's American Psycho (1991): Confusing Signs and Signifiers. Groupe de Recherches Anglo-Américaines de Tours, Groupe de recherches anglo-américaines de Tours, Université de Tours, 1984-2008, 2009, 5 (1), pp.124-38. ⟨halshs-00451731⟩

David Roche. Books and Letters in Joe Wright's Pride & Prejudice (2005): Anticipating the Spectator's Response through the Thematization of Film Adaptation. Persuasions: the Jane Austen Journal On-Line, Jane Austen Society of North America, 2007, http://www.jasna.org/persuasions/on-line/vol27no2/roche.htm. ⟨halshs-00451735⟩

David Roche. David Cronenberg's Having to Make the Word Be Flesh. Post Script - Essays in Film and the Humanities, Gerald Duchovnay - Texas A&M University - Commerce, 2004, 23 (2), pp.72-87. ⟨halshs-00451734⟩

Christelle Mariais, David Roche, Laurence Farhi, Sabrina Barnabé, Sonia Cruchon, et al.. Peut-on former les enseignant·e·s en un rien de temps ?. EIAH'19 Wokshop : Apprentissage de la pensée informatique de la maternelle à l’Université : retours d’expériences et passage à l’échelle, Jun 2019, Paris, France. ⟨hal-02145466v2⟩

David Roche. Disease and Anti-Naturalism in Raymond Carver's “Fat” and “A Small, Good Thing” and David Lynch's Blue Velvet. Maladie : Représentations dans la littérature et dans les Arts Visuels, 2005, United States. pp.159-73. ⟨halshs-00451737⟩

David Roche. The Death of the Subject in David Lynch's Lost Highway and Mulholland Drive. Poetics of the Subject, 2003, France. http://erea.revues.org/index432.html. ⟨hal-00451742⟩

David Roche. David Cronenberg : une mission utopique. SAES, 2002, Metz, France. pp.163-84. ⟨halshs-00451739⟩

David Roche, Nathalie Perrot, Thomas Chabin, Angélique Villière, Ronan Symoneaux, et al.. HOW TO PREDICT THE ODOR PROFILE OF WINE FROM ITS CHEMICAL COMPOSITION ? IN SILICO MODELLING USING EXPERTS' KNOWLEDGE, FUZZY LOGIC AND OPTIMIZATION. International Symposium on Olfaction and Electronic Nose (ISOEN), May 2017, Montréal, Canada. ⟨hal-01957114⟩

David Roche, T. Chabin, A. Villiere, Ronan Symoneaux, Nathalie Perrot, et al.. In silico modelling to predict the odor profile of red wines from their molecular composition using experts’ knowledge, fuzzy logic and optimization. 7th European Conference on Sensory and Consumer Research, Sep 2016, Dijon, France. ⟨hal-01957072⟩

David Roche, Hervé Mayer. “Transnationalism and Imperialism: Endurance of the Global Western Film.” Indiana University Press, 2022.. Hervé Mayer and David Roche. Indiana University Press, 2022. ⟨hal-03539933⟩

David Roche. Inglourious Basterds de Quentin Tarantino. Vendémiaire, 2019, 978-2-36358-334-5. ⟨hal-02189736⟩

David Roche. Quentin Tarantino: Poetics and Politics of Cinematic Metafiction. University Press of Mississippi, 2018, 978-1496819161. ⟨hal-01846245⟩

David Roche. Steven Spielberg, Hollywood Wunderkind & Humanist. Presses universitaires de la Méditerranée, 2018, Vincent Dussol, 978-2367812649. ⟨hal-01720056⟩

David Roche. Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?. University Press of Mississippi, pp.352, 2014. ⟨hal-00908327⟩

David Roche. Conversations with Russell Banks. University Press of Mississippi, pp.240, 2010. ⟨hal-00451740⟩

David Roche. L'Imagination malsaine. L'Harmattan, pp.367, 2008. ⟨halshs-00451736⟩

David Roche. “Shallow Focus Composition and the Poetics of Blur in The Handmaid’s Tale (Hulu, 2017–).”. Shannon Wells-Lassagne and Fiona McMahon. "Adapting Margaret Atwood: The Handmaid's Tale and Beyond”, Palgrave Macmillan, pp.127-42, 2022. ⟨hal-03539931⟩

David Roche. Illness as Metonymical Metaphor and the Poetics of Lovesickness in ‘Away from Her’ (Sarah Polley, 2006). Héliane Ventura. Love-sickness from Plato to Alice Munro, Edizioni ETS, pp.91-106, 2020, 978-8846756879. ⟨hal-03214084⟩

David Roche. L’esthétique du temps dans Twin Peaks. Twin Peaks Mark Frost et David Lynch À l’intérieur du rêve, Bord de l'eau, pp.17-35, 2019. ⟨hal-01970135⟩

David Roche. Spielberg's Poetics of Horror. Steven Spielberg, Hollywood Wunderkind & Humanist, Presses universitaires de la Méditerranée, pp.91-125, 2018, 978-2367812649. ⟨hal-01720058⟩

Benoit Mitaine, Isabelle Schmitt-Pitiot, David Roche. Introduction: Adapting Adaptation Studies to Comics Studies. Comics and Adaptation, 2018, 9781496803375. ⟨hal-01893245⟩

David Roche. Gibsons, Vinyl & First Editions: Gothic Fetishism in Only Lovers Left Alive. Ester Heboyan. Les variations Jarmusch, Artois Presses Université, pp.119-32, 2017. ⟨hal-01578655⟩

David Roche. Lignes de Faille dans Under the Skin (Jonathan Glazer, 2013) : Une esthétique du « monstrueux ». Jean-François Chassay, Hélène Machinal, Myriam Marrache-Gouraud. Signatures du monstre, PU Rennes, pp.285-301, 2017. ⟨hal-01580923⟩

David Roche. (In)stability of Point of View in When a Stranger Calls and Eyes of a Stranger. Wickham Clayton. Style and Form in the Hollywood Slasher, Palgrave Macmillan, 2015. ⟨hal-01252507⟩

Benoit Mitaine, David Roche, Isabelle Schmitt-Pitiot. « Introduction : Adapter les théories de l’adaptation à la bande dessinée ». Bande dessinée et Adaptation (Littérature, cinéma, TV), Presses universitaires Blaise Pascal (PUBP), 2015, Littératures, 978-2-84516-682-0. ⟨hal-01104338⟩

David Roche. Mad Narrators & Sadomasochistic Narration in The Blair Witch Project (Daniel Myrick & Eduardo Sánchez, 1999) & Paranormal Activity (Oren Peli, 2007). Nathalie Jaeck, Clara Mallier, Arnaud Schmitt, Romain Girard. Les narrateurs fous / Mad Narrators, Maison des Sciences de l'Homme d'Acquitaine, pp.319-34, 2014. ⟨hal-01018748⟩

David Roche. Bastard Remakes: Homage and Betrayal in "Dawn of the Dead" (Zack Snyder, 2004) and "Halloween" (Rob Zombie, 2007). Sébastien Lefait and Philippe Ortoli. In Praise of Cinematic Bastardy, Cambridge Scholars, pp.136-45, 2012. ⟨hal-00708891⟩

David Roche. "More or Less American: Sergio Leone's Vision of America in 'Once Upon a Time in the West' (1968)". Gilles Menegaldo. Europe et Hollywood à l'écran : regards croisés / European and Hollywood CInema: Cultural Exchanges, Michel Houdiard, pp.358-74, 2012. ⟨hal-00819023⟩

David Roche. L'« Horreur viscérale » de David Cronenberg, ou l'horreur de l'« anti-nature ». Anne-Marie Paquet-Deyris. Les Cinémas de l'horreur : Les maléfiques. CinémAction 136, Editions Charles Corlet, pp.141-49, 2010, CinémAction. ⟨hal-00515426⟩

David Roche. Quentin Tarantino's Death Proof (2007): Subverting Gender through Genre or Vice Versa?. Maria del Mar Azcona and Celestino Deleyto. Generic Attractions: New essays on film genre criticism, Michel Houdiard, pp.337-53, 2010. ⟨hal-00498763⟩

David Roche. The Blues of David Lynch. Raphaëlle Costa de Beauregard. Cinéma et couleur, Michel Houdiard, pp.447-59, 2009. ⟨hal-00451391⟩

David Roche. (De)constructing Lolita as ‘Sexual Object'. Lolita, roman de Vladimir Nabokov (1955) et film (1962) de Stanley Kubrick, Ellipses, pp.171-82, 2009. ⟨halshs-00451730⟩

David Roche. Raymond Carver : Where I'm Calling From. J. P. Pouvelle. Guide de la literature américaine, Ellipses, pp.355-8, 2008. ⟨hal-00451744⟩

David Roche. “Mise en Cadre” of the Social Drama in Joe Wright's Pride & Prejudice (2005). Laurent Bury et Dominique Sipière. Pride and Prejudice : Le roman de Jane Austen et le film de Joe Wright, Ellipses, pp.231-9, 2006. ⟨hal-00451743⟩

David Roche. Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , 22, 2021. ⟨hal-03214075⟩

David Roche, Isabelle Schmitt-Pitiot, Benoit Mitaine. Comics and Adaptation. France. University Press of Mississippi, 2018, 978-1496803375. ⟨hal-01854147⟩

David Roche, Jean-François Baillon. Terms that Matter: Naming and Labelling in English-Speaking Cinema. France. 4, 2018. ⟨hal-01854771⟩

Isabelle Schmitt-Pitiot, David Roche. De l'intime dans le cinéma anglophone. Isabelle Schmitt-Pitiot; David Roche. France. 154, pp.190, 2015, CinémAction, 9782847066043. ⟨hal-01127760⟩

Benoit Mitaine, David Roche, Isabelle Schmitt-Pitiot. Bande dessinée et Adaptation (Littérature, cinéma, TV). Mitaine Benoît; Roche David; Schmitt Isabelle. France. Presses universitaires Blaise Pascal (PUBP), 2015, Littératures, 978-2-84516-682-0. ⟨hal-01103801⟩

David Roche, Isabelle Schmitt-Pitiot. •Intimacy in Cinema.: Essays Edited by David Roche and Isabelle Schmitt-Pitiot. France. McFarland, pp.235, 2014, Intimacy in Cinema, 978-0-7864-5. ⟨hal-01101919⟩

David Roche, Isabelle Schmitt-Pitiot. Intimacy in Cinema: Critical Essays on English Language Film. McFarland, pp.277, 2014, 978-0786479245. ⟨hal-01059188⟩

David Roche, Christophe Gelly. Approaches to Film and Reception Theories. PU Blaise Pascal, pp.290, 2012. ⟨hal-00708907⟩

David Roche. Comment Hollywood figure l'intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Drive (2001) et Inland Empire (2006). 2010. ⟨hal-00504083⟩