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7 résultats
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FEARING EMPOWERED WOMANHOOD DURING WORLD WAR ONE: Love and Duty (1916) and A.W.O.L. (1919)Arts of War and Peace, 2022
Article dans une revue
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Unexpected heroines in French and American patriotic war films: Une Page de gloire (1915) and The Little American (1917)Marcelline Block, Barry Nevin (dir.), French Cinema and World War One, Lanham (MD): Rowman and Littlefield, 2016, 2016
Chapitre d'ouvrage
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New Perspectives on the War Film, NY: Palgrave Macmillan, 20192019
Ouvrages
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Visualizing Consumer CultureInMedia : the French Journal of Media and Media Representations in the English-Speaking World, 2018, ⟨10.4000/inmedia.962⟩
N°spécial de revue/special issue
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Images et identités nationalesLes Cahiers de l’ARLI, 7, 2008
N°spécial de revue/special issue
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Suffering Motherhood and Woman’s Empowerment: Comparing Metropolis (1927) and The Handmaid’s Tale (2017)Karen Ritzenhoff, Janis L. Goldie (dir.) The Handmaid's Tale: Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders, Lanham (MD): Rowman and Littlefield, 2019., 2019
Chapitre d'ouvrage
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World War One as Hollywood’s first modern Armageddon: Understanding wartime and post-conflict representations of a global cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921)Karen A. Ritzenhoff, Angela Krewani (dir.), The Apocalypse in Film, Lanham (MD): Rowman and Littlefield, 2015, 2015
Chapitre d'ouvrage
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