Nombre de documents
20
Alexandra Poulain is Professor of Postcolonial literature at Sorbonne Nouvelle University in Paris. She is the author of Homo Famelicus: le théâtre de Tom Murphy (Presses Universitaires de Caen, 2008) and of Irish Drama, Modernity and the Passion Play (Palgrave, 2016), and has published widely on modern and contemporary Irish drama, with a special interest in the works of W.B. Yeats and Samuel Beckett. Se is also interested in queer studies and visual studies, in particular in the work of South African visual artist and activist Zanele Muholi. She is one of the founding members of the "Shame" network (hosted by research units Prismes and Crew at the Sorbonne Nouvelle) which federates research on the representations and politics of shame in the English-speaking world.
Article dans une revue13 documents
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Alexandra Poulain. "[...] but a play": Laughter and the Reinvention of Theater in The Resurrection. International Yeats Studies , Clemson University Press, 2021, 5 (1), pp.41-52. ⟨10.34068/IYS.05.01.04⟩. ⟨halshs-03335789⟩
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Alexandra Poulain. Blue Balls of Fire and the Ethics of Spectatorship: Verlaine, Yeats, Beckett. Angles: French Perspectives on the Anglophone World, SAES – Société des Anglicistes de l’Enseignement Supérieur, 2020, ⟨10.4000/angles.2432⟩. ⟨halshs-03335749⟩
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Alexandra Poulain. Self-portrait as Epistemic Disobedience: Zanele Muholi’s Somnyama Ngonyama. InMedia : the French Journal of Media and Media Representations in the English-Speaking World, Center for Research on the English-Speaking World (CREW), 2020, ⟨10.4000/inmedia.2409⟩. ⟨hal-03424967⟩
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Alexandra Poulain. « The Playwright as critic: critical discourse in The King of the Great Clock Tower (1934) and A Full Moon in March (1935) ». The Bulletin of the Yeats Society of Japan : Yeats Studies , 2019. ⟨halshs-03335775⟩
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Alexandra Poulain. Gazing Back: Decolonial Strategies in Zanele Muholi’s “Faces and Phases”. Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2019, 42 (1), ⟨10.4000/ces.1262⟩. ⟨halshs-03335753⟩
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Alexandra Poulain. The Queen’s two bodies: Panti at the Abbey. Etudes Irlandaises, Presses universitaires de Rennes, 2018, pp.173-181. ⟨10.4000/etudesirlandaises.5879⟩. ⟨halshs-03335787⟩
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Alexandra Poulain. Failed collaboration and queer love in Yeats’s The Cat and the Moon and Beckett’s Rough for Theatre I. Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, 2018, 71 (2), pp.233-244. ⟨10.5007/2175-8026.2018v71n2p233⟩. ⟨halshs-03335758⟩
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Alexandra Poulain. Living with Ghosts: Re-inventing the Easter Rising in The Dreaming of the Bones and Calvary. The Yeats Journal of Korea/한국 예이츠 저널, 2017, 52, ⟨10.14354/yjk.2017.52.17⟩. ⟨hal-01532964⟩
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Alexandra Poulain. "Grant Me an Old Man' s Frenzy": Age and Rage on the Stage. International Yeats Studies , Clemson University Press, 2016, 1 (1), pp.article 4. ⟨10.34068/IYS.01.01.03⟩. ⟨hal-01471257⟩
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Élisabeth Angel-Perez, Alexandra Poulain. Bêtes de scène. Sillages Critiques, Presses de l'Université de Paris-Sorbonne, 2016, ⟨10.4000/sillagescritiques.4412⟩. ⟨hal-02006458⟩
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Alexandra Poulain. The Irish Dramatic Revival. Etudes Irlandaises, Presses universitaires de Rennes, 2016, pp.187-189. ⟨10.4000/etudesirlandaises.4896⟩. ⟨hal-03279552⟩
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Alexandra Poulain. ‘False impression[s]’ : Writing in The Importance of Being Earnest. Etudes Anglaises, Klincksieck, 2014, 67 (3), pp.290-301. ⟨10.3917/etan.673.0290⟩. ⟨hal-01471260⟩
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Alexandra Poulain. A Body that Matters: Tom Kilroy's Talbot's Box. Studi Irlandesi , Firenze university press, 2013, 3, pp.181-190. ⟨10.13128/SIJIS-2239-3978-13800⟩. ⟨hal-01471263⟩
Ouvrage (y compris édition critique et traduction)3 documents
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Alexandra Poulain. Irish Drama, Modernity and the Passion Play. Palgrave Macmillan. 2016, 978-1-349-94962-5. ⟨10.1057/978-1-349-94963-2⟩. ⟨hal-01471253⟩
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Alexandra Poulain, Élisabeth Angel-Perez. Endgame, ou le théâtre mis en pièces. CNED; Presses Universitaires de France. 2009, 978-2-13-057836-9. ⟨hal-01389805⟩
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Alexandra Poulain. Homo Famelicus: Le théâtre de Tom Murphy. Presses universitaires de Caen. 2008, 978-2-84133-309-7. ⟨hal-01389803⟩
Chapitre d'ouvrage2 documents
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Alexandra Poulain. "About survival: reading Murphy with Lyotard". ed. Nicholas Grene. The Theatre of Tom Murphy, Playwright Adventurer, Bloomsbury, pp. 201-208, 2017. ⟨hal-03423989⟩
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Alexandra Poulain. "Le corps ouvert : de la scène de torture à la Passion dans trois pièces radiophoniques de Beckett". dir. Alexandra Poulain. Passions du corps dans les dramaturgies contemporaines, Presses Universitaires du Septentrion, pp. 123-136, 2011, 978-2-7574-0349-5. ⟨hal-03423938⟩
Direction d'ouvrage, Proceedings, Dossier2 documents
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Alexandra Poulain, Fiona Mccann. Embodying / Disembodying Ireland. Etudes Irlandaises, 42 (1), 2017, ⟨10.4000/etudesirlandaises.5077⟩. ⟨hal-03424013⟩
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Alexandra Poulain. Passions du corps dans les dramaturgies contemporaines. Presses Universitaires du Septentrion, 2011, 978-2-7574-0349-5. ⟨hal-03423960⟩