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Keywords

Epilogue Coquel Atonement film Prequel Rebecca American fiction Memory Sequel Endings Adaptations cinématographiques Atkinson Kate Ang Lee Alzheimer ' s disease Poetic justice Ending Closure Self-reflexivity Transfictionality Susan Hill Mrs de Winter
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36

Armelle Parey

Armelle Parey is a senior lecturer at the Université de Caen Normandie. Her interests include narrative endings, memory and rewritings of the past in contemporary English-speaking fiction, with a special emphasis on the neo-Victorian novel. She has co-edited several collections of essays on the question of narrative closure.

In the course of the many conferences organised at Caen and abroad, she invited A.S. Byatt (2015), Ian McEwan (2018) and Patricia Duncker (2019). She has recently co-edited A.S. Byatt, Before and After Possession: Recent Critical Approaches (PU de Nancy-Editions de Lorraine, 2017) and Reading Ian McEwan's Mature Fiction: New Critical Approaches (PU de Nancy-Editions de Lorraine, 2020), Adapting Endings from Book to Screen (Routledge, 2020) and edited Prequels, Coquels and Sequels in Contemporary Anglophone Fiction (Routledge, 2019).



Directions of work or proceedings8 documents

  • Armelle Parey, Wells-Lassagne Shannon. Adapting Endings from Book to Screen. Routledge, 2020, 978-0-367-20068-8. ⟨hal-02388453⟩
  • Armelle Parey, Isabelle Roblin. Reading Ian McEwan's Mature Fiction: New Critical Approaches. Presses Universitaires de Nancy - Editions Universitaires de Lorraine. 13 (13), PUN - Editions Universitaires de Lorraine, 2020, Book Practices and Textual Itineraries, 978-2-8143-0591-5. ⟨hal-03280099⟩
  • Armelle Parey. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction. Routledge, 2019, 9781138345157. ⟨hal-02264423⟩
  • Armelle Parey, Isabelle Roblin. A.S. Byatt, Before and After Possession: Recent and Critical Approaches. Presses Universitaires de Nancy - Editions Universitaires de Lorraine. Book Practices & Textual Itineraries (8), Presses Universitaires de Nancy; Editions Universitaires de Lorraine, 200 pp., 2017, Book Practices & Textual Itineraries, 9782814303294. ⟨hal-02264425⟩
  • Armelle Parey, François Gallix, Isabelle Roblin. L'inachevé ou l'ère des possibles dans la littérature anglophone: Récits ouverts et incomplets. Presses Universitaires de Caen, 2014, 9782841335008. ⟨hal-02264429⟩
  • Armelle Parey, Isabelle Roblin. Literary Happy Endings: Closure for Sunny Imaginations. Shaker Verlag, 2012, 978-3-8440-1444-0. ⟨hal-02265721⟩
  • Armelle Parey, Isabelle Roblin, Dominique Sipière. Happy Endings and Films. Michel Houdiard, 2010, 9782356920348. ⟨hal-03737010⟩
  • Armelle Parey. Re-Writing Jane Eyre. Réécritures II. Revue LISA / LISA e-journal, 2006, ⟨10.4000/lisa.1157⟩. ⟨hal-03737006⟩

Books1 document

  • Armelle Parey, Nicole Cloarec, Anne-Laure Fortin-Tournès. Ian McEwan's Atonement (2001) and Joe Wright's film adaptation (2007). Ellipses, pp.240, 2017, 978-2-340-02127-3. ⟨hal-02183812⟩

Journal articles19 documents

  • Armelle Parey. Reviving Historical Fiction in Kate Atkinson’s Life After Life. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2022, ⟨10.4000/ebc.11908⟩. ⟨hal-03688555⟩
  • Armelle Parey. Adapting fragmentation: changing borders in Olive Kitteridge (HBO 2014); Case Histories, (BBC 2011-2013); Love and Friendship (2016) and Sanditon (ITV 2019). Interfaces : image, texte, language, Université de Bourgogne ; College of the Holy Cross ; Université de Paris, 2022, ⟨10.4000/interfaces.4858⟩. ⟨hal-03736997⟩
  • Armelle Parey. On the Afterlives of Daphne Du Maurier’s Rebecca: Spinoffs and Transfictions. Revue LISA / LISA e-journal, Presses universitaires de Rennes, 2021, ⟨10.4000/lisa.13552⟩. ⟨hal-03603231⟩
  • Armelle Parey. Kate Atkinson’s Crime Fiction: Exception as a Rule. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2020, ⟨10.4000/ebc.8351⟩. ⟨hal-03048527⟩
  • Armelle Parey. Becoming Morse in Endeavour: the Prequel as Locus of Reconstruction of the Past?. TV/Series, GRIC - Groupe de recherche Identités et Cultures, 2019, ⟨10.4000/tvseries.3751⟩. ⟨hal-02332728⟩
  • Armelle Parey. Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2019, ⟨10.4000/ebc.6565⟩. ⟨hal-02388442⟩
  • Armelle Parey. “There's a wooden thing for sitting”: Representing Memory Loss in Emma Healey's Elizabeth is Missing.. Anglophonia, French Journal of English Studies, Presse universitaires du Mirail, 2018, La Vie de l'oubli dans le littérature britannique des XXe et XXIe siècles/ The Life of Forgetting in Twentieth and Twenty-First Century British Literature, pp.65-80. ⟨hal-02332723⟩
  • Armelle Parey. The Art of Recording Li(v)es in A.S. Byatt’s Fiction. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2018, ⟨10.4000/ebc.4330⟩. ⟨hal-02388443⟩
  • Armelle Parey. « Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement ». Sillages Critiques, Presses de l'Université de Paris-Sorbonne, 2018. ⟨hal-02388445⟩
  • Armelle Parey. WHEN CHARLES DICKENS ENTERS THE HOUSE OF FICTION: PETER CAREY'S JACK MAGGS AND JOSEPH O'CONNOR'S STAR OF THE SEA. Odisea, Revista de estudios ingleses, Departamento de Filología - Área de Estudios Ingleses - Universidad de Almería, 2017, ⟨10.25115/odisea.v0i9.206⟩. ⟨hal-03070663⟩
  • Armelle Parey. Confluence and the Neo-Victorian in Dickensian. Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines, Presses universitaires de la Méditerranée, 2017, ⟨10.4000/ebc.3607⟩. ⟨hal-02171903⟩
  • Armelle Parey. “Susan Hill's Mrs de Winter and Sally Beauman's Rebecca's Tale : ‘re-visions’ of Daphne du Maurier’s Rebecca?”. Odisea, Revista de estudios ingleses, Departamento de Filología - Área de Estudios Ingleses - Universidad de Almería, 2017, pp.7-17. ⟨10.25115/odisea.v0i17.350⟩. ⟨hal-03070660⟩
  • Armelle Parey. AS - Poetic Justice, Endings and Epilogues in Sense and Sensibility. Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2016, ⟨10.4000/miranda.9384⟩. ⟨hal-02171963⟩
  • Armelle Parey. Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2015, ⟨10.4000/erea.4731⟩. ⟨hal-02274534⟩
  • Armelle Parey. (Re)Constructing Memory with “Imagination’s Invisible Ink” in Carol Shields’ The Stone Diaries. Études canadiennes / Canadian Studies : Revue interdisciplinaire des études canadiennes en France, Association française des études canadiennes (AFEC), 2013, Mémoire(s) : construction, interprétation, enjeux, pp.59-71. ⟨10.4000/eccs.249⟩. ⟨hal-02265722⟩
  • Armelle Parey. Closure and Happy Endings in Janet Frame’s The Lagoon and Other Stories. Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world , Laboratoire CAS (Cultures anglo-saxonnes), 2013, ⟨10.4000/miranda.3395⟩. ⟨hal-02171973⟩
  • Armelle Parey. Space Matters in Rachel Cusk’s Arlington Park. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2013, ⟨10.4000/erea.3192⟩. ⟨hal-02171922⟩
  • Armelle Parey. “And they didn’t live happily ever after”: D.M. Thomas’s Rewriting of the Ending of Jane Eyre in Charlotte. Revue LISA / LISA e-journal, Presses universitaires de Rennes, 2006, pp.76-90. ⟨10.4000/lisa.1844⟩. ⟨hal-03737003⟩
  • Armelle Parey. Nice Work de David Lodge : Un « Condition of England novel » des années 1980 ?. Revue LISA / LISA e-journal, Presses universitaires de Rennes, 2004, pp.107-118. ⟨10.4000/lisa.2910⟩. ⟨hal-03737004⟩

Conference papers1 document

  • Armelle Parey. “Sensory aspects in A.S. Byatt’s neo-Victorian fiction”. “Neo-Victorianism and the Senses: Sensing the Past”, Mar 2019, University of Surrey, United Kingdom. ⟨hal-02428635⟩

Book sections6 documents

  • Armelle Parey. Servants with a Voice in Jo Baker's Longbourn, a Coquel to Pride and Prejudice. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction, Routledge, pp. 81-93, 2019, 9781138345157. ⟨hal-02266350⟩
  • Armelle Parey. “Adapting Unsettling Endings and Harlequinization: Neil LaBute’s Possession and Joe Wright’s Atonement”.. Armelle Parey; Shannon Wells-Lassagne. Adapting Endings from Book to Screen, Routledge, pp.140-151, 2019, 9780367200688. ⟨hal-02373450⟩
  • Armelle Parey. “Narrative Expansions – The Story so Far...”.. Armelle Parey. Prequels, Coquels and Sequels in Contemporary Anglophone Fiction., Routledge, pp.1-24, 2018, 9781138345157. ⟨hal-02428622⟩
  • Armelle Parey. “Self-conscious poetic Justice in A. S. Byatt's Possession, a Romance”. Armelle Parey; Isabelle Roblin. A.S. Byatt, Before and After Possession: Recent critical approaches., pp. 97-110, 2017, Book Practices and Textual Itineraries, 978-2-8143-0329-4. ⟨hal-02388430⟩
  • Armelle Parey. Stratégies du 'faire vrai' dans The Stone Diaries de Carol Shields . Dir. D. Thion Soriano-Mollà; N. François; J. Albrespit. Fabriques de vérité(s), L'œuvre littéraire au miroir de la vérité. vol.2., L'Harmattan, pp.271-280, 2016, 978-2-343-06317-1. ⟨hal-02388433⟩
  • Armelle Parey. "Kate Atkinson: Rewriting the Fairy Tale's Happy Ending in Human Croquet”. Estelle Epinoux; Nathalie Martinière. Rewriting in the 20th-21st Centuries: Aesthetic Choice or Political Act?, Michel Houdiard, pp.119-130, 2015, 9782-2-35692-122-2. ⟨hal-02388440⟩

Other publications1 document

  • Armelle Parey. Brenda Beckman-Long, Carol Shields and the Writer-Critic, Toronto: University of Toronto Press, 2015 (161 p.) in Commonwealth Essays and Studies 39.2 (Spring 2017). 125-126.. 2017. ⟨hal-02428618⟩