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38

Corinne BIGOT


Associate Professor in Commonwealth and English Literature/   Maître de conférences en anglais


Books3 documents

  • Valérie Baisnée, Nicoleta Alexoae-Zagni, Corinne Bigot, Claire Bazin. Women's Life Writing and Practice of Reading/ She Reads to Write Herself. Baisnée-Keay, Valérie and Alexoae-Zagni, Nicoleta and Bigot, Corinne and Bazin, Claire. Palgrave Macmillan, 2018. ⟨hal-01725636⟩
  • Corinne Bigot. Alice Munro: Les silences de la nouvelle. Presses Universitaires de Rennes, 2014, 978-2-7535-3451-3. ⟨10.4000/books.pur.53635⟩. ⟨hal-01682933⟩
  • Corinne Bigot, Lanone Catherine. Sunlight and Shadows, Past and Present. Alice Munro's Dance of the Happy Shades. Presses Universitaires de France, 2014, 978-2-13-063293-1. ⟨hal-01682966⟩

Directions of work or proceedings2 documents

  • Corinne Bigot, Lanone Catherine. With A Roar from Underground: Alice Munro's Dance of the Happy Shades. France. Presses Universitaires de Paris Nanterre, 2015, 978-2-84016-235-3. ⟨hal-01682977⟩
  • Corinne Bigot. Alice Munro Writing for Dear Life. France. Commonwealth Essays and Studies, 37 (2), 2015, Alice Munro Writing for Dear Life. ⟨hal-01682938⟩

Book sections18 documents

  • Corinne Bigot. in praise of the kitchen poet:: cooking as kinship. Ethnicity and Kinship in North American and European Literatures, In press. ⟨hal-02994851⟩
  • Corinne Bigot. EMBODIED MEMORIES AND MEMORY DISHES: THE DIASPORIC CULINARY MEMOIR AS AN ALTERNATIVE LOCUS OF MEMORY. A READING OF LAURA SCHENONE'S LOST RAVIOLI RECIPE OF HOBOKEN AND AUSTIN CLARKE'S PIG TAILS 'N' BREADFRUIT. Mémoires, traces, empreintes., 2020. ⟨hal-02994843⟩
  • Corinne Bigot. Les long short stories : l’art de la nouvelle selon Alice Munro Première partie : une littérature de l’inconfort. Le Format court. Récits d’aujourd’hui, 2019. ⟨hal-03084750⟩
  • Corinne Bigot, Joan Chiung-Huei Chang. Haunting Books and Stories in Janice Kulyk Keefer’s Honey and Ashes, Story of Family. Women’s Life Writing and the Practice of Reading. She reads to write herself, 2018. ⟨hal-02994831⟩
  • Corinne Bigot. Mapping the Vernacular Landscape in Alice Munro's ''What Do You Want to Know For?'' and Other Stories.”. Space and Place in Alice Munro’s Fiction, A Book with Maps, 2018. ⟨hal-02994835⟩
  • Corinne Bigot. Jeux et enjeux des confessions d’une meurtrière : ‘Child’s Play’ d’Alice Munro . L’acte inqualifiable ou le meurtre au féminin /Unspeakable Acts-Murders by Women, Peter Lang, 2017, ⟨10.3726/978-3-0352-6640-5/22⟩. ⟨hal-01682725⟩
  • Corinne Bigot. Life and Death, Lines of Flight, Patterns of Entrapment and Survival in Alice Munro's " Dimensions " and " Runaway ". Alice Munro and the Anatomy of the Short Story, Cambridge Scholar Publishing, 2017, 1-5275-0353-4. ⟨hal-01682496⟩
  • Corinne Bigot. By way of their fingers: making sense of self and home in selected short stories by Edwidge Danticat, Chitra Banerjee and Chimamanda Ngozi Adichie. Women on the Move: Body, Memory and Femininity in Present-day Transnational Diasporic Writing, 2016. ⟨hal-02994829⟩
  • Corinne Bigot. Jeux et enjeux des confessions d'une meurtrière : "Child's Play" d'Alice Munro. Jouve, Emeline and Guillain, Aurélie and Talairach-Vielmas, Laurence. L'acte inqualifiable, ou le meurtre au féminin = Unspeakable acts: murder by women, P. I. E. Peter Lang, pp.181--197, 2016, 978-2-87574-364-0. ⟨hal-01725677⟩
  • Corinne Bigot. “Ghost Texts, Patterns of Entrapment, and Lines of Flight: Reading stories from Too Much Happiness and Dear Life in Connection with Earlier Stories.”. Mirosława Buchholtz and Eugenia Sojka. Alice Munro: Reminiscence, Interpretation, Adaptation and Comparison, Peter Lang, 2015, 9783653977844. ⟨10.3726/978-3-653-04471-3⟩. ⟨hal-01683016⟩
  • Corinne Bigot. Patterns of Entrapment, Figures of Resilience and Resistance to Closure: Reading ``Thanks for the Ride'' with ``The Shining Houses''. Guignery, Vanessa. The inside of a Shell: Alice Munro's Dance of the Happy Shades, Cambridge Scholars Publishing, pp.130--143, 2015, 978-1-4438-7596-7. ⟨hal-01725694⟩
  • Linda Collinge-Germain, Catherine Lanone, Corinne Bigot. Munro and Gender Construction in Dance of the Happy Shades. "With a roar from underground". Alice Munro's Dance of the Happy Shades, Presses Universitaires de Paris Ouest, pp.65-75, 2015, Intercalaires, agrégation d'anglais, 978-2-84016-235-3. ⟨hal-01962510⟩
  • Corinne Bigot. “Patterns of Entrapment and lines of flight in Alice Munro's "Thanks for The Ride" and "The Shining Houses". Vanessa Guignery. Alice Munro, The Inside of a Shell. Dance of the Happy Shades, Cambridge Scholars Publishing, 2015, 978-1-4438-7596-7. ⟨hal-01683141⟩
  • Corinne Bigot. INTERRACIAL RELATIONS --(RE)WRITING THE STEREOTYPE IN NATIVE AND NON-NATIVE LITERATURES: SUSANNA MOODIE, CATHARINE PARR TRAILL AND PAULINE JOHNSON. Françoise Besson, Cmaire Omhovère, Héliane Ventura. The Memory of Nature in Aboriginal, Canadian and American Contexts, Cambridge Scholars Publishing, 2014, 978-1-4438-5473-3. ⟨hal-01683124⟩
  • Corinne Bigot. Interracial Relations: (Re)Writing the Stereotype in Native and Non-Native Literatures: Pauline Johnson, Catharine Parr Traill and Susanna Moodie. Besson, Françoise and Omhovère, Claire and Ventura, Héliane. The Memory of Nature in Aboriginal, Canadian and American Contexts, Cambridge Scholars Publishing, pp.176--191, 2014, 978-1-4438-5473-3. ⟨hal-01725715⟩
  • Corinne Bigot. "These French clichés are symptomatic" : la mise en évidence des mots français dans Lolita de Vladimir Nabokov. Eells, Emily and Berthin, Christine and Déprats, Jean-Michel. L'étranger dans la langue:, Presses universitaires de Paris Ouest, pp.269--284, 2013, 978-2-84016-170-7. ⟨hal-01725739⟩
  • Corinne Bigot. 'Locking the Door': Self-deception, Silence and Survival in Alice Munro's 'Vandals'. Trauma Narratives and Herstory, PALGRAVE MACMILLAN, 2013, 978-1-137-26834-1. ⟨10.1057/9781137268358⟩. ⟨hal-01682477⟩
  • Corinne Bigot. Images du silence dans “Vandals ” et “Nettles ” d’Alice Munro . Philippe Mottet, Héliane Ventura. Pratiques de la transgression dans la littérature et les arts visuels, Presses de l'instant même, 2009, 978-2-89502-289-3. ⟨hal-01683148⟩

Journal articles13 documents

  • Corinne Bigot. Marooning on Islands of Her Own Choosing: Inscribing Place and Instability in Alice Munro’s “Deep-Holes”. Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2020, 42, ⟨10.4000/ces.1882⟩. ⟨hal-02994820⟩
  • Corinne Bigot. Ghost texts in Alice Munro’s stories. Short Fiction in Theory & Practice, 2017, 7, pp.141 - 152. ⟨10.1386/fict.7.2.141_1⟩. ⟨hal-02994823⟩
  • Corinne Bigot. Fur and Slime: Becoming-Animal, Becoming-Child in ''Face'' and ''Child’s Play'' by Alice Munro,”. Anglophonia, French Journal of English Studies, Presse universitaires du Mirail, 2017, Alice Munro La Question animale dans les nouvelles d'Alice Munro / The Animal Question 57. ⟨hal-01682998⟩
  • Corinne Bigot. Saynètes en provenance du nouveau monde : Catharine Parr Traill et Susanna Moodie au Pays des indiens chippewas . Représentations : la revue électronique du CEMRA, Centre d’Etudes sur les Modes de la Représentation Anglophone 2015, Appellations/ Naming, Addressing. ⟨hal-01683145⟩
  • Corinne Bigot. Forsaken Objects, Haunted Houses, Female Bodies, and ‘the squalor of tragedy in ordinary life. Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2015, Alice Munro Writing for Dear Life, 37 (2). ⟨hal-01682751⟩
  • Corinne Bigot. “With Robert, Xavier and Elijah in Flanders": Re-Examining Timothy Findley's The Wars and Its Literary Legacy.. Anglophonia, French Journal of English Studies, Presse universitaires du Mirail, 2015, La guerre de 14 re-présentée : l'art comme réponse à la guerre, 53, ⟨10.4000/caliban.972⟩. ⟨hal-01683133⟩
  • Corinne Bigot. “Discontinuity, Disjointedness: Parenthetical Structures and Dashes in Alice Munro’s Stories from Dance of the Happy Shades.” . Etudes de stylistique anglaise, Société de stylistique anglaise, Lyon, 2015, Stylistic Perspectives on Alice Munro's Dance of the Happy Shades, 8 (1). ⟨hal-01683107⟩
  • Corinne Bigot. Discontinuity, Disjointedness: Parenthetical Structures and Dashes in Alice Munro's Stories from Dance of the Happy Shades. Etudes de stylistique anglaise, Société de stylistique anglaise, Lyon, 2015, 8, pp.15--35. ⟨hal-01725697⟩
  • Corinne Bigot, Université Paris, Ouest Nanterre. Did they go native? Representations of first encounters and personal interrelations with First Nations Canadians in the writings of Susanna Moodie and Catharine Parr Traill Corinne Bigot. The Journal of Commonwealth Literature, 2014, 49, pp.99 - 111. ⟨hal-02994855⟩
  • Corinne Bigot. The Wonders of the Transatlantic Journey: Alice Munro's 'The View from Castle Rock. Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2014, 31 (1). ⟨hal-01682700⟩
  • Corinne Bigot. Did they go native? Representations of first encounters and personal interrelations with First Nations Canadians in the writings of Susanna Moodie and Catharine Parr Traill. Journal of Commonwealth Literature, SAGE Publications, 2014, 49 (1), pp.99 - 111. ⟨10.1177/0021989413497952⟩. ⟨hal-01682830⟩
  • Corinne Bigot. None of Us Escaped the Naming": Reclaiming Identities and Space in Joy Kogawa's "Obasan. Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2013, 36 (1), pp.81. ⟨hal-01725742⟩
  • Corinne Bigot. Alice Munro's "Silence": from the Politics of Silence to a Rhetoric of Silence.”. Journal of The Short Story in English / Les Cahiers de la nouvelle, Presses de l'Université d'Angers, 2010, Special Issue the short stories of Alice Munro, 55. ⟨hal-01682894⟩

Other publications2 documents

  • Corinne Bigot. Compte rendu de l'ouvrage dirigé par David Staines, The Cambridge Companion to Alice Munro. 2016, pp.127--128. ⟨hal-01725672⟩
  • Corinne Bigot. Compte rendu d'une adaptation théâtrale de Alice Munro's "The Office" and "Dolly", par la compagnie Word for Word, May 2015, "Ariel Corner'". 2015, ⟨10.4000/miranda.7677⟩. ⟨hal-01725699⟩