Arshia Cont

Documents

Publications

	Efficient similarity-based data clustering by optimal object to cluster reallocation Mathias Rossignol , Mathieu Lagrange , Arshia Cont PLoS ONE, 2018 Article dans une revue hal-01123756v2
	First steps toward embedding real-time audio computing in Antescofo Nicolás Schmidt Gubbins , Arshia Cont , Jean-Louis Giavitto Journal de Investigación de Pregado (Investigación, Interdisciplina, Innovación), 2016, 6 Article dans une revue hal-01257524v1
	A visual framework for dynamic mixed music notation Grigore Burloiu , Arshia Cont , Clement Poncelet Journal of New Music Research, 2016, ⟨10.1080/09298215.2016.1245345⟩ Article dans une revue hal-01390502v1
	Un ordinateur dans l'orchestre Arshia Cont Les Dossiers de la Recherche, 2014, Comment les robots preçoivent le monde, 13, pp.79-83 Article dans une revue hal-01099417v1
	Operational semantics of a domain specific language for real time musician-computer interaction José Echeveste , Arshia Cont , Jean-Louis Giavitto , Florent Jacquemard Discrete Event Dynamic Systems, 2013, 23 (4), pp.343-383. ⟨10.1007/s10626-013-0166-2⟩ Article dans une revue hal-00854719v1
	An information-geometric approach to real-time audio segmentation Arnaud Dessein , Arshia Cont IEEE Signal Processing Letters, 2013, 20 (4), pp.331-334. ⟨10.1109/LSP.2013.2247039⟩ Article dans une revue hal-00793999v1
	Synchronisme musical et musiques mixtes: du temps écrit au temps produit Arshia Cont Circuit : musiques contemporaines, 2012, Arts de la synchronisation, 22 (1) Article dans une revue hal-00698922v1
	Antescofo à l'avant-garde de l'informatique musicale Arshia Cont , Florent Jacquemard , Pierre-Olivier Gaumin Interstices, 2012 Article dans une revue hal-00753014v1
	L'ordinateur qui joue comme un musicien Arshia Cont La Recherche, 2012, 465, pp.68-72 Article dans une revue hal-00701916v1
	Modélisation anticipative des systèmes musicaux. Reconnaissance, génération, synchronisation et programmation synchrone temps réel en informatique musicale Arshia Cont Revue des Sciences et Technologies de l'Information - Série TSI : Technique et Science Informatiques, 2012, 31 (3), pp.311-335. ⟨10.3166/tsi.31.311-335⟩ Article dans une revue hal-00699290v1
	On the Information Geometry of Audio Streams with Applications to Similarity Computing Arshia Cont , Shlomo Dubnov , Gérard Assayag IEEE Transactions on Audio, Speech and Language Processing, 2011, 19 (4), pp.837-846. ⟨10.1109/TASL.2010.2066266⟩ Article dans une revue hal-00579590v1
	Interaction musicale en temps réel entre musiciens et ordinateur : L'informatique musicale, de l'accompagnement musical automatique vers la programmation synchrone en temps réel. Arshia Cont Interstices, 2011 Article dans une revue hal-00693299v1
	A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment Arshia Cont IEEE Transactions on Pattern Analysis and Machine Intelligence, 2010, 32, pp.974-987. ⟨10.1109/TPAMI.2009.106⟩ Article dans une revue hal-00479737v1
	A coupled duration-focused architecture for realtime music to score alignment Arshia Cont IEEE Transactions on Pattern Analysis and Machine Intelligence, 2010, 32 (6), pp.974-987 Article dans une revue hal-01161284v1

	Time, Timelines and Temporal Scopes in the Antescofo DSL v1.0 Jean-Louis Giavitto , José-Manuel Echeveste , Arshia Cont , Philippe Cuvillier International Computer Music Conference (ICMC), ICMA, Oct 2017, Shanghai, China Communication dans un congrès hal-01638115v1
	Embedding native audio-processing in a score following system with quasi sample accuracy Pierre Donat-Bouillud , Jean-Louis Giavitto , Arshia Cont , Nicolas Schmidt , Yann Orlarey ICMC 2016 - 42th International Computer Music Conference, Sep 2016, Utrecht, Netherlands Communication dans un congrès hal-01349524v1
	An online EM algorithm in hidden (semi-)Markov models for audio segmentation and clustering Alberto Bietti , Francis Bach , Arshia Cont ICASSP 2015 - 40th IEEE International Conference on Acoustics, Speech and Signal Processing, Apr 2015, Brisbane, Australia Communication dans un congrès hal-01115826v1
	Non-overlapping, Time-coherent Visualisation of Action Commands in the AscoGraph Interactive Music User Interface Grigore Burloiu , Arshia Cont First International Conference on Technologies for Music Notation and Representation, May 2015, Paris, France Communication dans un congrès hal-01135727v1
	Real-Time Audio-to-Score Alignment of Singing Voice Based on Melody and Lyric Information Rong Gong , Philippe Cuvillier , Nicolas Obin , Arshia Cont Interspeech, Sep 2015, Dresde, Germany Communication dans un congrès hal-01164550v1
	Autoregressive hidden semi-Markov model of symbolic music performance for score following Eita Nakamura , Philippe Cuvillier , Arshia Cont , Nobutaka Ono , Shigeki Sagayama 16th International Society for Music Information Retrieval Conference (ISMIR), Oct 2015, Malaga, Spain Communication dans un congrès hal-01183820v1
	Visualizing Timed, Hierarchical Code Structures in AscoGraph Grigore Burloiu , Arshia Cont International Conference on Information Visualisation, University of Barcelona, Jul 2015, Barcelona, Spain Communication dans un congrès hal-01155618v1
	Coherent Time Modeling of semi-Markov Models with Application to Real-Time Audio-to-Score Alignment Philippe Cuvillier , Arshia Cont MLSP 2014 - IEEE International Workshop on Machine Learning for Signal Processing (2014), Mboup, Mamadou, Sep 2014, Reims, France Communication dans un congrès hal-01058366v1
	The Cyber-Physical System Approach for Automatic Music Accompaniment in Antescofo Arshia Cont , José Echeveste , Jean-Louis Giavitto Acoustical Society Of America, May 2014, Providence, Rhode Island, United States Communication dans un congrès hal-00997842v1
	AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music Thomas Coffy , Jean-Louis Giavitto , Arshia Cont ICMC 2014 - 40th International Computer Music Conference, Sep 2014, Athens, Greece Communication dans un congrès hal-01024865v1
	From Authored to Produced Time in Computer-Musician Interactions Arshia Cont , Jean-Louis Giavitto , Florent Jacquemard CHI 2013 Workshop on Avec le Temps! Time, Tempo, and Turns in Human-Computer Interaction, John Thomas, Yue Pan, Thomas Erickson, Eli Blevis, Catherine Letondal, Aurélien Tabard, Apr 2013, Paris, France Communication dans un congrès hal-00787033v1
	Saliency-based modeling of acoustic scenes using sparse non-negative matrix factorization Benjamin Cauchi , Mathieu Lagrange , Nicolas Misdariis , Arshia Cont Workshop on Image and Audio Analysis for Multimedia Interactive, Jul 2013, Paris, France Communication dans un congrès hal-00940075v1
	Chromax, the other side of the spectral delay between signal processing and composition Arshia Cont , Marco Stroppa , Carlo Laurenzi Digital Audio Effects (DAFx), Sep 2013, Maynooth, Ireland Communication dans un congrès hal-00850751v1
	Online change detection in exponential families with unknown parameters Arnaud Dessein , Arshia Cont GSI 2013 First International Conference Geometric Science of Information, Aug 2013, Paris, France. pp.633-640, ⟨10.1007/978-3-642-40020-9_70⟩ Communication dans un congrès hal-00840662v1
	Sparse representations for modeling environmental acoustic scenes, application to train stations soundscapes Benjamin Cauchi , Mathieu Lagrange , Nicolas Misdariis , Arshia Cont Acoustics 2012, Apr 2012, Nantes, France Communication dans un congrès hal-00810774v1
	Correct Automatic Accompaniment Despite Machine Listening or Human Errors in Antescofo Arshia Cont , José Echeveste , Jean-Louis Giavitto , Florent Jacquemard ICMC 2012 - International Computer Music Conference, IRZU - the Institute for Sonic Arts Research, Sep 2012, Ljubljana, Slovenia Communication dans un congrès hal-00718854v1
	Applications de la géométrie de l'information au traitement des flux audio temps-réel Arshia Cont , Arnaud Dessein 5e Biennale Française des Mathématiques Appliquées, Congrès de la Société de Mathématiques Appliquées et Industrielles (SMAI), May 2011, Guidel, France Communication dans un congrès hal-01106638v1
	On the creative use of score following and its impact on research Arshia Cont SMC 2011 : 8th Sound and Music Computing conference, Jul 2011, Padova, Italy Communication dans un congrès hal-00692575v1
	Accelerating the Mixing Phase in Studio Recording Productions by Automatic Audio Alignment Nicola Montecchio , Arshia Cont International Symposium on Music Information Retrieval (ISMIR), Oct 2011, Miami, United States. pp.627-632 Communication dans un congrès hal-01161008v1
	Formalisation des relations temporelles entre une partition et une performance musicale dans un contexte d’accompagnement automatique José Echeveste , Arshia Cont , Florent Jacquemard , Jean-Louis Giavitto Modélisation des systèmes réactifs (MSR 11), Nov 2011, Lille, France. pp.109-124 Communication dans un congrès hal-01156639v1
	A Unified Approach to Real Time Audio-to-Score and Audio-to-Audio Alignment Using Sequential Montecarlo Inference Techniques Nicola Montecchio , Arshia Cont ICASSP 2011 : Proceedings of International Conference on Acoustics, Speech and Signal Processing, May 2011, Prague, Czech Republic. pp.193-196, ⟨10.1109/ICASSP.2011.5946373⟩ Communication dans un congrès hal-00692579v1
	Applications of information geometry to audio signal processing Arnaud Dessein , Arshia Cont 14th International Conference on Digital Audio Effects (DAFx), Sep 2011, Paris, France Communication dans un congrès hal-01106639v1
	Formalisation des relations temporelles dans un contexte d'accompagnement musical automatique José Echeveste , Arshia Cont , Jean-Louis Giavitto , Florent Jacquemard 8e Colloque sur la Modélisation des Systèmes Réactifs (MSR'11), Étienne Craye and Abdoulaye Gamalié, Nov 2011, Lille, France. pp.109-124 Communication dans un congrès hal-00642921v1
	Accelerating the Mixing Phase in Studio Recording Productions by Automatic Audio Alignemtnt Nicola Montecchio , Arshia Cont International Symposium on Music Information Retrieval (ISMIR), Oct 2011, Miami, Florida, United States Communication dans un congrès hal-00694045v1
	Audio Oracle Analysis of Musical Information Rate Shlomo Dubnov , Gérard Assayag , Arshia Cont Proceedings of IEEE Semantic Computing Conference (ICSC2011), 2011, Unknown, United States. pp.567--571 Communication dans un congrès hal-00839065v1
	Segmentation statistique de flux audio en temps-réel dans le cadre de la géométrie de l'information Arnaud Dessein , Arshia Cont GRETSI - 23e Colloque du Groupe de Recherche et d'Etudes du Traitement du Signal, Sep 2011, Bordeaux, France Communication dans un congrès hal-00708707v1
	The C in IRCAM : Coordinating Musical Research at IRCAM Arshia Cont , Andrew Gerzso International Computer Music Conference, 2010, New York, United States Communication dans un congrès hal-00839066v1
	Real-time polyphonic music transcription with non-negative matrix factorization and beta-divergence Arnaud Dessein , Arshia Cont , Guillaume Lemaitre ISMIR - 11th International Society for Music Information Retrieval Conference, Aug 2010, Utrecht, Netherlands. pp.489-494 Communication dans un congrès hal-00708682v1
	Making an orchestra speak Gilbert Nouno , Arshia Cont , Grégoire Carpentier , Jonathan Harvey Sound and Music Computing, 2009, Porto, Portugal Communication dans un congrès hal-00839067v1
	ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music. Arshia Cont International Computer Music Conference (ICMC), Aug 2008, Belfast, Ireland. pp.33-40 Communication dans un congrès hal-00694803v1
	Evaluation of Real-Time Audio-to-Score Alignment Arshia Cont , Diemo Schwarz , Norbert Schnell , Christopher Raphael International Symposium on Music Information Retrieval (ISMIR), 2007, Vienna, Austria Communication dans un congrès hal-00839068v1
	Real-time Transcription of Music Signals Arshia Cont ISMIR 2007 / MIREX 2007, Sep 2007, Vienna, Austria. pp.1-1 Communication dans un congrès hal-01161379v1
	Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals using Sparse Non-negative Constraints Arshia Cont , Shlomo Dubnov , David Wessel Proceedings of Digital Audio Effects Conference (DAFx), 2007, Bordeaux, France Communication dans un congrès hal-00839069v1
	Audio Oracle: A New Algorithm for Fast Learning of Audio Structures Shlomo Dubnov , Gerard Assayag , Arshia Cont Proceedings of International Computer Music Conference (ICMC), 2007, Copenhagen, Denmark Communication dans un congrès hal-00839072v1
	GUIDAGE: A Fast Audio Query Guided Assemblage Arshia Cont , Shlomo Dubnov , Gerard Assayag Proceedings of International Computer Music Conference (ICMC), 2007, Copenhagen, Denmark Communication dans un congrès hal-00839071v1
	Realtime Audio to Score Alignment for Polyphonic Music Instruments Using Sparse Non-negative constraints and Hierarchical HMMs Arshia Cont IEEE International Conference in Acoustics and Speech Signal Processing (ICASSP), May 2006, Toulouse, France Communication dans un congrès hal-00723224v1
	OMAX Brothers: A Dynamic Topology of Agents for Improvisation Learning Gerard Assayag , George Bloch , Marc Chemillier , Arshia Cont , Shlomo Dubnov ACM Multimedia Workshop on Audio and Music Computing for Multimedia, 2006, Santa Barbara, United States Communication dans un congrès hal-00839075v1
	Realtime Multiple Pitch Observation using Sparse Non-negative Constraints Arshia Cont International Symposium on Music Information Retrieval (ISMIR), Aug 2006, Victoria, Canada. pp.206-211 Communication dans un congrès hal-00723223v1
	Omax Brothers : a Dynamic Topology of Agents for Improvization Learning Gérard Assayag , Georges Bloch , Marc Chemillier , Arshia Cont , Shlomo Dubnov Workshop on Audio and Music Computing for Multimedia, ACM Multimedia 2006, Oct 2006, Santa Barbara, United States. pp.1-1 Communication dans un congrès hal-01161351v1
	A framework for Anticipatory Machine Improvisation and Style Imitation Arshia Cont , Shlomo Dubnov , Gerard Assayag Anticipatory Behavior in Adaptive Learning Systems (ABiALS), 2006, Rome, Italy Communication dans un congrès hal-00839074v1
	Training Ircam's Score Follower Arshia Cont , Diemo Schwarz , Norbert Schnell IEEE International Conference on Acoustics, Speech, and Signal Processing, Mar 2005, Philadelphia, United States. pp.1-1 Communication dans un congrès hal-01161340v1
	From Boulez to Ballads: Training Ircam's Score Follower Diemo Schwarz , Arshia Cont , Norbert Schnell International Computer Music Conference (ICMC), Sep 2005, Barcelona, Spain. pp.1-1 Communication dans un congrès hal-01161336v1
	Implicit Learning of Musical Performance Parameters Arshia Cont , Diemo Schwarz , Norbert Schnell AAAI Symposium 2004 Style and Meaning in Language, Art, Music, and Design, Oct 2004, Washington, United States. pp.1-1 Communication dans un congrès hal-01161366v1

	Musical Research at Ircam Arshia Cont Cont, Arshia. Taylor & Francis, pp.1-114, 2013, 0749-4467. ⟨10.1080/07494467.2013.774121⟩ Ouvrages hal-00930937v1

	Marco Stroppas musikalische Technologie Elena Ungeheuer , Marco Stroppa , Arshia Cont , Jean Bresson Musik-Konzepte, 186, 2019, Marco Stroppa, 978-3-86916-819-7 Chapitre d'ouvrage hal-02134780v1
	Real-time detection of overlapping sound events with non-negative matrix factorization Arnaud Dessein , Arshia Cont , Guillaume Lemaitre Nielsen, Frank and Bhatia, Rajendra. Matrix Information Geometry, Springer, pp.341-371, 2013, 978-3-642-30232-9. ⟨10.1007/978-3-642-30232-9_14⟩ Chapitre d'ouvrage hal-00708805v1
	Interaction with Machine Improvisation Gérard Assayag , George Bloch , Arshia Cont , Shlomo Dubnov Shlomo, Argamon and Shlomo, Dubnov and Kevin, Burns. The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning, Springer, pp.219-245, 2010, 978-3-642-12337-5. ⟨10.1007/978-3-642-12337-5_10⟩ Chapitre d'ouvrage hal-00694801v1
	Anticipatory Model of Musical Style Imitation using Collaborative and Competitive Reinforcement Learning Arshia Cont , Shlomo Dubnov , Gerard Assayag Butz M.V. and Sigaud O. and Pezzulo G. and Baldassarre G. Anticipatory Behavior in Adaptive Learning Systems, 4520, Springer Verlag, pp.285-306, 2007, Lecture Notes in Computer Science / Artificial Intelligence (LNAI), 978-3-540-74261-6 Chapitre d'ouvrage hal-00839073v1

	A Dynamic Timed-Language for Computer-Human Musical Interaction José Echeveste , Jean-Louis Giavitto , Arshia Cont [Research Report] RR-8422, INRIA. 2013 Rapport hal-00917469v1

	Modeling musical anticipation: From the time of music to the music of time Arshia Cont Computer Science [cs]. Université Pierre et Marie Curie - Paris VI, 2008. English. ⟨NNT : ⟩ Thèse tel-00417565v1

	Real-time Programming and Processing of Music Signals Arshia Cont Sound [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013 HDR tel-00829771v1

Arshia Cont

Publications

Efficient similarity-based data clustering by optimal object to cluster reallocation

First steps toward embedding real-time audio computing in Antescofo

A visual framework for dynamic mixed music notation

Un ordinateur dans l'orchestre

Operational semantics of a domain specific language for real time musician-computer interaction

An information-geometric approach to real-time audio segmentation

Synchronisme musical et musiques mixtes: du temps écrit au temps produit

Antescofo à l'avant-garde de l'informatique musicale

L'ordinateur qui joue comme un musicien

Modélisation anticipative des systèmes musicaux. Reconnaissance, génération, synchronisation et programmation synchrone temps réel en informatique musicale

On the Information Geometry of Audio Streams with Applications to Similarity Computing

Interaction musicale en temps réel entre musiciens et ordinateur : L'informatique musicale, de l'accompagnement musical automatique vers la programmation synchrone en temps réel.

A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment

A coupled duration-focused architecture for realtime music to score alignment

Time, Timelines and Temporal Scopes in the Antescofo DSL v1.0

Embedding native audio-processing in a score following system with quasi sample accuracy

An online EM algorithm in hidden (semi-)Markov models for audio segmentation and clustering

Non-overlapping, Time-coherent Visualisation of Action Commands in the AscoGraph Interactive Music User Interface

Real-Time Audio-to-Score Alignment of Singing Voice Based on Melody and Lyric Information

Autoregressive hidden semi-Markov model of symbolic music performance for score following

Visualizing Timed, Hierarchical Code Structures in AscoGraph

Coherent Time Modeling of semi-Markov Models with Application to Real-Time Audio-to-Score Alignment

The Cyber-Physical System Approach for Automatic Music Accompaniment in Antescofo

AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music

From Authored to Produced Time in Computer-Musician Interactions

Saliency-based modeling of acoustic scenes using sparse non-negative matrix factorization

Chromax, the other side of the spectral delay between signal processing and composition

Online change detection in exponential families with unknown parameters

Sparse representations for modeling environmental acoustic scenes, application to train stations soundscapes

Correct Automatic Accompaniment Despite Machine Listening or Human Errors in Antescofo

Applications de la géométrie de l'information au traitement des flux audio temps-réel

On the creative use of score following and its impact on research

Accelerating the Mixing Phase in Studio Recording Productions by Automatic Audio Alignment

Formalisation des relations temporelles entre une partition et une performance musicale dans un contexte d’accompagnement automatique

A Unified Approach to Real Time Audio-to-Score and Audio-to-Audio Alignment Using Sequential Montecarlo Inference Techniques

Applications of information geometry to audio signal processing

Formalisation des relations temporelles dans un contexte d'accompagnement musical automatique

Accelerating the Mixing Phase in Studio Recording Productions by Automatic Audio Alignemtnt

Audio Oracle Analysis of Musical Information Rate

Segmentation statistique de flux audio en temps-réel dans le cadre de la géométrie de l'information

The C in IRCAM : Coordinating Musical Research at IRCAM

Real-time polyphonic music transcription with non-negative matrix factorization and beta-divergence

Making an orchestra speak

ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music.

Evaluation of Real-Time Audio-to-Score Alignment

Real-time Transcription of Music Signals

Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals using Sparse Non-negative Constraints

Audio Oracle: A New Algorithm for Fast Learning of Audio Structures

GUIDAGE: A Fast Audio Query Guided Assemblage

Realtime Audio to Score Alignment for Polyphonic Music Instruments Using Sparse Non-negative constraints and Hierarchical HMMs

OMAX Brothers: A Dynamic Topology of Agents for Improvisation Learning

Realtime Multiple Pitch Observation using Sparse Non-negative Constraints

Omax Brothers : a Dynamic Topology of Agents for Improvization Learning

A framework for Anticipatory Machine Improvisation and Style Imitation

Training Ircam's Score Follower

From Boulez to Ballads: Training Ircam's Score Follower

Implicit Learning of Musical Performance Parameters

Musical Research at Ircam

Marco Stroppas musikalische Technologie

Real-time detection of overlapping sound events with non-negative matrix factorization

Interaction with Machine Improvisation

Anticipatory Model of Musical Style Imitation using Collaborative and Competitive Reinforcement Learning

A Dynamic Timed-Language for Computer-Human Musical Interaction

Modeling musical anticipation: From the time of music to the music of time

Real-time Programming and Processing of Music Signals