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Number of documents

33

CV


Journal articles15 documents

  • Armelle Parey. Kate Atkinson’s Crime Fiction: Exception as a Rule. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2020, ⟨10.4000/ebc.8351⟩. ⟨hal-03048527⟩
  • Armelle Parey. Becoming Morse in Endeavour: the Prequel as Locus of Reconstruction of the Past?. TV/Series, GRIC - Groupe de recherche Identités et Cultures, 2019, ⟨10.4000/tvseries.3751⟩. ⟨hal-02332728⟩
  • Armelle Parey. Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2019, ⟨10.4000/ebc.6565⟩. ⟨hal-02388442⟩
  • Armelle Parey. The Art of Recording Li(v)es in A.S. Byatt’s Fiction. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2018, ⟨10.4000/ebc.4330⟩. ⟨hal-02388443⟩
  • Armelle Parey. “There's a wooden thing for sitting”: Representing Memory Loss in Emma Healey's Elizabeth is Missing.. Anglophonia, French Journal of English Studies, Presse universitaires du Mirail, 2018, La Vie de l'oubli dans le littérature britannique des XXe et XXIe siècles/ The Life of Forgetting in Twentieth and Twenty-First Century British Literature, pp.65-80. ⟨hal-02332723⟩
  • Armelle Parey. « Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement ». Sillages Critiques, Presses de l'Université de Paris-Sorbonne, 2018. ⟨hal-02388445⟩
  • Armelle Parey. “Susan Hill's Mrs de Winter and Sally Beauman's Rebecca's Tale : ‘re-visions’ of Daphne du Maurier’s Rebecca?”. Odisea, Revista de estudios ingleses, 2017, ⟨10.25115/odisea.v0i17.350⟩. ⟨hal-03070660⟩
  • Armelle Parey. Confluence and the Neo-Victorian in Dickensian. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2017, ⟨10.4000/ebc.3607⟩. ⟨hal-02171903⟩
  • Armelle Parey. WHEN CHARLES DICKENS ENTERS THE HOUSE OF FICTION: PETER CAREY'S JACK MAGGS AND JOSEPH O'CONNOR'S STAR OF THE SEA. Odisea, Revista de estudios ingleses, 2017, ⟨10.25115/odisea.v0i9.206⟩. ⟨hal-03070663⟩
  • Armelle Parey. AS - Poetic Justice, Endings and Epilogues in Sense and Sensibility. Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2016, ⟨10.4000/miranda.9384⟩. ⟨hal-02171963⟩
  • Armelle Parey. “Susan Hill's Mrs de Winter and Sally Beauman's Rebecca's Tale : ‘re-visions’ of Daphne du Maurier’s Rebecca?”. Odisea, Revista de estudios ingleses, 2016, pp.7-17. ⟨hal-02388447⟩
  • Armelle Parey. Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2015, ⟨10.4000/erea.4731⟩. ⟨hal-02274534⟩
  • Armelle Parey. (Re)Constructing Memory with “Imagination’s Invisible Ink” in Carol Shields’ The Stone Diaries. Études canadiennes / Canadian Studies : Revue interdisciplinaire des études canadiennes en France, Association française des études canadiennes (AFEC), 2013, Mémoire(s) : construction, interprétation, enjeux, pp.59-71. ⟨10.4000/eccs.249⟩. ⟨hal-02265722⟩
  • Armelle Parey. Space Matters in Rachel Cusk’s Arlington Park. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2013, ⟨10.4000/erea.3192⟩. ⟨hal-02171922⟩
  • Armelle Parey. Closure and Happy Endings in Janet Frame’s The Lagoon and Other Stories. Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2013, ⟨10.4000/miranda.3395⟩. ⟨hal-02171973⟩

Conference papers1 document

  • Armelle Parey. “Sensory aspects in A.S. Byatt’s neo-Victorian fiction”. “Neo-Victorianism and the Senses: Sensing the Past”, Mar 2019, University of Surrey, United Kingdom. ⟨hal-02428635⟩

Books1 document

  • Armelle Parey, Nicole Cloarec, Anne-Laure Fortin-Tournès. Ian McEwan's Atonement (2001) and Joe Wright's film adaptation (2007). Ellipses, pp.240, 2017, 978-2-340-02127-3. ⟨hal-02183812⟩

Book sections6 documents

  • Armelle Parey. Servants with a Voice in Jo Baker's Longbourn, a Coquel to Pride and Prejudice. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction, Routledge, pp. 81-93, 2019, 9781138345157. ⟨hal-02266350⟩
  • Armelle Parey. “Adapting Unsettling Endings and Harlequinization: Neil LaBute’s Possession and Joe Wright’s Atonement”.. Armelle Parey; Shannon Wells-Lassagne. Adapting Endings from Book to Screen, Routledge, pp.140-151, 2019, 9780367200688. ⟨hal-02373450⟩
  • Armelle Parey. “Narrative Expansions – The Story so Far...”.. Armelle Parey. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction., Routledge, pp.1-24, 2018, 9781138345157. ⟨hal-02428622⟩
  • Armelle Parey. “Self-conscious poetic Justice in A. S. Byatt's Possession, a Romance”. Armelle Parey; Isabelle Roblin. A.S. Byatt, Before and After Possession: Recent critical approaches., pp. 97-110, 2017, Book Practices and Textual Itineraries, 978-2-8143-0329-4. ⟨hal-02388430⟩
  • Armelle Parey. Stratégies du 'faire vrai' dans The Stone Diaries de Carol Shields . Dir. D. Thion Soriano-Mollà; N. François; J. Albrespit. Fabriques de vérité(s), L'œuvre littéraire au miroir de la vérité. vol.2., L'Harmattan, pp.271-280, 2016, 978-2-343-06317-1. ⟨hal-02388433⟩
  • Armelle Parey. "Kate Atkinson: Rewriting the Fairy Tale's Happy Ending in Human Croquet”. Estelle Epinoux; Nathalie Martinière. Rewriting in the 20th-21st Centuries: Aesthetic Choice or Political Act?, Michel Houdiard, pp.119-130, 2015, 9782-2-35692-122-2. ⟨hal-02388440⟩

Directions of work or proceedings9 documents

  • Armelle Parey, Wells-Lassagne Shannon. Adapting Endings from Book to Screen. Routledge, 2020, 978-0-367-20068-8. ⟨hal-02388453⟩
  • Nathalie Collé, Monica Latham, Armelle Parey, Isabelle Roblin. Reading Ian McEwan’s Mature Fiction: New Critical Approaches. Presses Universitaires de Nancy - Editions Universitaires de Lorraine. Book Practices & Textual Itineraries (13), 2020. ⟨hal-02934880⟩
  • Armelle Parey, Isabelle Roblin. Reading Ian McEwan's Mature Fiction: New Critical Approaches. 13, PUN - Editions Universitaires de Lorraine, 2020, Book Practices and Textual Itineraries, 978-2-8143-0591-5. ⟨hal-03280099⟩
  • Wells-Lassagne Shannon, Armelle Parey. Adapting Endings from Book to Film. 2019. ⟨halshs-02020584⟩
  • Armelle Parey. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction. Routledge, 2019, 9781138345157. ⟨hal-02264423⟩
  • Armelle Parey, Isabelle Roblin. A.S. Byatt, Before and After Possession. 2017, 9782814303294. ⟨hal-02264425⟩
  • Nathalie Collé, Monica Latham, Armelle Parey, Isabelle Roblin. A. S. Byatt, Before and After Possession: Recent and Critical Approaches. Presses Universitaires de Nancy - Editions Universitaires de Lorraine. Book Practices & Textual Itineraries (8), 200 pp., 2017, 978-2-8143-0329-4. ⟨hal-02934721⟩
  • Armelle Parey, François Gallix, Isabelle Roblin. L'inachevé ou l'ère des possibles dans la littérature anglophone: Récits ouverts et incomplets. Presses Universitaires de Caen, 2014, 9782841335008. ⟨hal-02264429⟩
  • Armelle Parey, Isabelle Roblin. Literary Happy Endings: Closure for Sunny Imaginations. Shaker Verlag, 2012, 978-3-8440-1444-0. ⟨hal-02265721⟩

Other publications1 document

  • Armelle Parey. Brenda Beckman-Long, Carol Shields and the Writer-Critic, Toronto: University of Toronto Press, 2015 (161 p.) in Commonwealth Essays and Studies 39.2 (Spring 2017). 125-126.. 2017. ⟨hal-02428618⟩